WEBVTT 00:00:00.000 --> 00:00:00.810 align:middle line:90% 00:00:00.810 --> 00:00:05.880 align:middle line:84% I'll read four more poems, if you can stand that many. 00:00:05.880 --> 00:00:15.290 align:middle line:84% This next one is a poem about something 00:00:15.290 --> 00:00:20.180 align:middle line:84% very difficult to talk about, about the way we acquire 00:00:20.180 --> 00:00:23.810 align:middle line:84% knowledge intuitively, which sounds a little pompous 00:00:23.810 --> 00:00:25.790 align:middle line:90% right for a start. 00:00:25.790 --> 00:00:27.290 align:middle line:84% But it's something that does happen. 00:00:27.290 --> 00:00:30.470 align:middle line:84% I mean, it is not only in rational ways 00:00:30.470 --> 00:00:31.670 align:middle line:90% that one acquires knowledge. 00:00:31.670 --> 00:00:33.420 align:middle line:90% It is not only by observation. 00:00:33.420 --> 00:00:37.970 align:middle line:84% There are certain things that come to one in curious ways. 00:00:37.970 --> 00:00:40.820 align:middle line:84% It's called "Wrestling with Angels." 00:00:40.820 --> 00:00:45.397 align:middle line:84% Now, angels-- oh, I don't know whether in Hebrew or Greek, 00:00:45.397 --> 00:00:47.480 align:middle line:84% but in one of those languages, it meant messenger. 00:00:47.480 --> 00:00:50.600 align:middle line:84% And originally, an angel was not a gorgeous Renaissance 00:00:50.600 --> 00:00:54.230 align:middle line:84% thing with wings, it was a messenger from God 00:00:54.230 --> 00:00:55.940 align:middle line:90% who looked like a human being. 00:00:55.940 --> 00:00:57.860 align:middle line:84% Maybe a little strange, maybe something 00:00:57.860 --> 00:01:05.480 align:middle line:84% a little sinister about him or fae in the old Scottish word. 00:01:05.480 --> 00:01:08.750 align:middle line:90% But, different. 00:01:08.750 --> 00:01:10.263 align:middle line:84% When Jacob wrestled with the angel-- 00:01:10.263 --> 00:01:11.930 align:middle line:84% and I'm referring to that in the title-- 00:01:11.930 --> 00:01:14.372 align:middle line:90% it's "Wrestling with Angels." 00:01:14.372 --> 00:01:15.830 align:middle line:84% Jacob-- I don't think knew at first 00:01:15.830 --> 00:01:19.490 align:middle line:84% that it was an angel until the angel won. 00:01:19.490 --> 00:01:24.605 align:middle line:90% 00:01:24.605 --> 00:01:28.730 align:middle line:84% And I mean angels here as being supernatural 00:01:28.730 --> 00:01:32.090 align:middle line:84% and as being messengers from something 00:01:32.090 --> 00:01:34.080 align:middle line:90% beyond man's knowledge. 00:01:34.080 --> 00:01:36.950 align:middle line:90% I also refer to a palimpsest. 00:01:36.950 --> 00:01:40.400 align:middle line:90% A palimpsest is a-- 00:01:40.400 --> 00:01:42.710 align:middle line:84% well, let me start sentence again. 00:01:42.710 --> 00:01:46.100 align:middle line:84% In early medieval times when they 00:01:46.100 --> 00:01:50.030 align:middle line:84% used to write on parchments, parchments were actually 00:01:50.030 --> 00:01:52.850 align:middle line:90% dried goat skins, I think. 00:01:52.850 --> 00:01:56.360 align:middle line:84% And they would write on them with a sharp stylus, 00:01:56.360 --> 00:01:59.120 align:middle line:90% a sharp pen. 00:01:59.120 --> 00:02:02.780 align:middle line:84% And some, maybe a couple of hundred years later, 00:02:02.780 --> 00:02:03.752 align:middle line:90% people would think-- 00:02:03.752 --> 00:02:05.460 align:middle line:84% parchment being short-- they would think, 00:02:05.460 --> 00:02:07.790 align:middle line:84% well, I don't need that writing anymore. 00:02:07.790 --> 00:02:10.460 align:middle line:84% Let's wipe it all out and use it all over again, 00:02:10.460 --> 00:02:12.410 align:middle line:90% as was possible. 