WEBVTT 00:00:00.000 --> 00:00:02.325 align:middle line:90% 00:00:02.325 --> 00:00:04.020 align:middle line:90% This poem it's called "Snow." 00:00:04.020 --> 00:00:09.118 align:middle line:90% 00:00:09.118 --> 00:00:11.160 align:middle line:84% And I guess it's about as close as I've ever come 00:00:11.160 --> 00:00:13.680 align:middle line:90% to writing an aesthetic credo. 00:00:13.680 --> 00:00:20.705 align:middle line:90% 00:00:20.705 --> 00:00:23.080 align:middle line:84% It wasn't standing on the socket it would have stayed on. 00:00:23.080 --> 00:00:27.190 align:middle line:90% 00:00:27.190 --> 00:00:28.660 align:middle line:84% It's the only poem that I ever did 00:00:28.660 --> 00:00:32.020 align:middle line:84% write that has anything vaguely like a Latin term in it, 00:00:32.020 --> 00:00:33.640 align:middle line:84% and not because I don't know them, 00:00:33.640 --> 00:00:36.453 align:middle line:84% but I don't particularly enjoy them, especially in poetry. 00:00:36.453 --> 00:00:37.870 align:middle line:84% In writing poems, for some reason, 00:00:37.870 --> 00:00:39.850 align:middle line:84% that is not a language that I happen 00:00:39.850 --> 00:00:45.130 align:middle line:84% to be able to feel good about using. 00:00:45.130 --> 00:00:47.023 align:middle line:90% This would sneak some in though. 00:00:47.023 --> 00:00:47.815 align:middle line:90% It's called "Snow". 00:00:47.815 --> 00:00:50.520 align:middle line:90% 00:00:50.520 --> 00:00:54.780 align:middle line:84% "Snow involves irrelevance, assumes 00:00:54.780 --> 00:01:01.440 align:middle line:84% forms a priori a stone, tree, mountainside, orders 00:01:01.440 --> 00:01:05.459 align:middle line:84% the chaos visible on slopes or fields and falling, 00:01:05.459 --> 00:01:10.080 align:middle line:84% softens all in light, softens all the hard, dark, necessary 00:01:10.080 --> 00:01:15.480 align:middle line:84% ledge of rock, wound to the peak and twigs that clenched down 00:01:15.480 --> 00:01:18.630 align:middle line:84% that branch down through clenched Earth, 00:01:18.630 --> 00:01:22.935 align:middle line:84% conceals and shines around the informed edge, the hazard." 00:01:22.935 --> 00:01:27.360 align:middle line:90% 00:01:27.360 --> 00:01:29.580 align:middle line:84% I was thinking in particular in that 00:01:29.580 --> 00:01:33.580 align:middle line:84% poem about skiing and about the way snow covers things. 00:01:33.580 --> 00:01:36.330 align:middle line:84% So sometimes, you can't see branches and so on hanging down 00:01:36.330 --> 00:01:38.610 align:middle line:84% or see that that's quite what they are. 00:01:38.610 --> 00:01:41.580 align:middle line:90% 00:01:41.580 --> 00:01:44.510 align:middle line:84% And a friend pointed out to me perfectly correctly, I think, 00:01:44.510 --> 00:01:46.760 align:middle line:84% that it depends on what you intend to use the snow for 00:01:46.760 --> 00:01:49.260 align:middle line:84% or whether it's concealing hazards for instance 00:01:49.260 --> 00:01:52.770 align:middle line:90% and all that kind of thing. 00:01:52.770 --> 00:01:57.300 align:middle line:84% And also insisted in the fact the snow doesn't order chaos 00:01:57.300 --> 00:01:59.976 align:middle line:90% at all but creates a new chaos. 00:01:59.976 --> 00:02:01.470 align:middle line:84% And at which point, I found myself 00:02:01.470 --> 00:02:03.430 align:middle line:84% agreeing with him perfectly well. 00:02:03.430 --> 00:02:07.170 align:middle line:84% And with this unfeasible poem on my hands, 00:02:07.170 --> 00:02:09.500 align:middle line:90% which I still liked anyway. 00:02:09.500 --> 00:02:10.000 align:middle line:90%