WEBVTT 00:00:00.000 --> 00:00:06.180 align:middle line:84% And so that the last poem in the book is the tornada this time. 00:00:06.180 --> 00:00:10.560 align:middle line:84% It's called "Skin," and begins with a large U, 00:00:10.560 --> 00:00:13.920 align:middle line:84% which is reminiscent of illuminated manuscripts. 00:00:13.920 --> 00:00:15.420 align:middle line:84% They would have those large letters, 00:00:15.420 --> 00:00:19.540 align:middle line:84% and there would be little pictures inside them. 00:00:19.540 --> 00:00:22.710 align:middle line:84% And so I wanted this large U to suggest that, 00:00:22.710 --> 00:00:25.860 align:middle line:84% because this goes back to an earlier scene of writing. 00:00:25.860 --> 00:00:29.780 align:middle line:84% Before there was this figure of light happily running forever 00:00:29.780 --> 00:00:31.530 align:middle line:84% and ever-- it could have been inspiration, 00:00:31.530 --> 00:00:33.990 align:middle line:84% it could have been death, it could be the artist, 00:00:33.990 --> 00:00:37.080 align:middle line:90% it could be light itself-- 00:00:37.080 --> 00:00:39.990 align:middle line:84% running through that landscape of tissue paper. 00:00:39.990 --> 00:00:43.470 align:middle line:84% This is a very different scene of writing, where the ink is 00:00:43.470 --> 00:00:45.300 align:middle line:90% black and the paper is white. 00:00:45.300 --> 00:00:49.950 align:middle line:90% And the writing surface-- 00:00:49.950 --> 00:00:53.160 align:middle line:84% like paper-- was actually made of a skin of-- it 00:00:53.160 --> 00:00:54.060 align:middle line:90% was called vellum. 00:00:54.060 --> 00:00:56.670 align:middle line:84% And in the Middle Ages they would-- 00:00:56.670 --> 00:00:59.340 align:middle line:84% because this expensive material was rare, 00:00:59.340 --> 00:01:02.700 align:middle line:84% they would use it and then scrape off the writing 00:01:02.700 --> 00:01:04.739 align:middle line:84% if it was no longer needed and use it again. 00:01:04.739 --> 00:01:07.532 align:middle line:84% And that so the surface is a palimpsest. 00:01:07.532 --> 00:01:08.490 align:middle line:90% That's the word for it. 00:01:08.490 --> 00:01:11.280 align:middle line:84% And I think that's a good metaphor for what 00:01:11.280 --> 00:01:14.850 align:middle line:84% anyone who comes to art has to be prepared 00:01:14.850 --> 00:01:18.690 align:middle line:90% to perform this scraping off. 00:01:18.690 --> 00:01:24.840 align:middle line:84% And at the same time, you cannot live simply by writing 00:01:24.840 --> 00:01:27.190 align:middle line:90% your love down on the page. 00:01:27.190 --> 00:01:31.740 align:middle line:90% So this poem called "Skin." 00:01:31.740 --> 00:01:33.720 align:middle line:90% "Uncurl the sheet of vellum. 00:01:33.720 --> 00:01:38.010 align:middle line:84% There are the obscurely interrupted complex roses, 00:01:38.010 --> 00:01:39.690 align:middle line:90% the letters of English. 00:01:39.690 --> 00:01:43.620 align:middle line:84% The vine with 1,000 ears, the decay of the tempera 00:01:43.620 --> 00:01:46.530 align:middle line:84% and the decay of the vegetative shell. 00:01:46.530 --> 00:01:49.410 align:middle line:84% The decay of addition, of cracking, 00:01:49.410 --> 00:01:52.830 align:middle line:84% and air with its vigor, which grinds or is 00:01:52.830 --> 00:01:56.400 align:middle line:84% perhaps shifted away like the day. 00:01:56.400 --> 00:01:58.710 align:middle line:84% Uncurl the sheets, there is in them 00:01:58.710 --> 00:02:01.140 align:middle line:84% the decay of the trembling recorder, 00:02:01.140 --> 00:02:04.740 align:middle line:84% the decay of the dipping hands of the chant, of the anvil 00:02:04.740 --> 00:02:06.120 align:middle line:90% in the ear. 00:02:06.120 --> 00:02:08.460 align:middle line:84% The decay of the swallow-like bell 00:02:08.460 --> 00:02:10.889 align:middle line:90% tolls bolting from the tower. 00:02:10.889 --> 00:02:14.220 align:middle line:84% Did the scrivener will with one's utter heart the snail's 00:02:14.220 --> 00:02:18.480 align:middle line:84% pace risk catch it in the bell's sound, smell it 00:02:18.480 --> 00:02:20.580 align:middle line:90% in the domicile rain? 00:02:20.580 --> 00:02:24.840 align:middle line:84% To love the thin vellums and the erasure scraping on them. 00:02:24.840 --> 00:02:26.880 align:middle line:84% To love anything, you must be prepared 00:02:26.880 --> 00:02:30.682 align:middle line:90% to rip or bare its trace." 00:02:30.682 --> 00:02:31.640 align:middle line:90% That's how I'll finish. 00:02:31.640 --> 00:02:33.419 align:middle line:90% [APPLAUSE] 00:02:33.419 --> 00:02:46.730 align:middle line:90% 00:02:46.730 --> 00:02:48.209 align:middle line:90% Thank you so much. 00:02:48.209 --> 00:02:52.787 align:middle line:84% [INAUDIBLE] And my most serious work. 00:02:52.787 --> 00:02:54.120 align:middle line:90% So that's what I wanted to read. 00:02:54.120 --> 00:02:55.670 align:middle line:90% Thanks. 00:02:55.670 --> 00:03:00.000 align:middle line:90%