WEBVTT 00:00:00.000 --> 00:00:04.210 align:middle line:90% 00:00:04.210 --> 00:00:07.170 align:middle line:84% A whole center section of this book 00:00:07.170 --> 00:00:09.450 align:middle line:84% has a lot to do with the disintegration 00:00:09.450 --> 00:00:12.810 align:middle line:84% and the aftermath of a very long marriage. 00:00:12.810 --> 00:00:17.880 align:middle line:84% And my editor likes to call them "sort of love poems." 00:00:17.880 --> 00:00:21.480 align:middle line:90% 00:00:21.480 --> 00:00:22.605 align:middle line:90% And I'll read one of these. 00:00:22.605 --> 00:00:26.010 align:middle line:90% 00:00:26.010 --> 00:00:29.595 align:middle line:84% I've read a lot of William James over the years. 00:00:29.595 --> 00:00:33.270 align:middle line:90% 00:00:33.270 --> 00:00:38.920 align:middle line:84% And so I think a lot about the dynamics of the imagination, 00:00:38.920 --> 00:00:41.880 align:middle line:84% how the imagination is something lived into 00:00:41.880 --> 00:00:44.220 align:middle line:84% and how the imagination sort of lives back into us. 00:00:44.220 --> 00:00:46.920 align:middle line:84% And how we can be in an experience, 00:00:46.920 --> 00:00:49.710 align:middle line:84% imagine returning to that experience, 00:00:49.710 --> 00:00:52.800 align:middle line:84% and, even more, can imagine returning to that experience 00:00:52.800 --> 00:00:56.280 align:middle line:84% and forgetting what it was originally like. 00:00:56.280 --> 00:00:57.960 align:middle line:84% And therefore feeling a sense of loss, 00:00:57.960 --> 00:01:01.680 align:middle line:84% even though we've got something back. 00:01:01.680 --> 00:01:02.460 align:middle line:90% So this is it. 00:01:02.460 --> 00:01:04.050 align:middle line:90% This is called "Some Voice." 00:01:04.050 --> 00:01:05.640 align:middle line:84% This thing takes place in Venice. 00:01:05.640 --> 00:01:11.490 align:middle line:84% And in Venice, a piazza is called a campo. 00:01:11.490 --> 00:01:13.080 align:middle line:90% And this is this little campo. 00:01:13.080 --> 00:01:13.920 align:middle line:90% And there's a voice. 00:01:13.920 --> 00:01:15.168 align:middle line:90% Somebody's practicing. 00:01:15.168 --> 00:01:15.960 align:middle line:90% Somebody's singing. 00:01:15.960 --> 00:01:16.980 align:middle line:90% Somebody's vocalizing. 00:01:16.980 --> 00:01:20.260 align:middle line:90% 00:01:20.260 --> 00:01:25.240 align:middle line:84% Also, my favorite site in Venice are the gondola yards. 00:01:25.240 --> 00:01:27.400 align:middle line:84% Gondolas require a great deal of work. 00:01:27.400 --> 00:01:30.550 align:middle line:84% They have to be scraped down and re-pitched 00:01:30.550 --> 00:01:33.170 align:middle line:90% every six to eight weeks. 00:01:33.170 --> 00:01:38.650 align:middle line:90% It's high intensive labor. 00:01:38.650 --> 00:01:41.170 align:middle line:84% But they're beautiful when they're upended. 00:01:41.170 --> 00:01:43.990 align:middle line:90% The sun strikes them. 00:01:43.990 --> 00:01:45.862 align:middle line:90% It's quite a beautiful thing. 00:01:45.862 --> 00:01:47.320 align:middle line:84% The title of this is, "Some Voice." 00:01:47.320 --> 00:01:52.620 align:middle line:90% 00:01:52.620 --> 00:01:57.270 align:middle line:84% "Past the silky gondola hulls, arcaded in the boatyard, 00:01:57.270 --> 00:02:02.490 align:middle line:84% we walked that afternoon to our favorite grubby campo, 00:02:02.490 --> 00:02:09.000 align:middle line:84% empty, except for cats and one plain tree, with bench. 00:02:09.000 --> 00:02:11.340 align:middle line:90% We loved it so much. 00:02:11.340 --> 00:02:14.280 align:middle line:84% We walked just to be there, imagining 00:02:14.280 --> 00:02:16.950 align:middle line:90% some time we'd spend the night. 00:02:16.950 --> 00:02:19.950 align:middle line:84% The little hotel, it's frank lantern, 00:02:19.950 --> 00:02:25.830 align:middle line:84% its dim sign dimmer by day, we'd remember just like that. 00:02:25.830 --> 00:02:28.500 align:middle line:84% The tree's patchy shades work down your arm 00:02:28.500 --> 00:02:33.510 align:middle line:90% as it pointed up, over there. 00:02:33.510 --> 00:02:39.300 align:middle line:84% Locating the voice, it's open window, the soprano scales, 00:02:39.300 --> 00:02:41.970 align:middle line:90% tipped down to us. 00:02:41.970 --> 00:02:44.760 align:middle line:90% All life is hidden life. 00:02:44.760 --> 00:02:48.030 align:middle line:84% Don't believe everything you hear. 00:02:48.030 --> 00:02:54.810 align:middle line:84% To us, or not to us, her voice fell into that year, 00:02:54.810 --> 00:02:57.990 align:middle line:90% then ten more. 00:02:57.990 --> 00:03:00.810 align:middle line:84% Routine practice doesn't call to anyone. 00:03:00.810 --> 00:03:06.330 align:middle line:84% It simply falls through footbridges, black holes, 00:03:06.330 --> 00:03:09.180 align:middle line:90% and plain tree. 00:03:09.180 --> 00:03:15.150 align:middle line:84% When we went back, the singing wasn't there for us. 00:03:15.150 --> 00:03:19.110 align:middle line:84% We take what's given and work with that. 00:03:19.110 --> 00:03:21.260 align:middle line:90% The rest is grace." 00:03:21.260 --> 00:03:23.000 align:middle line:90%