WEBVTT 00:00:00.000 --> 00:00:01.320 align:middle line:90% 00:00:01.320 --> 00:00:03.750 align:middle line:84% Traveling-- I guess the rhythm of my life 00:00:03.750 --> 00:00:07.860 align:middle line:84% is somehow moved between traveling and retreating, 00:00:07.860 --> 00:00:12.000 align:middle line:84% between the privacy that it takes to work 00:00:12.000 --> 00:00:16.515 align:middle line:84% and the traveling for programs, different universities. 00:00:16.515 --> 00:00:17.670 align:middle line:90% You know what I mean. 00:00:17.670 --> 00:00:20.280 align:middle line:84% This is an age of people traveling around. 00:00:20.280 --> 00:00:23.250 align:middle line:84% Here's a poem that sort of went back 00:00:23.250 --> 00:00:27.870 align:middle line:84% to the very beginnings of this sort of rhythmic pattern 00:00:27.870 --> 00:00:28.620 align:middle line:90% in my life. 00:00:28.620 --> 00:00:32.729 align:middle line:84% And it's been very influential on my style, I guess. 00:00:32.729 --> 00:00:34.590 align:middle line:90% It's a poem called "Rubicon". 00:00:34.590 --> 00:00:36.640 align:middle line:84% And it takes place at two different times. 00:00:36.640 --> 00:00:39.180 align:middle line:84% It takes up place right after I got married 00:00:39.180 --> 00:00:41.670 align:middle line:84% and then back when I was still a boy. 00:00:41.670 --> 00:00:45.895 align:middle line:84% My parents did a lot of traveling to escape the-- 00:00:45.895 --> 00:00:47.520 align:middle line:84% my father liked to play golf and tennis 00:00:47.520 --> 00:00:50.580 align:middle line:84% and used to try to escape the cold weather. 00:00:50.580 --> 00:00:51.930 align:middle line:90% "Rubicon". 00:00:51.930 --> 00:00:54.420 align:middle line:84% "The train from the tail of my memory 00:00:54.420 --> 00:00:57.510 align:middle line:84% careens through the night field South to the peg leg 00:00:57.510 --> 00:00:59.250 align:middle line:90% of America, Florida. 00:00:59.250 --> 00:01:02.730 align:middle line:84% Buried somewhere in the swamps, the fountain of youth. 00:01:02.730 --> 00:01:06.510 align:middle line:84% A boy still trying to grow into his face clasps and mother's 00:01:06.510 --> 00:01:08.670 align:middle line:90% hand on the station platform. 00:01:08.670 --> 00:01:10.980 align:middle line:84% He is aware of the cop wearing rule 00:01:10.980 --> 00:01:14.070 align:middle line:84% on his hip, the silver of his pistol teasing 00:01:14.070 --> 00:01:15.690 align:middle line:90% the clasped hand. 00:01:15.690 --> 00:01:20.310 align:middle line:84% Hand clasped is now I hold yours teasing dawn. 00:01:20.310 --> 00:01:23.850 align:middle line:84% At dawn, the boy leaps to the coupling between the cars 00:01:23.850 --> 00:01:27.960 align:middle line:84% where Negro porters take on oranges as the train slowly 00:01:27.960 --> 00:01:31.980 align:middle line:84% moves out, swerving, bouncing, rhythmic under his body, 00:01:31.980 --> 00:01:33.750 align:middle line:90% transport as a woman. 00:01:33.750 --> 00:01:36.210 align:middle line:84% In the wood pen yards, young girls 00:01:36.210 --> 00:01:40.230 align:middle line:84% squat facing the tracks with squalor, allure of the limbs. 00:01:40.230 --> 00:01:43.800 align:middle line:84% The suit of wool he wears scouring his thighs as he 00:01:43.800 --> 00:01:46.320 align:middle line:90% sits erect in rooms of adults. 00:01:46.320 --> 00:01:50.700 align:middle line:84% This train bears sailor's past Pensacola to Korea, 00:01:50.700 --> 00:01:54.000 align:middle line:84% taking their last leer at the women aware of the jogging 00:01:54.000 --> 00:01:56.190 align:middle line:84% motion the Pullman makes, carrying 00:01:56.190 --> 00:01:58.530 align:middle line:90% sweet aromas of orange peels. 00:01:58.530 --> 00:02:00.630 align:middle line:90% He was meant to be saccharine. 00:02:00.630 --> 00:02:03.060 align:middle line:84% His girls were meant to have pedigree. 00:02:03.060 --> 00:02:05.250 align:middle line:90% His first girl had pink pants. 00:02:05.250 --> 00:02:07.230 align:middle line:90% She said, boys tickle. 00:02:07.230 --> 00:02:12.510 align:middle line:84% At Fort Lauderdale, Sunday, '53, the weather is shut thighs. 00:02:12.510 --> 00:02:15.240 align:middle line:84% The train speeds to its destination. 00:02:15.240 --> 00:02:19.380 align:middle line:84% An orange blossom special in Ponce de Leon's nightmare. 00:02:19.380 --> 00:02:23.220 align:middle line:84% A vibration in the surge as the brakes grasp. 00:02:23.220 --> 00:02:27.030 align:middle line:84% The boy careened through thighs, letting his bowlful 00:02:27.030 --> 00:02:29.130 align:middle line:90% with silence at this station. 00:02:29.130 --> 00:02:33.410 align:middle line:84% Life slowly leaking out into the tropic bed." 00:02:33.410 --> 00:02:35.000 align:middle line:90%