WEBVTT 00:00:00.000 --> 00:00:03.950 align:middle line:84% I need to read just one -- one more poem. 00:00:03.950 --> 00:00:09.000 align:middle line:84% As I said, much of this was written in a trip I made. 00:00:09.000 --> 00:00:10.050 align:middle line:90% A trip to France. 00:00:10.050 --> 00:00:11.758 align:middle line:84% I actually did a poetry reading the night 00:00:11.758 --> 00:00:15.060 align:middle line:84% before I left Berkeley to fly off to Paris. 00:00:15.060 --> 00:00:18.512 align:middle line:90% And the poet I read with-- 00:00:18.512 --> 00:00:20.970 align:middle line:84% and afterward-- we had drinks afterwards, and I said, well, 00:00:20.970 --> 00:00:23.541 align:middle line:84% I'm flying to Paris tomorrow, and he-- 00:00:23.541 --> 00:00:25.732 align:middle line:84% took me by the shoulder and said "don't -- 00:00:25.732 --> 00:00:27.680 align:middle line:90% don't write any Paris poems." 00:00:27.680 --> 00:00:29.450 align:middle line:90% 00:00:29.450 --> 00:00:31.200 align:middle line:84% You know which I understand the reasoning. 00:00:31.200 --> 00:00:34.515 align:middle line:84% It's important to defend provincialism at all costs. 00:00:34.515 --> 00:00:37.110 align:middle line:90% 00:00:37.110 --> 00:00:38.190 align:middle line:90% But I was like, oh, OK. 00:00:38.190 --> 00:00:40.740 align:middle line:90% 00:00:40.740 --> 00:00:42.300 align:middle line:90% So I tried to follow his wishes. 00:00:42.300 --> 00:00:45.180 align:middle line:90% This poem is called "Peoria." 00:00:45.180 --> 00:00:50.040 align:middle line:90% [LAUGHTER] 00:00:50.040 --> 00:00:51.450 align:middle line:90% "Peoria!!!" 00:00:51.450 --> 00:00:53.610 align:middle line:84% It's got lots of exclamation marks. 00:00:53.610 --> 00:00:55.410 align:middle line:90% "Peoria. 00:00:55.410 --> 00:00:58.500 align:middle line:84% With your unshaven boys smooching on the street corners 00:00:58.500 --> 00:01:00.660 align:middle line:84% or talking on the phone while skating headlong 00:01:00.660 --> 00:01:05.670 align:middle line:84% into tourists, who throng the ghosty avenues of Peoria. 00:01:05.670 --> 00:01:07.920 align:middle line:84% With your grand soirees and jubilations 00:01:07.920 --> 00:01:10.830 align:middle line:84% pushing out against the weight of history, Peoria, 00:01:10.830 --> 00:01:14.220 align:middle line:90% capital of the 19th century. 00:01:14.220 --> 00:01:16.980 align:middle line:84% With your cloud of excess signs and gold leaf settling 00:01:16.980 --> 00:01:19.560 align:middle line:84% on the eyelids of black-haired women 00:01:19.560 --> 00:01:21.420 align:middle line:84% glowing from the terrace cafes, which 00:01:21.420 --> 00:01:28.200 align:middle line:84% line the stone banks of Kickapoo Creek, flowing like blue milk 00:01:28.200 --> 00:01:31.260 align:middle line:84% under the famous bridges of Peoria. 00:01:31.260 --> 00:01:34.380 align:middle line:84% And your swank manners and red suburbs, and no future, 00:01:34.380 --> 00:01:37.590 align:middle line:84% and movies, where strangers swap philosophical gems 00:01:37.590 --> 00:01:39.960 align:middle line:84% and fall at once into bed, never have 00:01:39.960 --> 00:01:42.780 align:middle line:84% so few of all possible kisses involved me 00:01:42.780 --> 00:01:48.630 align:middle line:84% as in Peoria, Midwestern city of lights. 00:01:48.630 --> 00:01:51.540 align:middle line:84% And so off to glamorous Vernon city 00:01:51.540 --> 00:01:56.820 align:middle line:84% of canals, five-step bridges with arcane graffiti 00:01:56.820 --> 00:01:59.400 align:middle line:84% with its three million atavistic pigeons at the heart 00:01:59.400 --> 00:02:02.340 align:middle line:84% of the jewel-box labyrinth and its ancient library 00:02:02.340 --> 00:02:04.590 align:middle line:84% drooping languorously into the lagoon 00:02:04.590 --> 00:02:10.350 align:middle line:84% a few inches per annum, bearing Tom Swift down to the dirges. 00:02:10.350 --> 00:02:13.410 align:middle line:84% Vernon with its dead ends and narrow vistas and supermodels 00:02:13.410 --> 00:02:15.600 align:middle line:84% in their sunglasses and autumn exile, 00:02:15.600 --> 00:02:18.360 align:middle line:84% like the four figures in the mystical marriage of St. 00:02:18.360 --> 00:02:22.590 align:middle line:84% Catherine, attributed to Parmigianino about whom see 00:02:22.590 --> 00:02:25.530 align:middle line:84% 'Self-portrait in a Convex Mirror'. 00:02:25.530 --> 00:02:28.650 align:middle line:84% All of them torn from a glossy and glued to the abyss. 00:02:28.650 --> 00:02:31.900 align:middle line:84% Everywhere at once I must be with you." 00:02:31.900 --> 00:02:32.850 align:middle line:90% Thanks very much. 00:02:32.850 --> 00:02:36.200 align:middle line:90% [APPLAUSE] 00:02:36.200 --> 00:02:38.000 align:middle line:90%