WEBVTT 00:00:00.000 --> 00:00:00.222 align:middle line:90% 00:00:00.222 --> 00:00:01.680 align:middle line:84% I'm going to read the poem that was 00:00:01.680 --> 00:00:02.972 align:middle line:90% printed on the little brochure. 00:00:02.972 --> 00:00:05.448 align:middle line:90% 00:00:05.448 --> 00:00:07.740 align:middle line:84% Actually, this poem and the next poem I'm going to read 00:00:07.740 --> 00:00:08.940 align:middle line:90% are companion poems. 00:00:08.940 --> 00:00:10.840 align:middle line:84% They were written a couple of years apart. 00:00:10.840 --> 00:00:15.897 align:middle line:84% But I think they're basically dealing with drowned things, 00:00:15.897 --> 00:00:16.605 align:middle line:90% drowned children. 00:00:16.605 --> 00:00:20.715 align:middle line:90% 00:00:20.715 --> 00:00:23.090 align:middle line:84% The way you discover something after a book is published, 00:00:23.090 --> 00:00:25.550 align:middle line:84% I've noticed that a lot of the poems I wrote 00:00:25.550 --> 00:00:29.720 align:middle line:84% were about children that were in some way underwater. 00:00:29.720 --> 00:00:32.540 align:middle line:84% And that as I passed through a series of years 00:00:32.540 --> 00:00:35.510 align:middle line:84% of learning about myself, the child 00:00:35.510 --> 00:00:40.520 align:middle line:84% was slowly coming up for air and being saved. 00:00:40.520 --> 00:00:42.020 align:middle line:84% So this one is called The Lifeguard. 00:00:42.020 --> 00:00:43.220 align:middle line:90% It's a persona poem. 00:00:43.220 --> 00:00:44.420 align:middle line:90% And the speaker is a male. 00:00:44.420 --> 00:00:49.580 align:middle line:90% 00:00:49.580 --> 00:00:52.940 align:middle line:84% "The children vault the giant carpet roll of waves, 00:00:52.940 --> 00:00:57.200 align:middle line:84% with sharp cries swing legs wide over water. 00:00:57.200 --> 00:01:01.580 align:middle line:84% A garden of umbrellas blooms down the stretch of beach. 00:01:01.580 --> 00:01:06.410 align:middle line:84% Far offshore always I can spot that same pale thumbprint 00:01:06.410 --> 00:01:10.610 align:middle line:84% of a face going under, grown bigger as I approach, 00:01:10.610 --> 00:01:15.170 align:middle line:84% the one arm circling, locking rigid around my neck. 00:01:15.170 --> 00:01:20.900 align:middle line:84% The other as its fist hooks and jabs my head away. 00:01:20.900 --> 00:01:24.590 align:middle line:84% Ear to the conch, ear to the pillow, 00:01:24.590 --> 00:01:28.550 align:middle line:84% beneath a canopy of bathers each night I hear the voice 00:01:28.550 --> 00:01:33.710 align:middle line:84% and pry the jaws apart, choke on the tangle of sable hair 00:01:33.710 --> 00:01:36.410 align:middle line:84% that blurs the dead girl's mouth. 00:01:36.410 --> 00:01:43.050 align:middle line:84% That anarchy of breath, dog soft and still at my neck. 00:01:43.050 --> 00:01:47.084 align:middle line:84% She calls from the water glass I drink from. 00:01:47.084 --> 00:01:50.500 align:middle line:84% From my own throat when I swallow." 00:01:50.500 --> 00:01:51.000 align:middle line:90%