WEBVTT 00:00:00.000 --> 00:00:02.040 align:middle line:90% 00:00:02.040 --> 00:00:09.460 align:middle line:84% These are three poems again that I'm going to read all together. 00:00:09.460 --> 00:00:11.730 align:middle line:90% The first is called "Sources." 00:00:11.730 --> 00:00:15.090 align:middle line:84% And I was talking in class the other day, 00:00:15.090 --> 00:00:17.430 align:middle line:84% and something was brought up about a comparison 00:00:17.430 --> 00:00:18.930 align:middle line:84% between poetry and the other arts. 00:00:18.930 --> 00:00:27.840 align:middle line:84% Did I find it helpful studying painting or music or sculpture 00:00:27.840 --> 00:00:29.310 align:middle line:90% or whatever? 00:00:29.310 --> 00:00:31.860 align:middle line:84% And one of the things I said was that one thing 00:00:31.860 --> 00:00:35.700 align:middle line:84% that I missed in poetry was materials to get 00:00:35.700 --> 00:00:37.908 align:middle line:90% your hands into to work with. 00:00:37.908 --> 00:00:40.200 align:middle line:84% I was talking about that with another poet this summer. 00:00:40.200 --> 00:00:42.482 align:middle line:84% And he recognized the same thing and thought 00:00:42.482 --> 00:00:44.190 align:middle line:84% that's perhaps why he and I both happened 00:00:44.190 --> 00:00:48.240 align:middle line:84% to be able to freak out in stationery stores 00:00:48.240 --> 00:00:50.100 align:middle line:84% and looking at different kinds of pens 00:00:50.100 --> 00:00:53.790 align:middle line:84% and papers and fancy typewriters and as close as that 00:00:53.790 --> 00:00:56.250 align:middle line:84% could come to something physical, 00:00:56.250 --> 00:00:59.700 align:middle line:84% to work with, to get your hands into. 00:00:59.700 --> 00:01:04.340 align:middle line:90% And "Sources." 00:01:04.340 --> 00:01:06.930 align:middle line:90% 00:01:06.930 --> 00:01:09.480 align:middle line:84% "If I made something with my hands, 00:01:09.480 --> 00:01:14.820 align:middle line:84% a farm, a mollusk, a moon ship, a lamp to light these walls. 00:01:14.820 --> 00:01:18.030 align:middle line:84% These idle hands, something made to leave 00:01:18.030 --> 00:01:22.710 align:middle line:84% behind the chiseled head of a god, any god, 00:01:22.710 --> 00:01:24.510 align:middle line:84% that you might imagine his hooded eyes, 00:01:24.510 --> 00:01:30.240 align:middle line:84% a window to frame your desire or contain your discontent. 00:01:30.240 --> 00:01:32.700 align:middle line:84% Already, there are holes in the leaves, 00:01:32.700 --> 00:01:38.190 align:middle line:84% the edge of newness worn off, green darkens to summer. 00:01:38.190 --> 00:01:41.550 align:middle line:84% I imagine my hands, the hands of a sculptor, 00:01:41.550 --> 00:01:45.420 align:middle line:84% picture in a book of palmistry, veins pulsing through, 00:01:45.420 --> 00:01:49.380 align:middle line:84% tendons clear, hands to be severed and preserved, 00:01:49.380 --> 00:01:53.790 align:middle line:84% reaching into the Earth for stones, roots, coal, 00:01:53.790 --> 00:01:55.500 align:middle line:90% or black water." 00:01:55.500 --> 00:01:56.000 align:middle line:90%