WEBVTT 00:00:00.000 --> 00:00:00.870 align:middle line:90% 00:00:00.870 --> 00:00:03.000 align:middle line:84% Marilyn Hacker has compared to Legna Rodriguez 00:00:03.000 --> 00:00:05.520 align:middle line:90% to another bicultural poet. 00:00:05.520 --> 00:00:08.430 align:middle line:84% Elizabeth Bishop writing that Rodriguez is 00:00:08.430 --> 00:00:11.670 align:middle line:84% quote equally adept with fixed forms whose containment 00:00:11.670 --> 00:00:13.600 align:middle line:90% liberates volatile subject. 00:00:13.600 --> 00:00:16.170 align:middle line:90% 00:00:16.170 --> 00:00:19.170 align:middle line:84% Legna Rodriguez was born in Havana and came to the US 00:00:19.170 --> 00:00:23.100 align:middle line:84% at the age of nine when in the midst of the Cuban Revolution, 00:00:23.100 --> 00:00:27.940 align:middle line:84% she was evacuated to the US as part of Operation 00:00:27.940 --> 00:00:30.840 align:middle line:90% before operation Peter pan. 00:00:30.840 --> 00:00:33.210 align:middle line:84% Her consciousness-- consciousness of exile 00:00:33.210 --> 00:00:36.870 align:middle line:84% was linguistic from the start in one poem, 00:00:36.870 --> 00:00:38.940 align:middle line:90% in her new book garden of exile. 00:00:38.940 --> 00:00:42.630 align:middle line:84% She recalls reading her as Jane in her new Midwestern school 00:00:42.630 --> 00:00:46.770 align:middle line:84% and confidently pronouncing it, Honey. 00:00:46.770 --> 00:00:48.840 align:middle line:84% And that exquisite linguistic consciousness 00:00:48.840 --> 00:00:51.450 align:middle line:84% remains in more closely informing 00:00:51.450 --> 00:00:53.760 align:middle line:84% the poems for instance deconstructing. 00:00:53.760 --> 00:00:56.250 align:middle line:84% The patriarchal stereotype of all she 00:00:56.250 --> 00:01:01.500 align:middle line:84% reminds us that Eva spelled backwards is my way. 00:01:01.500 --> 00:01:04.500 align:middle line:84% The poems in gardening of are rich and descriptive 00:01:04.500 --> 00:01:08.610 align:middle line:84% carry the reader into what Marilyn Hacker has called 00:01:08.610 --> 00:01:11.940 align:middle line:84% the double sense of enduring and profound displacement, 00:01:11.940 --> 00:01:16.680 align:middle line:84% and of carrying our only home from wherever we drop anchor. 00:01:16.680 --> 00:01:19.620 align:middle line:84% These are the traces in Rodriguez's own praise 00:01:19.620 --> 00:01:23.010 align:middle line:84% of the heat and Leander of memory. 00:01:23.010 --> 00:01:24.900 align:middle line:84% Will you welcome please, a vibrant writer 00:01:24.900 --> 00:01:26.640 align:middle line:90% a poet of pleasure-- 00:01:26.640 --> 00:01:29.990 align:middle line:90% [APPLAUSE] 00:01:29.990 --> 00:01:33.000 align:middle line:90%