WEBVTT 00:00:00.000 --> 00:00:04.140 align:middle line:90% 00:00:04.140 --> 00:00:07.620 align:middle line:84% I've had a theme of doubles running through the book 00:00:07.620 --> 00:00:09.780 align:middle line:84% as the title indicates, and I want 00:00:09.780 --> 00:00:13.500 align:middle line:84% to read a poem called "The Likeness." 00:00:13.500 --> 00:00:21.792 align:middle line:90% 00:00:21.792 --> 00:00:23.500 align:middle line:84% The book came out while I was in Ireland. 00:00:23.500 --> 00:00:27.790 align:middle line:84% So I still don't know where everything is in it yet. 00:00:27.790 --> 00:00:30.550 align:middle line:90% It has an epigraph from poems. 00:00:30.550 --> 00:00:34.230 align:middle line:90% 00:00:34.230 --> 00:00:40.050 align:middle line:84% One might say that stone which does not regenerate 00:00:40.050 --> 00:00:45.960 align:middle line:84% is in fact the only thing in nature that constantly dies. 00:00:45.960 --> 00:00:51.870 align:middle line:84% I was interested in this poem in showing a lot of levels. 00:00:51.870 --> 00:00:56.370 align:middle line:84% The poem is written so that you have the vision of looking out 00:00:56.370 --> 00:00:58.350 align:middle line:84% through a window and having a fixed 00:00:58.350 --> 00:01:01.080 align:middle line:84% scene outside that window and then 00:01:01.080 --> 00:01:03.660 align:middle line:84% that is given dimension by someone passing 00:01:03.660 --> 00:01:07.770 align:middle line:84% through in front of the window and also 00:01:07.770 --> 00:01:10.875 align:middle line:84% through a reflection, the idea of reflection on the window. 00:01:10.875 --> 00:01:14.070 align:middle line:90% 00:01:14.070 --> 00:01:17.130 align:middle line:90% "The Likeness." 00:01:17.130 --> 00:01:21.660 align:middle line:84% To have felt much in doubt of caring 00:01:21.660 --> 00:01:25.320 align:middle line:84% is conviction enough when a thing is done. 00:01:25.320 --> 00:01:29.370 align:middle line:84% And you tell me as in a story how you sliced your breast 00:01:29.370 --> 00:01:33.370 align:middle line:90% with a razor not to let him go. 00:01:33.370 --> 00:01:36.420 align:middle line:84% Now every man who sees you by moonlight 00:01:36.420 --> 00:01:42.060 align:middle line:84% must kiss that scar or scrape against it in the night. 00:01:42.060 --> 00:01:46.020 align:middle line:84% And though you dismiss it as proof against new love, 00:01:46.020 --> 00:01:51.330 align:middle line:84% they have seen your hand go to it like a heart. 00:01:51.330 --> 00:01:54.180 align:middle line:84% I could not show where my own flesh closed, 00:01:54.180 --> 00:01:57.240 align:middle line:84% though the ridge is there when I speak of it, 00:01:57.240 --> 00:02:00.390 align:middle line:84% a finger traces the breath along the window 00:02:00.390 --> 00:02:05.010 align:middle line:84% through the view, the river which stays the same. 00:02:05.010 --> 00:02:09.660 align:middle line:84% Each time the breath seems more a part of the scene, 00:02:09.660 --> 00:02:14.220 align:middle line:84% a man walks through it and I am the same. 00:02:14.220 --> 00:02:18.300 align:middle line:84% You open your blouse to reflect the scar 00:02:18.300 --> 00:02:21.660 align:middle line:90% and the man walks through it. 00:02:21.660 --> 00:02:23.130 align:middle line:90% I am the same. 00:02:23.130 --> 00:02:26.000 align:middle line:90% I am always the same. 00:02:26.000 --> 00:02:29.000 align:middle line:90%