WEBVTT 00:00:00.000 --> 00:00:00.505 align:middle line:90% 00:00:00.505 --> 00:00:01.005 align:middle line:90% "Kore". 00:00:01.005 --> 00:00:04.019 align:middle line:90% 00:00:04.019 --> 00:00:06.930 align:middle line:84% "As I was walking I came upon chance 00:00:06.930 --> 00:00:09.810 align:middle line:90% walking the same road upon. 00:00:09.810 --> 00:00:14.310 align:middle line:84% As I sat down by chance to move later if and as 00:00:14.310 --> 00:00:18.750 align:middle line:84% I might, light the wood was, light and green, and what 00:00:18.750 --> 00:00:22.230 align:middle line:90% I saw before I had not seen. 00:00:22.230 --> 00:00:27.840 align:middle line:84% It was a lady accompanied by goat men leading her. 00:00:27.840 --> 00:00:29.880 align:middle line:90% Her hair held earth. 00:00:29.880 --> 00:00:31.590 align:middle line:90% Her eyes were dark. 00:00:31.590 --> 00:00:34.950 align:middle line:90% A double flute made her move. 00:00:34.950 --> 00:00:38.910 align:middle line:84% O love, where are you leading me now?" 00:00:38.910 --> 00:00:42.810 align:middle line:90% 00:00:42.810 --> 00:00:45.960 align:middle line:84% I certainly gave you a lot of poems. 00:00:45.960 --> 00:00:48.120 align:middle line:84% I was a little conscious of the time. 00:00:48.120 --> 00:00:54.090 align:middle line:84% The next one, I remember reading somewhere 00:00:54.090 --> 00:00:57.300 align:middle line:84% that Robert Graves makes a comment to the effect 00:00:57.300 --> 00:00:59.880 align:middle line:84% that he distrusts the domestic news 00:00:59.880 --> 00:01:03.360 align:middle line:84% and feels that it's a questionable allegiance. 00:01:03.360 --> 00:01:06.690 align:middle line:84% Or rather that one should be ready to leave all 00:01:06.690 --> 00:01:12.060 align:middle line:84% at any moment, which is true, but not in the sense of a-- 00:01:12.060 --> 00:01:16.440 align:middle line:84% not in a sense of a kind of boast, at least. 00:01:16.440 --> 00:01:21.690 align:middle line:84% And for myself, I think that the so-called domestic situation 00:01:21.690 --> 00:01:25.890 align:middle line:84% has always been my own center, as it 00:01:25.890 --> 00:01:32.340 align:middle line:84% has been for many of the people whom I closely respect. 00:01:32.340 --> 00:01:35.280 align:middle line:84% I was thinking that, curiously, the-- 00:01:35.280 --> 00:01:36.900 align:middle line:84% for Allen Ginsberg, it's curiously 00:01:36.900 --> 00:01:41.580 align:middle line:84% the domestic situation also, although it's quite-- 00:01:41.580 --> 00:01:43.830 align:middle line:84% his life has led him to confrontations 00:01:43.830 --> 00:01:46.830 align:middle line:84% that mine has perhaps been blessed by not having to face. 00:01:46.830 --> 00:01:49.650 align:middle line:84% I mean, a poem is Kaddish after almost more deeply 00:01:49.650 --> 00:01:52.950 align:middle line:90% into the context and texture. 00:01:52.950 --> 00:01:54.990 align:middle line:84% Well, whatever to call it, I mean, the actuality 00:01:54.990 --> 00:01:59.340 align:middle line:84% of a life in relation to that, which gave that life. 00:01:59.340 --> 00:02:02.400 align:middle line:90% There's any poem I can think of. 00:02:02.400 --> 00:02:06.390 align:middle line:84% But in any case, if that's to be outlawed, and then 00:02:06.390 --> 00:02:10.010 align:middle line:84% I can't agree with that, which prescribes against it.