WEBVTT 00:00:00.000 --> 00:00:04.590 align:middle line:90% 00:00:04.590 --> 00:00:08.970 align:middle line:84% To any of you that I've had a chance 00:00:08.970 --> 00:00:14.520 align:middle line:84% to talk with or add in the last few days, 00:00:14.520 --> 00:00:18.360 align:middle line:84% you know that I'm very interested in the long poem 00:00:18.360 --> 00:00:23.970 align:middle line:84% as a very exciting medium and part 00:00:23.970 --> 00:00:27.660 align:middle line:84% of the whole process of the shaping of American poetry 00:00:27.660 --> 00:00:28.500 align:middle line:90% right now. 00:00:28.500 --> 00:00:30.660 align:middle line:84% And I'm not entirely sure that I believe 00:00:30.660 --> 00:00:35.880 align:middle line:84% that the long poems that we work on can be a complete success 00:00:35.880 --> 00:00:38.400 align:middle line:84% or that they'll ever be as good as our short poems. 00:00:38.400 --> 00:00:42.510 align:middle line:84% But I'm very deeply tied up in trying 00:00:42.510 --> 00:00:49.920 align:middle line:84% to continue on that process of creating the long poem. 00:00:49.920 --> 00:00:52.320 align:middle line:84% But because I get so involved in this, 00:00:52.320 --> 00:00:54.990 align:middle line:84% I periodically set for myself the task 00:00:54.990 --> 00:00:57.090 align:middle line:84% of writing some short poems, also, 00:00:57.090 --> 00:01:01.620 align:middle line:84% because I feel that that's the way one sharpens 00:01:01.620 --> 00:01:05.640 align:middle line:84% his tools because short poems each point themselves 00:01:05.640 --> 00:01:08.310 align:middle line:84% at some different aspect of the language. 00:01:08.310 --> 00:01:13.740 align:middle line:84% So I'd like to read you five short poems now called 00:01:13.740 --> 00:01:14.535 align:middle line:90% "Five Love Poems"-- 00:01:14.535 --> 00:01:18.840 align:middle line:90% 00:01:18.840 --> 00:01:22.230 align:middle line:90% preface to reading along. 00:01:22.230 --> 00:01:25.560 align:middle line:90% "For Tony in a Bar"-- 00:01:25.560 --> 00:01:30.600 align:middle line:84% "I wish I were a smoker when I see a girl whose hair is 00:01:30.600 --> 00:01:34.410 align:middle line:84% as dark as a locust pod bend her head, 00:01:34.410 --> 00:01:38.220 align:middle line:84% put her white hand, not the tree's white flower, 00:01:38.220 --> 00:01:42.120 align:middle line:84% but a peeled, blanched twig, on your wrist 00:01:42.120 --> 00:01:46.830 align:middle line:84% to steady the light you are holding for her cigarette. 00:01:46.830 --> 00:01:48.240 align:middle line:90% I do not smoke." 00:01:48.240 --> 00:01:53.580 align:middle line:90% 00:01:53.580 --> 00:01:55.365 align:middle line:90% "A Lover Disregards Names"-- 00:01:55.365 --> 00:01:58.500 align:middle line:90% 00:01:58.500 --> 00:02:00.930 align:middle line:84% "Do people live up to their names? 00:02:00.930 --> 00:02:02.850 align:middle line:90% Yours is Anthony. 00:02:02.850 --> 00:02:05.970 align:middle line:84% Fortunately, you don't know anyone named Cleopatra." 00:02:05.970 --> 00:02:07.050 align:middle line:90% [LAUGHTER] 00:02:07.050 --> 00:02:10.139 align:middle line:84% "If you did, we would find out if people live up 00:02:10.139 --> 00:02:11.250 align:middle line:90% to their names." 00:02:11.250 --> 00:02:12.780 align:middle line:90% [LAUGHTER] 00:02:12.780 --> 00:02:14.520 align:middle line:84% "I would love you whatever your name 00:02:14.520 --> 00:02:19.917 align:middle line:84% was, even if it were "Spoon" or "Stone" or "Pig Shit."" 00:02:19.917 --> 00:02:23.256 align:middle line:90% [LAUGHTER] 00:02:23.256 --> 00:02:28.980 align:middle line:90% 00:02:28.980 --> 00:02:34.050 align:middle line:84% "Fishing"-- "I found a fish and threw it on the moon, 00:02:34.050 --> 00:02:37.530 align:middle line:84% hoping it would swim and trace the sky with bright paths-- 00:02:37.530 --> 00:02:40.530 align:middle line:90% salmon, trout, freshwater bass. 00:02:40.530 --> 00:02:42.420 align:middle line:84% I would look up at night some night 00:02:42.420 --> 00:02:46.500 align:middle line:84% when you were busy and couldn't come home and think of fishing. 00:02:46.500 --> 00:02:50.400 align:middle line:84% Then in my imaginary map, I would trace the deep, wet spots 00:02:50.400 --> 00:02:54.000 align:middle line:84% where you would be and not worry alone, 00:02:54.000 --> 00:02:55.830 align:middle line:84% knowing that fishing even on the moon 00:02:55.830 --> 00:02:58.530 align:middle line:90% is a calm and solitary sport. 00:02:58.530 --> 00:03:01.800 align:middle line:84% Someday, I would work up my courage and ask you to take me 00:03:01.800 --> 00:03:05.070 align:middle line:84% with you, as I cannot do when you are just out in bars with 00:03:05.070 --> 00:03:06.480 align:middle line:90% friends. 00:03:06.480 --> 00:03:10.740 align:middle line:84% My fish is sweet and pink and fresh as Northern salmon. 00:03:10.740 --> 00:03:13.850 align:middle line:84% I will sing and trace him new waterways." 00:03:13.850 --> 00:03:16.650 align:middle line:90% 00:03:16.650 --> 00:03:22.890 align:middle line:84% "Comparisons"-- "When you are with me, it is a completion, 00:03:22.890 --> 00:03:29.010 align:middle line:84% like ink or a fountain pen, and a satisfaction, 00:03:29.010 --> 00:03:31.972 align:middle line:84% like pissing when you really have to go." 00:03:31.972 --> 00:03:35.070 align:middle line:90% [LAUGHTER] 00:03:35.070 --> 00:03:37.410 align:middle line:84% And the last one is called "Speaking to Someone I 00:03:37.410 --> 00:03:40.740 align:middle line:90% Love by Telephone." 00:03:40.740 --> 00:03:48.600 align:middle line:84% "Time separates us, as my face cannot touch the real pillow, 00:03:48.600 --> 00:03:55.220 align:middle line:84% the thread, thickness of case between my head and it." 00:03:55.220 --> 00:03:58.000 align:middle line:90%