WEBVTT 00:00:00.000 --> 00:00:01.530 align:middle line:90% 00:00:01.530 --> 00:00:04.350 align:middle line:84% The next, a much more decent poem, is also about a woman. 00:00:04.350 --> 00:00:07.080 align:middle line:90% 00:00:07.080 --> 00:00:10.530 align:middle line:84% I was listening to a student orchestra 00:00:10.530 --> 00:00:15.180 align:middle line:84% once playing a symphony of Dvorak, the D minor symphony, 00:00:15.180 --> 00:00:18.120 align:middle line:84% and I was enraptured, less by the music 00:00:18.120 --> 00:00:23.127 align:middle line:84% than by the long hair of the student first violinist who 00:00:23.127 --> 00:00:24.960 align:middle line:84% was sitting just in front of me and slightly 00:00:24.960 --> 00:00:27.600 align:middle line:84% above me in the canvas chair, and the long hair 00:00:27.600 --> 00:00:30.270 align:middle line:84% was streaming down and sort of trapped by the canvas. 00:00:30.270 --> 00:00:34.110 align:middle line:84% I found myself in the symphony all the time 00:00:34.110 --> 00:00:36.390 align:middle line:84% having to jerk my mind and my emotions 00:00:36.390 --> 00:00:41.700 align:middle line:84% back from this beautiful hair-- black hair-- to the symphony. 00:00:41.700 --> 00:00:45.750 align:middle line:84% And afterwards, I tried to write about this, 00:00:45.750 --> 00:00:47.520 align:middle line:84% trying to relate the life in this hair, 00:00:47.520 --> 00:00:51.690 align:middle line:84% to the art which I had half heard. 00:00:51.690 --> 00:00:57.240 align:middle line:84% I've called this poem "Music Student First Violinist." 00:00:57.240 --> 00:01:01.620 align:middle line:84% Anton, the name of course is the Christian name of Dvorak. 00:01:01.620 --> 00:01:04.590 align:middle line:84% "Anton, all the black notes of your symphony 00:01:04.590 --> 00:01:08.190 align:middle line:84% have swarmed into this girl's allegro hair. 00:01:08.190 --> 00:01:10.310 align:middle line:84% Only the sluggered breves and minims 00:01:10.310 --> 00:01:14.730 align:middle line:84% stay trapped by the bars of the conductor's score. 00:01:14.730 --> 00:01:19.530 align:middle line:84% Pours frozen from her crown's simple motif, a black cascade 00:01:19.530 --> 00:01:23.910 align:middle line:84% of glistening counterpoint to where my gladly martyred eyes 00:01:23.910 --> 00:01:28.980 align:middle line:84% receive 10,000 quavers' barbed and startling points, where 00:01:28.980 --> 00:01:32.640 align:middle line:84% the taut canvas chairback lets it go. 00:01:32.640 --> 00:01:35.520 align:middle line:84% So near, I could imprison with my hand 00:01:35.520 --> 00:01:38.070 align:middle line:84% the tempting weight of that polyphony, 00:01:38.070 --> 00:01:41.940 align:middle line:84% tug her bent head back from the weaving bow. 00:01:41.940 --> 00:01:44.160 align:middle line:84% There is a melody in each separate strand, 00:01:44.160 --> 00:01:47.400 align:middle line:84% had I a chance to study its great score; 00:01:47.400 --> 00:01:52.020 align:middle line:84% your temporal genius rendered spatially. 00:01:52.020 --> 00:01:54.810 align:middle line:84% It is too short, this timeless hour. 00:01:54.810 --> 00:01:58.830 align:middle line:84% The time to plumb its currents, ponder how it weaves from 00:01:58.830 --> 00:02:03.280 align:middle line:84% the home minor to a major key and brings it back, 00:02:03.280 --> 00:02:07.410 align:middle line:84% find if it joys or grieves in its own ponderings of its own 00:02:07.410 --> 00:02:11.640 align:middle line:84% shut score, cannot be measured by the metronome, or clock, 00:02:11.640 --> 00:02:15.810 align:middle line:84% or pulse, or carbon in the rocks. 00:02:15.810 --> 00:02:19.410 align:middle line:84% I catch its shampoo's faintly lurking theme 00:02:19.410 --> 00:02:21.390 align:middle line:90% and since the recent crisis-- 00:02:21.390 --> 00:02:25.590 align:middle line:84% she attacked lacklustre strands with demons in her hands. 00:02:25.590 --> 00:02:28.770 align:middle line:84% All with dismay-- will it be right in time? 00:02:28.770 --> 00:02:31.740 align:middle line:84% She hacked its knots before the fire. 00:02:31.740 --> 00:02:36.120 align:middle line:84% Tonight the whole performance is in place, exact; 00:02:36.120 --> 00:02:39.480 align:middle line:84% blue-hazed with static electricity. 00:02:39.480 --> 00:02:43.920 align:middle line:84% Her soul's in music, music in her hair. 00:02:43.920 --> 00:02:47.220 align:middle line:84% Symphony of her darkest attribute. 00:02:47.220 --> 00:02:50.550 align:middle line:84% She'll wrap it in a scarf, and disappear. 00:02:50.550 --> 00:02:55.290 align:middle line:84% A tube will hold her and her buried stream. 00:02:55.290 --> 00:02:58.140 align:middle line:84% Since art is less than life, agree 00:02:58.140 --> 00:03:00.420 align:middle line:84% that I do right, amidst the coughs, 00:03:00.420 --> 00:03:04.980 align:middle line:84% to hear no music but its waist-long cataract. 00:03:04.980 --> 00:03:08.310 align:middle line:84% She will express you just as passionately 00:03:08.310 --> 00:03:11.130 align:middle line:84% when all the white notes of your symphony, 00:03:11.130 --> 00:03:14.220 align:middle line:84% unlike the black notes dead within the score, 00:03:14.220 --> 00:03:18.360 align:middle line:84% in the rich coda of a major key have swarmed 00:03:18.360 --> 00:03:21.500 align:middle line:90% into this girl's adagio hair. 00:03:21.500 --> 00:03:22.000 align:middle line:90%