WEBVTT 00:00:00.000 --> 00:00:01.170 align:middle line:90% 00:00:01.170 --> 00:00:02.790 align:middle line:84% I thought of saying another thing too, 00:00:02.790 --> 00:00:05.190 align:middle line:84% because many people that I've met while have been here 00:00:05.190 --> 00:00:08.070 align:middle line:84% are writers and have an interest in this kind of thing. 00:00:08.070 --> 00:00:12.810 align:middle line:84% This poem, I sent off to what was then 00:00:12.810 --> 00:00:15.870 align:middle line:84% the newly appointed poetry editor of Esquire, 00:00:15.870 --> 00:00:17.070 align:middle line:90% James Dickey. 00:00:17.070 --> 00:00:20.670 align:middle line:84% And so he sent it off to the head office, 00:00:20.670 --> 00:00:22.910 align:middle line:90% and along with another. 00:00:22.910 --> 00:00:25.320 align:middle line:84% And apparently he didn't prevail on the second one, 00:00:25.320 --> 00:00:29.370 align:middle line:84% but they published this and I got a note back 00:00:29.370 --> 00:00:33.630 align:middle line:84% from an editor of Esquire accepting this poem. 00:00:33.630 --> 00:00:36.700 align:middle line:84% And then there's a little note scribbled on the side. 00:00:36.700 --> 00:00:41.260 align:middle line:90% Remember me, Genesis West? 00:00:41.260 --> 00:00:43.260 align:middle line:84% Now the reason I want to say this to the writers 00:00:43.260 --> 00:00:45.030 align:middle line:90% here is, yes. 00:00:45.030 --> 00:00:46.440 align:middle line:90% Yes, I remember. 00:00:46.440 --> 00:00:49.530 align:middle line:84% Years ago, there was this desperate little magazine 00:00:49.530 --> 00:00:54.000 align:middle line:84% out there in the Bay Area called Genesis West. 00:00:54.000 --> 00:00:55.920 align:middle line:84% That's a renaissance that didn't happen. 00:00:55.920 --> 00:01:01.290 align:middle line:84% It's defunct years ago, but the editor then 00:01:01.290 --> 00:01:04.410 align:middle line:84% was this desperate character who now has all that power 00:01:04.410 --> 00:01:08.280 align:middle line:90% and money back there pumping. 00:01:08.280 --> 00:01:12.000 align:middle line:90% Well, now I want to try-- 00:01:12.000 --> 00:01:14.650 align:middle line:84% most of this as I know very well, 00:01:14.650 --> 00:01:20.730 align:middle line:84% has been just sort of in the middle. 00:01:20.730 --> 00:01:23.880 align:middle line:84% And I don't have anything very extreme, 00:01:23.880 --> 00:01:26.340 align:middle line:84% but there is something I feel like making. 00:01:26.340 --> 00:01:28.920 align:middle line:84% I don't want to overdo this apology business 00:01:28.920 --> 00:01:33.870 align:middle line:84% at the beginning, because that would oversell it in some ways, 00:01:33.870 --> 00:01:39.250 align:middle line:84% but freedom to communicate is all kinds of freedom. 00:01:39.250 --> 00:01:42.420 align:middle line:84% And I think I believe in all of them, 00:01:42.420 --> 00:01:46.090 align:middle line:84% but I want to try one that's a little bit different. 00:01:46.090 --> 00:01:48.010 align:middle line:84% And so forgive me if this is wrong. 00:01:48.010 --> 00:01:50.640 align:middle line:84% This is not the last poem, but there are two more 00:01:50.640 --> 00:01:54.570 align:middle line:84% to take the weight off this one, but this is called "Bess." 00:01:54.570 --> 00:01:57.860 align:middle line:90% 00:01:57.860 --> 00:02:02.885 align:middle line:84% "Ours are the streets, where Bess first met her cancer. 00:02:02.885 --> 00:02:06.230 align:middle line:90% 00:02:06.230 --> 00:02:11.320 align:middle line:84% She went to work every day, passed the secure houses. 00:02:11.320 --> 00:02:15.610 align:middle line:84% At her job in the library, she arranged better and better 00:02:15.610 --> 00:02:17.110 align:middle line:90% flowers. 00:02:17.110 --> 00:02:19.960 align:middle line:84% And when students asked for books, 00:02:19.960 --> 00:02:23.590 align:middle line:90% her hand went out to help. 00:02:23.590 --> 00:02:26.740 align:middle line:84% In the last year of her life, she 00:02:26.740 --> 00:02:31.540 align:middle line:84% had to keep her friends from knowing how happy they were. 00:02:31.540 --> 00:02:37.720 align:middle line:84% She listened while they complained about food or work, 00:02:37.720 --> 00:02:39.670 align:middle line:90% or the weather. 00:02:39.670 --> 00:02:44.470 align:middle line:84% And the great national events danced their grotesque fake 00:02:44.470 --> 00:02:46.600 align:middle line:90% importance. 00:02:46.600 --> 00:02:52.720 align:middle line:84% Always pain moved where she moved, she walked ahead. 00:02:52.720 --> 00:02:56.680 align:middle line:90% It came, she hid. 00:02:56.680 --> 00:02:58.660 align:middle line:90% It found her. 00:02:58.660 --> 00:03:01.360 align:middle line:84% No one ever served another so truly. 00:03:01.360 --> 00:03:05.410 align:middle line:84% No enemy ever meant so strong a hate. 00:03:05.410 --> 00:03:10.420 align:middle line:84% It was almost as if there was no room left for her on earth, 00:03:10.420 --> 00:03:13.930 align:middle line:84% but she remembered where joy used to live. 00:03:13.930 --> 00:03:16.060 align:middle line:90% She straightened his flowers. 00:03:16.060 --> 00:03:20.060 align:middle line:84% She did not weep when she passed its houses. 00:03:20.060 --> 00:03:23.380 align:middle line:84% And when finally she pulled into a tiny corner 00:03:23.380 --> 00:03:27.430 align:middle line:84% and slipped from pain, her hand opened again. 00:03:27.430 --> 00:03:31.800 align:middle line:84% And the streets opened, and she wished all well." 00:03:31.800 --> 00:03:34.000 align:middle line:90%