WEBVTT 00:00:00.000 --> 00:00:00.900 align:middle line:90% 00:00:00.900 --> 00:00:03.420 align:middle line:90% Well, does that work? 00:00:03.420 --> 00:00:04.320 align:middle line:90% Good. 00:00:04.320 --> 00:00:06.060 align:middle line:84% So I want to thank the Poetry Center 00:00:06.060 --> 00:00:08.460 align:middle line:84% for inviting me to read and have the honor with reading 00:00:08.460 --> 00:00:09.420 align:middle line:90% with Karen and Anne. 00:00:09.420 --> 00:00:12.090 align:middle line:84% It's very lovely to be here and see all of your faces, 00:00:12.090 --> 00:00:13.200 align:middle line:90% so thank you for coming. 00:00:13.200 --> 00:00:17.610 align:middle line:90% 00:00:17.610 --> 00:00:19.650 align:middle line:84% So I don't talk a lot between poems. 00:00:19.650 --> 00:00:24.110 align:middle line:84% I know some people do that, so I guess if you have questions, 00:00:24.110 --> 00:00:25.485 align:middle line:84% you can ask me afterwards, maybe. 00:00:25.485 --> 00:00:31.850 align:middle line:90% 00:00:31.850 --> 00:00:33.600 align:middle line:84% And my first poem is going to be the title 00:00:33.600 --> 00:00:36.750 align:middle line:84% poem of the book, Noctilucent, which 00:00:36.750 --> 00:00:39.720 align:middle line:84% means light produced in darkness, so I will say that. 00:00:39.720 --> 00:00:43.530 align:middle line:90% 00:00:43.530 --> 00:00:46.410 align:middle line:90% "Noctilucent." 00:00:46.410 --> 00:00:52.320 align:middle line:84% "In speaking of kyanos, cyano blue, a dark blue mineral 00:00:52.320 --> 00:00:56.460 align:middle line:84% and designations of certain bluish salts and minerals, 00:00:56.460 --> 00:01:02.790 align:middle line:84% of cyanide, cyanic, the blueness of skin, cyan, 00:01:02.790 --> 00:01:07.200 align:middle line:84% the blueness of sky whose greenish blue is like water 00:01:07.200 --> 00:01:12.150 align:middle line:84% breathed in, supplants air, my cyanosis, 00:01:12.150 --> 00:01:14.310 align:middle line:84% condition in which the skin appears 00:01:14.310 --> 00:01:18.240 align:middle line:84% blue from no oxygen in the blood. 00:01:18.240 --> 00:01:23.250 align:middle line:84% Blue the blue of painted Greek boats, blue mercury light, 00:01:23.250 --> 00:01:26.454 align:middle line:84% alive with the kindling of moths, 00:01:26.454 --> 00:01:31.860 align:middle line:84% shy, shining in the night, little noctilucae not marred 00:01:31.860 --> 00:01:36.840 align:middle line:84% in their bioluminescence, night glow if bugs, 00:01:36.840 --> 00:01:41.310 align:middle line:84% making marine phosphorescence like love. 00:01:41.310 --> 00:01:44.640 align:middle line:84% Latin moon-lantern, Japanese moon-lanterns 00:01:44.640 --> 00:01:48.780 align:middle line:84% strung orange for the night-walk to a lover's door, 00:01:48.780 --> 00:01:51.900 align:middle line:84% preceding electric blue lights of the city. 00:01:51.900 --> 00:01:54.390 align:middle line:84% From space, nights are illuminated 00:01:54.390 --> 00:02:00.600 align:middle line:84% by noctilucent clouds, waves, beaches, and celestial orbs, 00:02:00.600 --> 00:02:05.160 align:middle line:84% migrations of aquatic plants whose cyan flight is mutable 00:02:05.160 --> 00:02:09.479 align:middle line:84% change in light, dark the homes we 00:02:09.479 --> 00:02:16.490 align:middle line:84% make glowing in other bodies, our lovers asleep inside us." 00:02:16.490 --> 00:02:18.000 align:middle line:90%