WEBVTT 00:00:00.000 --> 00:00:01.050 align:middle line:90% 00:00:01.050 --> 00:00:03.510 align:middle line:84% Actually, I'm not a very prolific writer. 00:00:03.510 --> 00:00:07.470 align:middle line:84% It's just that my books are very short. 00:00:07.470 --> 00:00:10.313 align:middle line:84% And so I come out with plenty of them. 00:00:10.313 --> 00:00:11.730 align:middle line:84% I'm very pleased to be in Arizona, 00:00:11.730 --> 00:00:13.860 align:middle line:84% but it upsets all my generalizations. 00:00:13.860 --> 00:00:17.970 align:middle line:90% 00:00:17.970 --> 00:00:20.250 align:middle line:84% I was saying to somebody earlier this evening 00:00:20.250 --> 00:00:23.820 align:middle line:84% that when I met Dylan Thomas, he was on the wagon. 00:00:23.820 --> 00:00:27.322 align:middle line:84% And when I come to Arizona, it's pouring with rain. 00:00:27.322 --> 00:00:28.560 align:middle line:90% [LAUGHTER] 00:00:28.560 --> 00:00:29.712 align:middle line:90% Still, that's all right. 00:00:29.712 --> 00:00:31.440 align:middle line:90% [LAUGHS] 00:00:31.440 --> 00:00:38.220 align:middle line:84% I'd like to start with a few fairly old poems 00:00:38.220 --> 00:00:42.300 align:middle line:84% and then go on to some more recent stuff, 00:00:42.300 --> 00:00:45.635 align:middle line:84% largely for selfish reasons in that I'm 00:00:45.635 --> 00:00:47.010 align:middle line:84% more interested in what I've been 00:00:47.010 --> 00:00:50.110 align:middle line:84% writing in the last few years and feel more involved with it. 00:00:50.110 --> 00:00:51.360 align:middle line:90% And so I read it better. 00:00:51.360 --> 00:00:53.982 align:middle line:90% 00:00:53.982 --> 00:00:55.275 align:middle line:90% But maybe that's not selfish. 00:00:55.275 --> 00:00:59.200 align:middle line:90% 00:00:59.200 --> 00:01:02.000 align:middle line:84% If anybody at the back cannot hear me at any time, 00:01:02.000 --> 00:01:04.305 align:middle line:84% please shout out, even in the middle of a poem. 00:01:04.305 --> 00:01:05.680 align:middle line:84% Because there's very little point 00:01:05.680 --> 00:01:10.360 align:middle line:84% in sitting in an audience when you can't hear somebody. 00:01:10.360 --> 00:01:12.670 align:middle line:84% I'd like to start with a poem I usually start 00:01:12.670 --> 00:01:14.710 align:middle line:90% with called "The Goddess." 00:01:14.710 --> 00:01:18.880 align:middle line:84% And it turns out the goddess is Proserpina, 00:01:18.880 --> 00:01:20.590 align:middle line:84% or sometimes known as Persephone, 00:01:20.590 --> 00:01:26.570 align:middle line:84% who is a kind of fertility goddess, I guess. 00:01:26.570 --> 00:01:28.870 align:middle line:84% You remember she was picking flowers innocently 00:01:28.870 --> 00:01:31.930 align:middle line:90% when suddenly Pluto-- 00:01:31.930 --> 00:01:34.210 align:middle line:84% not the dog but the god of the underworld-- 00:01:34.210 --> 00:01:36.440 align:middle line:90% [LAUGHTER] 00:01:36.440 --> 00:01:39.770 align:middle line:84% --rushed up and carried her off to hell and raped her-- 00:01:39.770 --> 00:01:41.240 align:middle line:90% Hades, I mean-- and raped her. 00:01:41.240 --> 00:01:45.800 align:middle line:84% And her mother, finally, after much beseeching, 00:01:45.800 --> 00:01:51.620 align:middle line:84% got her back to the Earth for part of the year. 00:01:51.620 --> 00:01:53.180 align:middle line:84% But she has to go back every fall. 00:01:53.180 --> 00:01:55.490 align:middle line:84% And obviously, she stands for fertility. 00:01:55.490 --> 00:01:59.150 align:middle line:84% And she has to die, or at least go under the Earth, 00:01:59.150 --> 00:02:01.790 align:middle line:84% like the plants every fall and then come back in the spring. 00:02:01.790 --> 00:02:05.000 align:middle line:84% But I'm using her here not just as a fertility goddess but as 00:02:05.000 --> 00:02:08.250 align:middle line:84% kind of a goddess of energy and, in that case, 00:02:08.250 --> 00:02:09.664 align:middle line:90% maybe as a kind of muse, too. 00:02:09.664 --> 00:02:13.137 align:middle line:90% 00:02:13.137 --> 00:02:13.720 align:middle line:90% "The Goddess." 00:02:13.720 --> 00:02:17.270 align:middle line:90% 00:02:17.270 --> 00:02:21.080 align:middle line:84% "When eyeless fish meet her on her way upward, 00:02:21.080 --> 00:02:26.210 align:middle line:84% they gently turn together in the dark brooks. 00:02:26.210 --> 00:02:28.970 align:middle line:84% But naked and searching as a wind, 00:02:28.970 --> 00:02:33.650 align:middle line:84% she will allow no hindrance, none, and bursts 00:02:33.650 --> 00:02:39.980 align:middle line:84% up through potholes and narrow flues, seeking an outlet. 00:02:39.980 --> 00:02:46.700 align:middle line:84% Unslowed by fire, rock, water, or clay, she after a time 00:02:46.700 --> 00:02:51.080 align:middle line:84% reaches the soft, abundant soil, which still does not 00:02:51.080 --> 00:02:54.650 align:middle line:90% dissipate her force, for, look! 00:02:54.650 --> 00:02:59.590 align:middle line:84% Sinewy thyme, reeking in the sunlight, rats breeding, 00:02:59.590 --> 00:03:02.420 align:middle line:84% breeding in their nests, and the soldier 00:03:02.420 --> 00:03:04.970 align:middle line:84% by a park bench with his greatcoat collar 00:03:04.970 --> 00:03:11.480 align:middle line:84% up, waiting all evening for a woman, any woman, 00:03:11.480 --> 00:03:17.850 align:middle line:84% her dress tight across her ass as bark in moonlight. 00:03:17.850 --> 00:03:29.140 align:middle line:84% Goddess, Proserpina, it is we, vulnerable, quivering, 00:03:29.140 --> 00:03:32.430 align:middle line:90% who stay you to abundance." 00:03:32.430 --> 00:03:34.000 align:middle line:90%