WEBVTT 00:00:00.000 --> 00:00:02.220 align:middle line:90% "Graveyard Soliloquy." 00:00:02.220 --> 00:00:05.610 align:middle line:90% 00:00:05.610 --> 00:00:08.610 align:middle line:84% "Not in search of the sun, only in search 00:00:08.610 --> 00:00:13.350 align:middle line:84% of the plane, the whitewashed chapel roots 00:00:13.350 --> 00:00:15.420 align:middle line:90% and the branches of roots. 00:00:15.420 --> 00:00:18.660 align:middle line:84% The foot of the Santo seated thus, 00:00:18.660 --> 00:00:23.670 align:middle line:84% a figure seen in the last stage of making before the polishing. 00:00:23.670 --> 00:00:26.340 align:middle line:84% A closer examination reveals the right eyes 00:00:26.340 --> 00:00:28.470 align:middle line:90% and perfectly carved. 00:00:28.470 --> 00:00:32.130 align:middle line:84% The supine queen comprised of 13 blocks, 00:00:32.130 --> 00:00:34.710 align:middle line:84% then the addition of four measured 00:00:34.710 --> 00:00:37.410 align:middle line:90% along the variegated thigh. 00:00:37.410 --> 00:00:41.040 align:middle line:84% What can be seen, what can be written or drawn 00:00:41.040 --> 00:00:45.540 align:middle line:84% can also be wiped away perhaps a number of times. 00:00:45.540 --> 00:00:49.440 align:middle line:84% Her understated desire-- the stark white contour 00:00:49.440 --> 00:00:52.470 align:middle line:84% of the stone, enhancing the eyes. 00:00:52.470 --> 00:00:55.710 align:middle line:84% Your own desire-- a wooden drawing board 00:00:55.710 --> 00:00:59.460 align:middle line:84% of the kind used by workers or students. 00:00:59.460 --> 00:01:01.650 align:middle line:84% There is clear indication that the surface 00:01:01.650 --> 00:01:03.360 align:middle line:84% has been marked with red highlights 00:01:03.360 --> 00:01:07.230 align:middle line:84% in a grid, clear indication that erasures 00:01:07.230 --> 00:01:09.195 align:middle line:90% have been made on this board. 00:01:09.195 --> 00:01:13.930 align:middle line:90% 00:01:13.930 --> 00:01:17.720 align:middle line:84% Dead that bend their fingers dark around the stone. 00:01:17.720 --> 00:01:21.050 align:middle line:84% Living that bend their fingers thus. 00:01:21.050 --> 00:01:24.070 align:middle line:90% Oh, what doors shut. 00:01:24.070 --> 00:01:29.380 align:middle line:84% Oh, the lupine and the wisterias creeping. 00:01:29.380 --> 00:01:32.410 align:middle line:84% The opportunity to listen much the same 00:01:32.410 --> 00:01:35.350 align:middle line:90% as the opportunity to be good. 00:01:35.350 --> 00:01:39.220 align:middle line:84% Animals in relief and writing dogs and swans, 00:01:39.220 --> 00:01:43.210 align:middle line:84% brass roses in an endless cascade. 00:01:43.210 --> 00:01:47.560 align:middle line:84% A brisk rendition of poppies in September, silk in summer 00:01:47.560 --> 00:01:51.880 align:middle line:84% washed until only the mountain remains. 00:01:51.880 --> 00:01:54.850 align:middle line:84% Hymnless, I have broken herbs into a glass 00:01:54.850 --> 00:01:56.710 align:middle line:90% to make someone laugh. 00:01:56.710 --> 00:01:59.800 align:middle line:84% No, I have broken a promise to make some tea. 00:01:59.800 --> 00:02:04.480 align:middle line:90% 00:02:04.480 --> 00:02:07.600 align:middle line:84% From famine to your own land, from prehistory 00:02:07.600 --> 00:02:10.930 align:middle line:84% to a documentary manner, debris engrave 00:02:10.930 --> 00:02:13.720 align:middle line:90% vines in bronze and amber. 00:02:13.720 --> 00:02:18.430 align:middle line:84% Fruit and salt-- the explorer's hunger for pith and loan, 00:02:18.430 --> 00:02:23.200 align:middle line:84% a child mummified in a heap of bark and stones. 00:02:23.200 --> 00:02:26.020 align:middle line:84% The river's bare, the river's bottle, 00:02:26.020 --> 00:02:28.780 align:middle line:90% the river's campsite broken. 00:02:28.780 --> 00:02:32.770 align:middle line:84% What we heard in the caution to preserve the deer and gone, 00:02:32.770 --> 00:02:35.770 align:middle line:84% withered bodies that speak loud and long. 00:02:35.770 --> 00:02:39.480 align:middle line:90% 00:02:39.480 --> 00:02:42.510 align:middle line:84% In the Last Judgment, you've been implicated 00:02:42.510 --> 00:02:45.300 align:middle line:84% in a mosaic of unclothed servants in an unchecked 00:02:45.300 --> 00:02:47.070 align:middle line:90% bathing scene. 00:02:47.070 --> 00:02:49.350 align:middle line:84% Your own hunger lists in the courtroom 00:02:49.350 --> 00:02:51.840 align:middle line:90% to the side of the damned. 00:02:51.840 --> 00:02:55.290 align:middle line:84% Many a mulberry and many a spring, 00:02:55.290 --> 00:02:58.410 align:middle line:84% Claire bread, substance or steam. 00:02:58.410 --> 00:03:02.895 align:middle line:84% Before baking, your torso soft against the Granite Queen. 00:03:02.895 --> 00:03:06.760 align:middle line:90% 00:03:06.760 --> 00:03:09.400 align:middle line:90% What is in you is called form. 00:03:09.400 --> 00:03:12.880 align:middle line:84% What it makes of you is called desire. 00:03:12.880 --> 00:03:15.880 align:middle line:84% When your adversary is stronger than you, 00:03:15.880 --> 00:03:17.950 align:middle line:84% it is not advisable to push conflict 00:03:17.950 --> 00:03:21.670 align:middle line:84% to the point of blood or a decision. 00:03:21.670 --> 00:03:24.820 align:middle line:84% Better to be like water, which flows into the form that 00:03:24.820 --> 00:03:28.630 align:middle line:84% contains it, yet breaks through all containers, filling up 00:03:28.630 --> 00:03:32.400 align:middle line:84% every empty space before moving on." 00:03:32.400 --> 00:03:37.000 align:middle line:90%