WEBVTT 00:00:00.000 --> 00:00:00.510 align:middle line:90% 00:00:00.510 --> 00:00:02.310 align:middle line:90% Two more. 00:00:02.310 --> 00:00:07.530 align:middle line:84% Waking at Dusk From a Nap, this poem is called. 00:00:07.530 --> 00:00:11.520 align:middle line:84% If you've done that, you'll recall a moment of confusion. 00:00:11.520 --> 00:00:13.620 align:middle line:90% You look out the window. 00:00:13.620 --> 00:00:16.530 align:middle line:84% The clock would say, for example, 6 o'clock. 00:00:16.530 --> 00:00:22.470 align:middle line:84% It's either dusk or dawn, you have no idea which. 00:00:22.470 --> 00:00:25.560 align:middle line:84% So this could even be accompanied 00:00:25.560 --> 00:00:27.480 align:middle line:90% by not knowing where you are. 00:00:27.480 --> 00:00:28.530 align:middle line:90% But just as you move-- 00:00:28.530 --> 00:00:29.155 align:middle line:90% [SNAPS FINGERS] 00:00:29.155 --> 00:00:32.040 align:middle line:84% In that first moments of consciousness out of sleep, 00:00:32.040 --> 00:00:34.200 align:middle line:84% you're not-- you don't know where you are in time. 00:00:34.200 --> 00:00:35.783 align:middle line:84% You don't know where you are in space. 00:00:35.783 --> 00:00:37.920 align:middle line:84% And that pretty much puts you adrift in terms 00:00:37.920 --> 00:00:39.270 align:middle line:90% of knowing where you are. 00:00:39.270 --> 00:00:41.910 align:middle line:84% And yet rapidly somehow, we regather 00:00:41.910 --> 00:00:45.930 align:middle line:84% whatever information is necessary to know where we are. 00:00:45.930 --> 00:00:49.500 align:middle line:84% That's all that happens in this poem in terms 00:00:49.500 --> 00:00:51.090 align:middle line:90% of direct and dramatic action. 00:00:51.090 --> 00:00:52.830 align:middle line:90% It has a pretty slow plot. 00:00:52.830 --> 00:00:56.340 align:middle line:84% But there are many other things that happen to it. 00:00:56.340 --> 00:00:57.750 align:middle line:90% Waking at dusk from a nap. 00:00:57.750 --> 00:01:01.570 align:middle line:90% 00:01:01.570 --> 00:01:04.870 align:middle line:84% In the years that passed through an afternoon's dream, 00:01:04.870 --> 00:01:09.880 align:middle line:84% like tape that fast forward, there are syllables somehow 00:01:09.880 --> 00:01:11.800 align:middle line:90% in the waterfall. 00:01:11.800 --> 00:01:14.440 align:middle line:84% And in the dream I hear them each clearly. 00:01:14.440 --> 00:01:18.850 align:middle line:84% A classroom of children reciting their names. 00:01:18.850 --> 00:01:21.580 align:middle line:90% I am not in the dream. 00:01:21.580 --> 00:01:24.490 align:middle line:90% It's as if I am the dream. 00:01:24.490 --> 00:01:29.470 align:middle line:84% The dream in which such distinctions go without saying, 00:01:29.470 --> 00:01:32.230 align:middle line:84% and in which a confusion I may soon have-- 00:01:32.230 --> 00:01:34.750 align:middle line:90% did I wake at dawn or dusk-- 00:01:34.750 --> 00:01:36.700 align:middle line:90% seems anticipated. 00:01:36.700 --> 00:01:42.190 align:middle line:84% A strand of stars goes by, like elephants spliced trunk to tail 00:01:42.190 --> 00:01:45.460 align:middle line:84% in children's books or ivory carvings. 00:01:45.460 --> 00:01:48.610 align:middle line:84% And the dream won't say if they're through for the night, 00:01:48.610 --> 00:01:52.060 align:middle line:90% or amiably headed for work. 00:01:52.060 --> 00:01:54.820 align:middle line:84% And the dream and once, I remember, 00:01:54.820 --> 00:01:57.070 align:middle line:90% it seemed I was the dream. 00:01:57.070 --> 00:02:01.720 align:middle line:84% The dream tilts up to pour me out. 00:02:01.720 --> 00:02:03.220 align:middle line:84% For an instant when I wake there's 00:02:03.220 --> 00:02:07.240 align:middle line:84% a whir, perhaps of props and stagehands. 00:02:07.240 --> 00:02:11.530 align:middle line:84% And a laggard star scrambles over the transom. 00:02:11.530 --> 00:02:16.030 align:middle line:84% Then the grainy world with its swirls and lesions, 00:02:16.030 --> 00:02:21.310 align:middle line:84% its puckering dusk light, its dimming patina, its used 00:02:21.310 --> 00:02:26.170 align:middle line:84% and casual beauty, reassembles itself exactly. 00:02:26.170 --> 00:02:30.340 align:middle line:84% And I climb down from bed, gather my spilled book 00:02:30.340 --> 00:02:32.530 align:middle line:84% from the floor, and watch the lights 00:02:32.530 --> 00:02:36.070 align:middle line:84% come on in the valley like bright type being 00:02:36.070 --> 00:02:38.500 align:middle line:90% set in another language. 00:02:38.500 --> 00:02:39.000 align:middle line:90%