WEBVTT 00:00:00.000 --> 00:00:01.410 align:middle line:90% 00:00:01.410 --> 00:00:07.860 align:middle line:84% Well, having sort of brought the father into the poem, 00:00:07.860 --> 00:00:09.615 align:middle line:90% I could go back then and read-- 00:00:09.615 --> 00:00:13.710 align:middle line:90% 00:00:13.710 --> 00:00:14.260 align:middle line:90% It's funny. 00:00:14.260 --> 00:00:17.950 align:middle line:84% I haven't read this poem to an audience for a long time. 00:00:17.950 --> 00:00:23.760 align:middle line:84% And of course, the problem with what we call occasional poems-- 00:00:23.760 --> 00:00:25.410 align:middle line:84% poem is written to an occasion is 00:00:25.410 --> 00:00:27.300 align:middle line:90% that they wear themselves out. 00:00:27.300 --> 00:00:30.210 align:middle line:84% And in 100 years, you have to have 00:00:30.210 --> 00:00:38.010 align:middle line:84% PhD candidates explain what the subjects are being referred to. 00:00:38.010 --> 00:00:41.580 align:middle line:84% But in spite of the fact that this is an old poem, 00:00:41.580 --> 00:00:46.080 align:middle line:84% the references seem almost yesterday. 00:00:46.080 --> 00:00:48.750 align:middle line:84% The New York Times, I'm sure you know, 00:00:48.750 --> 00:00:54.330 align:middle line:84% is something that's kind of prideful to get up in Boston, 00:00:54.330 --> 00:00:56.260 align:middle line:90% to get it delivered. 00:00:56.260 --> 00:00:58.440 align:middle line:84% That means you're really an intellectual. 00:00:58.440 --> 00:01:01.950 align:middle line:84% So there's sort of that overtone to it too. 00:01:01.950 --> 00:01:03.930 align:middle line:84% And this is called "The New York Times" 00:01:03.930 --> 00:01:06.480 align:middle line:84% and the title runs into the poem. 00:01:06.480 --> 00:01:08.010 align:middle line:90% "The New York Times". 00:01:08.010 --> 00:01:12.750 align:middle line:84% "Come rolled, a hero sandwich, 300 miles North 00:01:12.750 --> 00:01:14.160 align:middle line:90% of its printing. 00:01:14.160 --> 00:01:17.280 align:middle line:84% Unfurled over breakfast gives weight, 00:01:17.280 --> 00:01:23.550 align:middle line:84% volume, gravity to the puffball bellies of the world's waifs. 00:01:23.550 --> 00:01:27.480 align:middle line:84% Mouthfuls of bad news in with the corn flakes. 00:01:27.480 --> 00:01:32.160 align:middle line:84% Suez to Saigon, Prague to Biafra. 00:01:32.160 --> 00:01:35.220 align:middle line:84% The bacon is worked as, the coffee 00:01:35.220 --> 00:01:39.180 align:middle line:84% is black as the day of my father's death. 00:01:39.180 --> 00:01:42.750 align:middle line:84% Some days, my father, hairs sprouting out 00:01:42.750 --> 00:01:47.970 align:middle line:84% of the V of his pajamas, took in the sit downs, picket lines, 00:01:47.970 --> 00:01:53.730 align:middle line:84% Pinkertons, Buddhists, land lease under his mustache. 00:01:53.730 --> 00:01:56.910 align:middle line:84% In with the hash browns, in with the double 00:01:56.910 --> 00:01:59.730 align:middle line:90% yoked once over lightly eggs. 00:01:59.730 --> 00:02:03.000 align:middle line:90% Mouthfuls of bad news. 00:02:03.000 --> 00:02:05.520 align:middle line:90% Nothing has changed, papa. 00:02:05.520 --> 00:02:11.500 align:middle line:84% The same green suburban lawns, the same fat life." 00:02:11.500 --> 00:02:12.000 align:middle line:90%