WEBVTT 00:00:00.000 --> 00:00:02.220 align:middle line:90% 00:00:02.220 --> 00:00:04.590 align:middle line:84% I've written for years about the visual arts. 00:00:04.590 --> 00:00:07.155 align:middle line:84% I don't often write poems about that subject. 00:00:07.155 --> 00:00:09.430 align:middle line:90% 00:00:09.430 --> 00:00:11.430 align:middle line:84% But some years ago, there was a big Vermeer show 00:00:11.430 --> 00:00:13.698 align:middle line:84% that was going around, which I missed. 00:00:13.698 --> 00:00:15.240 align:middle line:84% A friend of mine sent me the catalog. 00:00:15.240 --> 00:00:17.448 align:middle line:84% And I was leafing through it, and I saw this painting 00:00:17.448 --> 00:00:20.130 align:middle line:84% that I've seen so many times in the Metropolitan, the Girl 00:00:20.130 --> 00:00:23.220 align:middle line:90% with the Pearl Earring. 00:00:23.220 --> 00:00:24.690 align:middle line:90% And so I began. 00:00:24.690 --> 00:00:27.540 align:middle line:84% Words began stirring, and this thing turned up. 00:00:27.540 --> 00:00:31.900 align:middle line:84% I live in San Francisco, and I live in the Haight. 00:00:31.900 --> 00:00:34.860 align:middle line:84% Haight Street is just two and a half blocks down-- 00:00:34.860 --> 00:00:37.890 align:middle line:84% thank god-- the hill, from where I live. 00:00:37.890 --> 00:00:42.000 align:middle line:90% 00:00:42.000 --> 00:00:46.280 align:middle line:84% So this is "Girl with Pearl Earring by Johannes Vermeer." 00:00:46.280 --> 00:00:48.860 align:middle line:90% 00:00:48.860 --> 00:00:53.360 align:middle line:84% "He put the spirit essence, the light pip, 00:00:53.360 --> 00:00:59.300 align:middle line:84% not only in each eye's albumen concentrate of starlight, 00:00:59.300 --> 00:01:03.890 align:middle line:84% but must have been taught how to do that by first finding it 00:01:03.890 --> 00:01:05.690 align:middle line:90% in the pearl. 00:01:05.690 --> 00:01:09.710 align:middle line:84% He posed, then corrected, in dusty studio light that 00:01:09.710 --> 00:01:12.380 align:middle line:84% pounced on the window, behind which 00:01:12.380 --> 00:01:18.380 align:middle line:84% sits the cheeky girl, pearl, pear- and apple-blossom cheeks. 00:01:18.380 --> 00:01:22.550 align:middle line:84% A fake description, naturally, of their plain fleshiness, 00:01:22.550 --> 00:01:24.200 align:middle line:90% drably golden. 00:01:24.200 --> 00:01:27.230 align:middle line:84% And her lips, from Haight Street's darlings. 00:01:27.230 --> 00:01:31.400 align:middle line:84% Nose studs, jacket studs, girls with that kind of eye. 00:01:31.400 --> 00:01:36.920 align:middle line:84% One by the ATM machine, casual, juicy, and so fair, 00:01:36.920 --> 00:01:39.350 align:middle line:90% a Netherlandish type. 00:01:39.350 --> 00:01:41.630 align:middle line:90% Panhandling strangers. 00:01:41.630 --> 00:01:46.490 align:middle line:84% Pomegranate seed ball bearings agleam in her nose. 00:01:46.490 --> 00:01:50.540 align:middle line:84% Pearls, not sea-harvested, but imagined. 00:01:50.540 --> 00:01:56.240 align:middle line:84% Seen, put there by a certain need and fancy, 00:01:56.240 --> 00:01:59.720 align:middle line:90% because love says it's so. 00:01:59.720 --> 00:02:01.580 align:middle line:90% Picture that. 00:02:01.580 --> 00:02:03.460 align:middle line:90% Picture this."