WEBVTT 00:00:00.000 --> 00:00:02.760 align:middle line:90% 00:00:02.760 --> 00:00:04.980 align:middle line:84% The feeling I wanted to induce, I 00:00:04.980 --> 00:00:07.680 align:middle line:84% can almost persuade myself that it's authentic 00:00:07.680 --> 00:00:08.820 align:middle line:90% while I'm doing it. 00:00:08.820 --> 00:00:11.650 align:middle line:84% There are many juggling things after and all sorts of things, 00:00:11.650 --> 00:00:13.110 align:middle line:84% but the feeling I wanted to induce 00:00:13.110 --> 00:00:20.820 align:middle line:84% is that of entering trustfully on a succession of just 00:00:20.820 --> 00:00:26.880 align:middle line:84% trivial things that occur to you. 00:00:26.880 --> 00:00:30.630 align:middle line:84% In this case, to me, but to any of us. 00:00:30.630 --> 00:00:33.300 align:middle line:84% And what I'm looking for now is some way 00:00:33.300 --> 00:00:41.700 align:middle line:84% to say as directly as possible, that the process is one of-- 00:00:41.700 --> 00:00:45.180 align:middle line:84% I don't think it's one of being original 00:00:45.180 --> 00:00:51.990 align:middle line:84% or of being responsible, or intelligent or sensitive 00:00:51.990 --> 00:00:53.880 align:middle line:90% or anything like that. 00:00:53.880 --> 00:00:58.050 align:middle line:90% It's just of being trustful. 00:00:58.050 --> 00:01:00.990 align:middle line:90% It's like accepting what occurs. 00:01:00.990 --> 00:01:06.030 align:middle line:84% And the other day in class here, I 00:01:06.030 --> 00:01:09.750 align:middle line:84% raked back a memory of what I've said before, 00:01:09.750 --> 00:01:11.520 align:middle line:90% stolen from William Blake. 00:01:11.520 --> 00:01:14.730 align:middle line:84% He said, I give you the end of a golden string. 00:01:14.730 --> 00:01:16.650 align:middle line:90% Just roll it into a ball. 00:01:16.650 --> 00:01:19.200 align:middle line:84% It will lead you in at heaven's gate, 00:01:19.200 --> 00:01:21.420 align:middle line:90% built in Jerusalem's wall. 00:01:21.420 --> 00:01:24.900 align:middle line:84% And this process is like getting that golden string. 00:01:24.900 --> 00:01:27.900 align:middle line:84% If you feel that you already know where it's going, 00:01:27.900 --> 00:01:30.810 align:middle line:84% you'll let it go and head for what that editor wants 00:01:30.810 --> 00:01:33.510 align:middle line:84% or what your society is calling for, 00:01:33.510 --> 00:01:36.960 align:middle line:84% or what someone you're a rival to tells you. 00:01:36.960 --> 00:01:43.350 align:middle line:84% But if you trust that forward groping of your own, 00:01:43.350 --> 00:01:44.830 align:middle line:90% then it leads. 00:01:44.830 --> 00:01:46.260 align:middle line:90% It leads. 00:01:46.260 --> 00:01:53.020 align:middle line:84% Well, today in class, I found myself 00:01:53.020 --> 00:01:57.490 align:middle line:84% led by some kind of suicidal impulse, 00:01:57.490 --> 00:02:02.890 align:middle line:84% to keep referring to poets from way back like Virgil. 00:02:02.890 --> 00:02:07.750 align:middle line:84% And well, so I want to read the poem that 00:02:07.750 --> 00:02:10.750 align:middle line:84% has the disquieting possibility of being 00:02:10.750 --> 00:02:17.710 align:middle line:84% compared to an overwhelming classical poem by Catullus. 00:02:17.710 --> 00:02:20.890 align:middle line:84% This is not Hail and Farewell, but it's called 00:02:20.890 --> 00:02:24.280 align:middle line:90% "At the Grave of My Brother." 00:02:24.280 --> 00:02:28.510 align:middle line:84% "The mirror cared less and less at the last, 00:02:28.510 --> 00:02:31.540 align:middle line:84% but the tone of his voice roamed. 00:02:31.540 --> 00:02:36.190 align:middle line:84% Had more to find, back to the year he was born. 00:02:36.190 --> 00:02:41.470 align:middle line:84% And the world that saw him a while, again went blind. 00:02:41.470 --> 00:02:44.350 align:middle line:84% Drawn backward along the street, he 00:02:44.350 --> 00:02:48.580 align:middle line:84% disappeared by the cedars that faded a long time ago. 00:02:48.580 --> 00:02:52.510 align:middle line:84% Near the grave where a mother's hair was a screen, but 00:02:52.510 --> 00:02:55.570 align:middle line:90% she was crying. 00:02:55.570 --> 00:02:59.680 align:middle line:84% I see a sparrow, chubby like him. 00:02:59.680 --> 00:03:05.290 align:middle line:84% Full of promise, barely holding a branch and ready to fly. 00:03:05.290 --> 00:03:11.260 align:middle line:84% In his house today, his children begin to recede from this year 00:03:11.260 --> 00:03:14.590 align:middle line:90% and go their own way. 00:03:14.590 --> 00:03:17.550 align:middle line:90% Brother, goodbye." 00:03:17.550 --> 00:03:18.087 align:middle line:90%