WEBVTT 00:00:00.000 --> 00:00:01.170 align:middle line:90% 00:00:01.170 --> 00:00:03.030 align:middle line:84% I'm going to excerpt from the last section 00:00:03.030 --> 00:00:04.980 align:middle line:84% and I want to explain something first, 00:00:04.980 --> 00:00:08.620 align:middle line:84% because what invariably happens is that I underestimate, 00:00:08.620 --> 00:00:12.510 align:middle line:84% as I did this evening how long I would putter along 00:00:12.510 --> 00:00:17.010 align:middle line:84% in the other poems, and wind up excerpting the fewest from what 00:00:17.010 --> 00:00:19.690 align:middle line:84% is I think, the longest section the last in this book, 00:00:19.690 --> 00:00:21.360 align:middle line:90% it's called "Constant Feelings." 00:00:21.360 --> 00:00:24.990 align:middle line:84% And what I really wanted to do after I realized I was doing 00:00:24.990 --> 00:00:28.148 align:middle line:84% a cheater's version of a long poem, i.e. a sequence-- 00:00:28.148 --> 00:00:29.940 align:middle line:84% And after I realized I was doing a sequence 00:00:29.940 --> 00:00:31.830 align:middle line:84% and after I realized what it was about, 00:00:31.830 --> 00:00:36.390 align:middle line:84% and after I realized where it might go, 00:00:36.390 --> 00:00:37.950 align:middle line:84% after I'd stumbled long enough that 00:00:37.950 --> 00:00:41.490 align:middle line:84% is to have discovered something I hoped, 00:00:41.490 --> 00:00:44.220 align:middle line:84% I wanted to create an affirmative but not simple 00:00:44.220 --> 00:00:45.720 align:middle line:84% minded statement based on the facts. 00:00:45.720 --> 00:00:48.310 align:middle line:90% 00:00:48.310 --> 00:00:50.970 align:middle line:84% So I of course, can't say whether I succeeded or not, 00:00:50.970 --> 00:00:53.670 align:middle line:84% but finally the book does end on what the conductor used 00:00:53.670 --> 00:00:55.980 align:middle line:90% to call the upbeat. 00:00:55.980 --> 00:01:00.090 align:middle line:84% And I'll excerpt just a few to try to indicate it. 00:01:00.090 --> 00:01:01.770 align:middle line:84% I promised I would read these first two 00:01:01.770 --> 00:01:03.300 align:middle line:90% ones called the oldest child. 00:01:03.300 --> 00:01:06.300 align:middle line:84% My oldest son is 12, his name is Nathan, 00:01:06.300 --> 00:01:09.630 align:middle line:84% and the oldest child always has a special role of course, 00:01:09.630 --> 00:01:12.690 align:middle line:84% because he has to educate the parents, 00:01:12.690 --> 00:01:15.420 align:middle line:84% and he goes through his childhood 00:01:15.420 --> 00:01:18.180 align:middle line:84% as if he were beating his head against the stone wall 00:01:18.180 --> 00:01:21.640 align:middle line:84% makes it easier for the next child. 00:01:21.640 --> 00:01:24.420 align:middle line:84% So this is called "The Oldest Child." 00:01:24.420 --> 00:01:28.500 align:middle line:84% Nathan, precedes by his head as through stone walls or an arrow 00:01:28.500 --> 00:01:30.030 align:middle line:90% through a conduit. 00:01:30.030 --> 00:01:32.430 align:middle line:84% But the substance of this pointed love 00:01:32.430 --> 00:01:35.370 align:middle line:84% cuts deep channels a bucket couldn't touch. 00:01:35.370 --> 00:01:37.770 align:middle line:84% His bloodletting, and heartbreaking, and the crush 00:01:37.770 --> 00:01:40.320 align:middle line:90% of bone wanting breath. 00:01:40.320 --> 00:01:42.030 align:middle line:84% Nathan, proceeds as if he believed 00:01:42.030 --> 00:01:45.210 align:middle line:84% everything will be all right if we can put on the thimbles. 00:01:45.210 --> 00:01:47.370 align:middle line:84% It will be OK when we cover the candles, 00:01:47.370 --> 00:01:50.610 align:middle line:84% and so move into the dark without weapons, alright, 00:01:50.610 --> 00:01:52.200 align:middle line:84% when the white weave of intentions 00:01:52.200 --> 00:01:55.590 align:middle line:84% is brought to surgery in the poem. 00:01:55.590 --> 00:01:58.410 align:middle line:84% Nathan, helpless before his soft insides. 00:01:58.410 --> 00:02:01.260 align:middle line:84% Nathan, with real and natural mothers. 00:02:01.260 --> 00:02:03.810 align:middle line:84% Nathan, like water to whom ice has closed off 00:02:03.810 --> 00:02:05.070 align:middle line:90% the avenues of escape. 00:02:05.070 --> 00:02:08.639 align:middle line:84% Nathan, goes forward past stars, fathers, 00:02:08.639 --> 00:02:10.620 align:middle line:90% dark to his own lights. 00:02:10.620 --> 00:02:14.660 align:middle line:84% His glands swell, his heart hardens.