WEBVTT 00:00:00.000 --> 00:00:01.170 align:middle line:90% 00:00:01.170 --> 00:00:05.220 align:middle line:84% Lois assigned me a poem last night. 00:00:05.220 --> 00:00:07.920 align:middle line:84% She said if you stayed at the Poetry Cottage, 00:00:07.920 --> 00:00:10.800 align:middle line:84% you had to mix it up with the ghosts in there 00:00:10.800 --> 00:00:13.260 align:middle line:84% and that William Stafford had written 00:00:13.260 --> 00:00:17.070 align:middle line:84% a poem about the birds and flowers waking him 00:00:17.070 --> 00:00:18.570 align:middle line:90% in the morning. 00:00:18.570 --> 00:00:20.700 align:middle line:90% And so she assigned me a poem. 00:00:20.700 --> 00:00:23.280 align:middle line:84% And I knew I wouldn't be able to hear 00:00:23.280 --> 00:00:26.280 align:middle line:84% the birds because the windows were painted shut. 00:00:26.280 --> 00:00:28.546 align:middle line:90% [LAUGHTER] 00:00:28.546 --> 00:00:29.750 align:middle line:90% 00:00:29.750 --> 00:00:32.280 align:middle line:84% So I'm going to take this big risk 00:00:32.280 --> 00:00:33.990 align:middle line:90% and read you the poem I wrote. 00:00:33.990 --> 00:00:36.000 align:middle line:90% It's a first draft. 00:00:36.000 --> 00:00:36.900 align:middle line:90% Remember that. 00:00:36.900 --> 00:00:41.130 align:middle line:84% And it's called "In Bed Looking at Myself" or "William Stafford 00:00:41.130 --> 00:00:42.408 align:middle line:90% Slept Here". 00:00:42.408 --> 00:00:44.898 align:middle line:90% [LAUGHTER] 00:00:44.898 --> 00:00:45.878 align:middle line:90% 00:00:45.878 --> 00:00:47.670 align:middle line:84% That's the only time I'm ever going to give 00:00:47.670 --> 00:00:48.753 align:middle line:90% that other title, however. 00:00:48.753 --> 00:00:49.830 align:middle line:90% It's a very serious poem. 00:00:49.830 --> 00:00:56.500 align:middle line:90% 00:00:56.500 --> 00:01:00.070 align:middle line:84% "Bare legs sprawled and bent against pressed sheets, 00:01:00.070 --> 00:01:03.910 align:middle line:84% I see my skin is not white but some mix of pigment 00:01:03.910 --> 00:01:07.600 align:middle line:84% as difficult to catch as colors squeezed from tubes 00:01:07.600 --> 00:01:12.130 align:middle line:84% on a white plate, thinned with water, the effect at any moment 00:01:12.130 --> 00:01:15.340 align:middle line:84% washed out by a drift of attention 00:01:15.340 --> 00:01:18.700 align:middle line:84% so that the pigment lifts from the paper 00:01:18.700 --> 00:01:21.700 align:middle line:84% and floats on the surface tension of water 00:01:21.700 --> 00:01:24.700 align:middle line:90% without direction. 00:01:24.700 --> 00:01:28.690 align:middle line:84% Trying to catch the fragile light of these legs seen 00:01:28.690 --> 00:01:32.710 align:middle line:84% as wildflowers my teacher stuck in tin coffee cans 00:01:32.710 --> 00:01:37.030 align:middle line:84% this summer, inviting us to paint the impossible. 00:01:37.030 --> 00:01:39.280 align:middle line:90% Did she call them freesias? 00:01:39.280 --> 00:01:41.890 align:middle line:84% Said she'd thrown out seed from a random mix. 00:01:41.890 --> 00:01:44.500 align:middle line:84% And conch-pink, flesh-colored lilies 00:01:44.500 --> 00:01:48.490 align:middle line:84% sprang up in exquisite excess, fringed 00:01:48.490 --> 00:01:51.040 align:middle line:84% with muted green and somewhat scraggly 00:01:51.040 --> 00:01:55.900 align:middle line:84% leaves which served simply as ground and contrast, 00:01:55.900 --> 00:02:00.076 align:middle line:84% not an assertion of their own shapeliness. 00:02:00.076 --> 00:02:04.270 align:middle line:84% In this room, I've been given a blue chest of drawers, 00:02:04.270 --> 00:02:07.120 align:middle line:84% blue door, and the nectarine lowest 00:02:07.120 --> 00:02:10.690 align:middle line:84% placed between two pears now sticky in the cracks where 00:02:10.690 --> 00:02:13.570 align:middle line:90% my fingers meet and bend. 00:02:13.570 --> 00:02:18.970 align:middle line:84% Nobody knows where I am, a body placed in an unfamiliar room, 00:02:18.970 --> 00:02:21.940 align:middle line:84% spread against folds of white cotton, 00:02:21.940 --> 00:02:25.030 align:middle line:84% pit of nectarine glistening in hand, 00:02:25.030 --> 00:02:30.760 align:middle line:84% hot Tucson air pressing up to the window, round moon. 00:02:30.760 --> 00:02:34.270 align:middle line:84% I look down and see my nipples, pink and erect, 00:02:34.270 --> 00:02:39.430 align:middle line:84% sensing moisture, Think of A in San Francisco this morning, 00:02:39.430 --> 00:02:43.300 align:middle line:84% still drowsy under sheets, me packing summer dresses 00:02:43.300 --> 00:02:47.140 align:middle line:84% and light perfume, easing David out of 7:00 AM dreams 00:02:47.140 --> 00:02:51.010 align:middle line:84% to enter the world of binder and combed hair. 00:02:51.010 --> 00:02:56.590 align:middle line:84% Then, looking back to the bed, A's eyes suddenly open upon me. 00:02:56.590 --> 00:02:58.340 align:middle line:90% No words. 00:02:58.340 --> 00:03:03.280 align:middle line:84% Moving towards him to see what shifts had occurred in sleep, 00:03:03.280 --> 00:03:06.610 align:middle line:84% finger tracing his lips, skin listening 00:03:06.610 --> 00:03:11.050 align:middle line:84% to see if he desired me, and did I want him? 00:03:11.050 --> 00:03:14.800 align:middle line:84% Feeling the current begin, pulling me down 00:03:14.800 --> 00:03:17.740 align:middle line:84% to his hot, sleep-heavy mouth, eyes 00:03:17.740 --> 00:03:22.630 align:middle line:84% closed, descending blindly, and where his fingers moved, 00:03:22.630 --> 00:03:25.930 align:middle line:84% and where his cock caught me delicately, 00:03:25.930 --> 00:03:30.910 align:middle line:84% and his whispers in my hair I couldn't hear, arising, 00:03:30.910 --> 00:03:33.940 align:middle line:90% a sweet ache collecting. 00:03:33.940 --> 00:03:35.800 align:middle line:84% At the foot of my bed, the beginning 00:03:35.800 --> 00:03:40.450 align:middle line:84% edge of sunrise seen earlier through the window now 00:03:40.450 --> 00:03:43.330 align:middle line:84% giving form to the bay's little ships, 00:03:43.330 --> 00:03:50.050 align:middle line:84% leaping rooftops, throwing its pink light over us." 00:03:50.050 --> 00:03:53.400 align:middle line:90% [APPLAUSE] 00:03:53.400 --> 00:03:59.000 align:middle line:90%