WEBVTT 00:00:00.000 --> 00:00:07.730 align:middle line:90% 00:00:07.730 --> 00:00:11.930 align:middle line:84% Next poem is from my book "Mere Mortals." 00:00:11.930 --> 00:00:15.530 align:middle line:90% It's called "Obscenity." 00:00:15.530 --> 00:00:18.530 align:middle line:84% The anthropologist E.E. Evans-Pritchard 00:00:18.530 --> 00:00:20.720 align:middle line:84% founded the discipline of social anthropology 00:00:20.720 --> 00:00:21.980 align:middle line:90% on a study of the Nuer. 00:00:21.980 --> 00:00:24.590 align:middle line:84% They were the people that I lived with. 00:00:24.590 --> 00:00:29.510 align:middle line:84% And he wrote a lot about many other people in the Sudan. 00:00:29.510 --> 00:00:34.520 align:middle line:84% And this one seemed very timely in the '90s. 00:00:34.520 --> 00:00:36.290 align:middle line:90% I mean, my poem seemed timely. 00:00:36.290 --> 00:00:39.380 align:middle line:90% He was timely for a long time. 00:00:39.380 --> 00:00:41.420 align:middle line:84% The quote is, "Obscenity is not often 00:00:41.420 --> 00:00:44.690 align:middle line:84% an expression uttered by an individual under great stress 00:00:44.690 --> 00:00:48.170 align:middle line:84% and condemned as bad taste, but one permitted and even 00:00:48.170 --> 00:00:49.490 align:middle line:90% prescribed by society." 00:00:49.490 --> 00:00:52.710 align:middle line:90% 00:00:52.710 --> 00:00:55.650 align:middle line:90% "Among the Ba-Ila, among-- 00:00:55.650 --> 00:01:00.630 align:middle line:84% as if swarming the Petri dish of the British imperialist, 00:01:00.630 --> 00:01:04.349 align:middle line:84% there exist expressions used collectively, 00:01:04.349 --> 00:01:07.480 align:middle line:84% that is, in the presence of women and children, 00:01:07.480 --> 00:01:12.540 align:middle line:84% in fact, in chorus, since these obscenities are sung, 00:01:12.540 --> 00:01:15.180 align:middle line:84% not scrawled across a riverbank where 00:01:15.180 --> 00:01:19.230 align:middle line:84% innocent boaters of Victorian persuasion 00:01:19.230 --> 00:01:21.300 align:middle line:90% might encounter them. 00:01:21.300 --> 00:01:25.770 align:middle line:84% His great penis is a size, a thing without end. 00:01:25.770 --> 00:01:28.980 align:middle line:90% It must have a long unwinding. 00:01:28.980 --> 00:01:31.410 align:middle line:90% That, the female mourner's song. 00:01:31.410 --> 00:01:34.230 align:middle line:84% The translation arch, as if the words 00:01:34.230 --> 00:01:40.230 align:middle line:84% themselves might make the gourd warrior rise in tumescence. 00:01:40.230 --> 00:01:43.290 align:middle line:84% Sometimes it's just what they do with their hands, singing, 00:01:43.290 --> 00:01:47.220 align:middle line:84% writes the patrician scientist, who considered obscenity 00:01:47.220 --> 00:01:51.930 align:middle line:84% a privilege, a way to spur routine labor with ardor, 00:01:51.930 --> 00:01:55.770 align:middle line:84% or to invoke life at the moment of death. 00:01:55.770 --> 00:01:59.220 align:middle line:84% I drag in the anthropological, so one can reject 00:01:59.220 --> 00:02:01.920 align:middle line:90% the paradigm of the primitive. 00:02:01.920 --> 00:02:07.350 align:middle line:84% We, who have no physical labor which requires our neighbor, 00:02:07.350 --> 00:02:12.000 align:middle line:84% nor sustained interest in creation, except in art, 00:02:12.000 --> 00:02:14.295 align:middle line:90% that work to ward off death. 00:02:14.295 --> 00:02:16.940 align:middle line:90% 00:02:16.940 --> 00:02:20.870 align:middle line:84% There will always be those in the boat who slow down, 00:02:20.870 --> 00:02:25.240 align:middle line:84% who listen and transcribe in their tiny script." 00:02:25.240 --> 00:02:28.000 align:middle line:90%