00:02:12.410 --> 00:02:15.470 align:middle line:84% Maybe this would happen yet again as fashions changed 00:02:15.470 --> 00:02:17.730 align:middle line:90% and people felt their-- 00:02:17.730 --> 00:02:20.630 align:middle line:84% the things they needed to read might change. 00:02:20.630 --> 00:02:23.480 align:middle line:84% However, this stylus was so sharp 00:02:23.480 --> 00:02:25.460 align:middle line:84% that by holding it up to the light, 00:02:25.460 --> 00:02:28.260 align:middle line:84% you can still see the other things that were written there. 00:02:28.260 --> 00:02:31.520 align:middle line:84% So you get two or three or even four different levels 00:02:31.520 --> 00:02:34.310 align:middle line:84% of writing, which is sometimes difficult to decipher 00:02:34.310 --> 00:02:35.810 align:middle line:90% but they can be deciphered. 00:02:35.810 --> 00:02:37.370 align:middle line:84% And this is known as a palimpsest. 00:02:37.370 --> 00:02:40.420 align:middle line:90% 00:02:40.420 --> 00:02:41.230 align:middle line:90% It all fits in. 00:02:41.230 --> 00:02:46.930 align:middle line:90% 00:02:46.930 --> 00:02:49.045 align:middle line:90% "Wrestling with Angels." 00:02:49.045 --> 00:02:49.795 align:middle line:90% For Robert Duncan. 00:02:49.795 --> 00:02:53.900 align:middle line:90% 00:02:53.900 --> 00:03:01.640 align:middle line:84% Discourse of sun and moon fire and beginnings 00:03:01.640 --> 00:03:06.320 align:middle line:84% behind words the illuminated words. 00:03:06.320 --> 00:03:11.120 align:middle line:84% A palimpsest the discourse having been erased and replaced 00:03:11.120 --> 00:03:13.100 align:middle line:90% with words of a roll. 00:03:13.100 --> 00:03:15.410 align:middle line:84% But if you hold the parchment to light, 00:03:15.410 --> 00:03:20.090 align:middle line:84% you may see the discourse where the stylus pressed 00:03:20.090 --> 00:03:24.110 align:middle line:84% the fat, where it has always held continuing luminous 00:03:24.110 --> 00:03:26.360 align:middle line:90% behind. 00:03:26.360 --> 00:03:29.870 align:middle line:84% The covering script, transparent to it. 00:03:29.870 --> 00:03:31.460 align:middle line:90% No secret. 00:03:31.460 --> 00:03:32.630 align:middle line:90% Clear. 00:03:32.630 --> 00:03:34.130 align:middle line:90% Still. 00:03:34.130 --> 00:03:36.800 align:middle line:84% Like a high window you never noticed. 00:03:36.800 --> 00:03:37.850 align:middle line:90% It lets in light. 00:03:37.850 --> 00:03:40.870 align:middle line:90% 00:03:40.870 --> 00:03:47.110 align:middle line:84% Continual discourse of angels, and sons of angels, of semen, 00:03:47.110 --> 00:03:50.650 align:middle line:84% of beginnings, lucid accounts of flight, 00:03:50.650 --> 00:03:54.490 align:middle line:84% arms for wings, a tale of wrestling with a stranger, 00:03:54.490 --> 00:04:00.520 align:middle line:84% a stranger like a man, like a messenger. 00:04:00.520 --> 00:04:04.660 align:middle line:84% Loping compact in familiar places, 00:04:04.660 --> 00:04:07.060 align:middle line:84% he moves with that separate grace, 00:04:07.060 --> 00:04:11.335 align:middle line:84% that sureness afoot you know in animal and angel. 00:04:11.335 --> 00:04:15.620 align:middle line:90% 00:04:15.620 --> 00:04:19.610 align:middle line:84% Messages from sun and moon picked up 00:04:19.610 --> 00:04:23.510 align:middle line:90% on waves, interpreted. 00:04:23.510 --> 00:04:29.840 align:middle line:84% The sun and moon for signs for seasons hang in darkness. 00:04:29.840 --> 00:04:32.330 align:middle line:90% Visible mysteries. 00:04:32.330 --> 00:04:34.415 align:middle line:90% Fire and reflected fire. 00:04:34.415 --> 00:04:37.530 align:middle line:90% 00:04:37.530 --> 00:04:41.560 align:middle line:90% Language of tides and seasons. 00:04:41.560 --> 00:04:44.500 align:middle line:90% Luminous discourse. 00:04:44.500 --> 00:04:47.790 align:middle line:90% Telling about beginnings. 00:04:47.790 --> 00:04:49.280 align:middle line:90%