WEBVTT 00:00:00.000 --> 00:00:01.330 align:middle line:90% 00:00:01.330 --> 00:00:04.980 align:middle line:84% Since I mentioned Nogales, I have another poem that-- 00:00:04.980 --> 00:00:08.220 align:middle line:84% from a series of four poems called "Figures." 00:00:08.220 --> 00:00:11.850 align:middle line:90% 00:00:11.850 --> 00:00:14.340 align:middle line:90% The title "Figures"-- 00:00:14.340 --> 00:00:17.220 align:middle line:84% I guess I thought of them as poem, painting, something 00:00:17.220 --> 00:00:18.360 align:middle line:90% like that-- 00:00:18.360 --> 00:00:20.843 align:middle line:90% word pictures. 00:00:20.843 --> 00:00:23.010 align:middle line:84% Actually, it was the last poem I wrote for the book. 00:00:23.010 --> 00:00:24.930 align:middle line:84% And it's the last poem of the Western section. 00:00:24.930 --> 00:00:26.347 align:middle line:84% Book's divided into three seconds. 00:00:26.347 --> 00:00:28.770 align:middle line:84% The last poem was the Western section. 00:00:28.770 --> 00:00:31.215 align:middle line:90% And I want to read number two. 00:00:31.215 --> 00:00:35.010 align:middle line:90% 00:00:35.010 --> 00:00:36.703 align:middle line:90% It was a transition in style. 00:00:36.703 --> 00:00:39.120 align:middle line:84% I was getting into something different, which my new poems 00:00:39.120 --> 00:00:41.340 align:middle line:84% which I'll be reading soon will reflect. 00:00:41.340 --> 00:00:48.190 align:middle line:84% It's a carrying of the image for a longer amount of time. 00:00:48.190 --> 00:00:50.740 align:middle line:84% "Where the rotted agave's clear tequila 00:00:50.740 --> 00:00:53.350 align:middle line:84% serves as lubricant or antiseptic, 00:00:53.350 --> 00:00:56.620 align:middle line:84% the dark eyes of the live ones who keep their families 00:00:56.620 --> 00:00:57.640 align:middle line:90% in the hills. 00:00:57.640 --> 00:00:59.950 align:middle line:90% One standing at a bar window. 00:00:59.950 --> 00:01:03.460 align:middle line:84% Night rouge blending to rich skin, set off 00:01:03.460 --> 00:01:06.850 align:middle line:84% an orange lace against black hair and fine Castilian 00:01:06.850 --> 00:01:09.580 align:middle line:84% features, fixes the walker in the street 00:01:09.580 --> 00:01:13.660 align:middle line:84% with cold onyx Indian eyes, knowing in their 20s 00:01:13.660 --> 00:01:18.010 align:middle line:84% as if the window mirrored street framed an artist's masterpiece. 00:01:18.010 --> 00:01:23.400 align:middle line:84% Life's in astrain, and the color white for martyrs and virgins."