WEBVTT 00:00:00.000 --> 00:00:00.620 align:middle line:90% 00:00:00.620 --> 00:00:03.270 align:middle line:84% This is called Graveyard by the Sea. 00:00:03.270 --> 00:00:06.120 align:middle line:84% The only setting, which I think it's in the poem, 00:00:06.120 --> 00:00:08.880 align:middle line:84% is that I find this graveyard, or the speaker of the poem 00:00:08.880 --> 00:00:12.150 align:middle line:84% finds a graveyard by the sea somewhere. 00:00:12.150 --> 00:00:15.210 align:middle line:84% And in one gravestone is a cross. 00:00:15.210 --> 00:00:18.180 align:middle line:84% But the cross is made out of mirror, shards of mirror. 00:00:18.180 --> 00:00:20.940 align:middle line:84% And there's also other pieces of mirror 00:00:20.940 --> 00:00:24.630 align:middle line:90% embedded in the tombstone. 00:00:24.630 --> 00:00:28.170 align:middle line:90% Graveyard by the Sea. 00:00:28.170 --> 00:00:31.530 align:middle line:84% I wonder if they sleep better here, 00:00:31.530 --> 00:00:36.660 align:middle line:84% so close to the elemental pentameter of the sea which 00:00:36.660 --> 00:00:40.110 align:middle line:90% comes in incessantly. 00:00:40.110 --> 00:00:44.520 align:middle line:84% Just a few square acres of sand, studded mainly 00:00:44.520 --> 00:00:48.600 align:middle line:84% with thick posts, as if the coffins beneath 00:00:48.600 --> 00:00:54.210 align:middle line:84% were boats tied fast to prevent further drift. 00:00:54.210 --> 00:00:58.950 align:middle line:84% I have stumbled around one pre-dawn, just a dog following 00:00:58.950 --> 00:01:01.470 align:middle line:84% the footprints of another dog with me, 00:01:01.470 --> 00:01:05.280 align:middle line:84% and stop before one particular grave, 00:01:05.280 --> 00:01:12.150 align:middle line:84% a cross inlaid with large splinters of mirror. 00:01:12.150 --> 00:01:16.170 align:middle line:84% Whoever lies here is distinguished, certainly, 00:01:16.170 --> 00:01:19.380 align:middle line:90% but I wonder, why mirrors? 00:01:19.380 --> 00:01:20.970 align:middle line:90% For signaling? 00:01:20.970 --> 00:01:22.440 align:middle line:90% Who? 00:01:22.440 --> 00:01:23.070 align:middle line:90% No. 00:01:23.070 --> 00:01:25.710 align:middle line:84% They're embedded in the stone, and so can't 00:01:25.710 --> 00:01:30.000 align:middle line:84% be flipped to reflect the sun or moonlight. 00:01:30.000 --> 00:01:34.830 align:middle line:84% Is the sleeper here unusually vain, and the glass 00:01:34.830 --> 00:01:38.910 align:middle line:84% set for those times of dark ascension 00:01:38.910 --> 00:01:43.140 align:middle line:84% to smooth the death gown, to apply a little lipstick 00:01:43.140 --> 00:01:45.450 align:middle line:90% to the white worms of the lips? 00:01:45.450 --> 00:01:46.300 align:middle line:90% [LAUGHTER] 00:01:46.300 --> 00:01:46.800 align:middle line:90% 00:01:46.800 --> 00:01:48.390 align:middle line:90% No, again. 00:01:48.390 --> 00:01:50.790 align:middle line:90% I think they're for me. 00:01:50.790 --> 00:01:55.530 align:middle line:84% And for the ones who come like me at this hour in this half 00:01:55.530 --> 00:02:02.370 align:middle line:84% light, the ones who come half drunk, half wild, and wholly in 00:02:02.370 --> 00:02:03.420 align:middle line:90% fear. 00:02:03.420 --> 00:02:08.520 align:middle line:84% So we may gaze into the ghosts of our own faces, 00:02:08.520 --> 00:02:13.380 align:middle line:84% and be touched by this chill of all chills, 00:02:13.380 --> 00:02:20.270 align:middle line:84% and then go home alive to sleep the sleep of the awake.