WEBVTT 00:00:00.000 --> 00:00:03.530 align:middle line:90% 00:00:03.530 --> 00:00:05.760 align:middle line:84% I'm going to read a couple of new poems or not. 00:00:05.760 --> 00:00:11.556 align:middle line:90% 00:00:11.556 --> 00:00:15.560 align:middle line:84% Linda mentioned Muriel Rukeyser and this is called "Crepuscule 00:00:15.560 --> 00:00:18.810 align:middle line:84% with Muriel," which came from myself, 00:00:18.810 --> 00:00:22.000 align:middle line:84% so Thelonious Monk comes in there, too. 00:00:22.000 --> 00:00:24.930 align:middle line:90% I preface it with Nellie. 00:00:24.930 --> 00:00:27.350 align:middle line:84% "Instead of a cup of tea, instead of 00:00:27.350 --> 00:00:32.070 align:middle line:84% a milk silk well for the cup of a cup of nearly 6:00 tea time, 00:00:32.070 --> 00:00:35.460 align:middle line:84% cup of a stumbling block, cup of an afternoon 00:00:35.460 --> 00:00:39.120 align:middle line:84% unredeemed by talk, cup of a cup brown loaf, 00:00:39.120 --> 00:00:41.340 align:middle line:90% of a slice, a lack of butter. 00:00:41.340 --> 00:00:43.890 align:middle line:84% Blueberry jam that's almost black. 00:00:43.890 --> 00:00:47.040 align:middle line:84% Instead of tannin seeping into the cracks of a pot, 00:00:47.040 --> 00:00:50.580 align:middle line:84% the void of an hour seeps out, infects 00:00:50.580 --> 00:00:52.800 align:middle line:84% the slip of a cut I haven't the wit 00:00:52.800 --> 00:00:57.060 align:middle line:84% to fix with a surgeon's needle threaded with fine-gauge silk 00:00:57.060 --> 00:01:00.330 align:middle line:84% as a key would thread the cylinder of a lock. 00:01:00.330 --> 00:01:03.570 align:middle line:84% But no key threads the cylinder of the lock. 00:01:03.570 --> 00:01:07.200 align:middle line:84% Late afternoon, like transitory, licks the place 00:01:07.200 --> 00:01:09.870 align:middle line:84% of the absent cup with its rough tongue, 00:01:09.870 --> 00:01:14.220 align:middle line:84% flits itself out beneath the wheels revolving spoke. 00:01:14.220 --> 00:01:18.420 align:middle line:84% Taut thought's gone, with a blink of attention slack, 00:01:18.420 --> 00:01:21.420 align:middle line:84% a vision of death and distance in the mix. 00:01:21.420 --> 00:01:22.920 align:middle line:90% She lost her words. 00:01:22.920 --> 00:01:25.860 align:middle line:84% And how did she get them back when the corridor of the day 00:01:25.860 --> 00:01:27.870 align:middle line:90% was a lurching deck? 00:01:27.870 --> 00:01:31.170 align:middle line:84% The dream life logic encodes in nervous tics, 00:01:31.170 --> 00:01:34.230 align:middle line:84% she translated to a syntax which connects 00:01:34.230 --> 00:01:37.530 align:middle line:84% intense and unfashionable politics with morning 00:01:37.530 --> 00:01:42.330 align:middle line:84% coffee, Hudson sunsets, sex; then the short-circuit 00:01:42.330 --> 00:01:46.290 align:middle line:84% of the final stroke, the end for which all lines looped out, 00:01:46.290 --> 00:01:49.030 align:middle line:90% then broke. 00:01:49.030 --> 00:01:52.960 align:middle line:84% What a gaze out the window interjects on the southeast 00:01:52.960 --> 00:01:55.960 align:middle line:84% corner, a black lab balks, tugged 00:01:55.960 --> 00:01:58.150 align:middle line:84% as the light clicks green toward a late day 00:01:58.150 --> 00:02:02.110 align:middle line:84% walk by a plump Brown girl in a purple anorak. 00:02:02.110 --> 00:02:04.600 align:middle line:84% The Bronx-bound local comes rumbling up 00:02:04.600 --> 00:02:08.620 align:middle line:84% the tracks out of the tunnel over West Harlem blocks, 00:02:08.620 --> 00:02:12.340 align:middle line:84% whose windows gleam on the animal warmth of bricks 00:02:12.340 --> 00:02:16.500 align:middle line:84% rouged by the fluvial light of six o'clock." 00:02:16.500 --> 00:02:17.000 align:middle line:90%