WEBVTT 00:00:00.000 --> 00:00:01.230 align:middle line:90% 00:00:01.230 --> 00:00:02.580 align:middle line:90% I'm going to do something else. 00:00:02.580 --> 00:00:07.710 align:middle line:90% 00:00:07.710 --> 00:00:10.260 align:middle line:84% What I want to do is read from a book-length sequence 00:00:10.260 --> 00:00:13.020 align:middle line:84% that has preoccupied me for most of the last three or four 00:00:13.020 --> 00:00:14.707 align:middle line:90% years. 00:00:14.707 --> 00:00:16.290 align:middle line:84% And I'll explain some things about it. 00:00:16.290 --> 00:00:21.180 align:middle line:84% Wouldn't everybody like to shift to the other side 00:00:21.180 --> 00:00:22.740 align:middle line:90% and move a little bit? 00:00:22.740 --> 00:00:30.180 align:middle line:90% 00:00:30.180 --> 00:00:31.890 align:middle line:84% This is called "The Escape into You" 00:00:31.890 --> 00:00:34.720 align:middle line:84% and it begins as a love sequence. 00:00:34.720 --> 00:00:36.330 align:middle line:84% In a sense in which a love sequence 00:00:36.330 --> 00:00:38.110 align:middle line:84% can contain love, hate, sex, marriage, 00:00:38.110 --> 00:00:39.990 align:middle line:90% divorce, and other good things. 00:00:39.990 --> 00:00:43.440 align:middle line:84% And it expanded seemingly at times of its own volition 00:00:43.440 --> 00:00:47.580 align:middle line:84% into areas of what used to be called social concern. 00:00:47.580 --> 00:00:51.000 align:middle line:84% There are a couple of epigraphs to the book. 00:00:51.000 --> 00:00:53.460 align:middle line:84% One is from a Shakespeare sonnet, two lines which 00:00:53.460 --> 00:00:57.030 align:middle line:84% read, "Love is too young to know what conscience is yet 00:00:57.030 --> 00:01:00.228 align:middle line:84% who knows not conscience is born of love." 00:01:00.228 --> 00:01:02.520 align:middle line:84% And the other is a line from a poem by the late Randall 00:01:02.520 --> 00:01:03.070 align:middle line:90% Jarrell. 00:01:03.070 --> 00:01:05.250 align:middle line:84% A line which reads, "If I can think of it, 00:01:05.250 --> 00:01:06.270 align:middle line:90% it isn't what I want." 00:01:06.270 --> 00:01:11.410 align:middle line:90% 00:01:11.410 --> 00:01:13.300 align:middle line:84% Well and it doesn't end with a poem 00:01:13.300 --> 00:01:17.170 align:middle line:84% it ends with an after-graph, I guess you might call it. 00:01:17.170 --> 00:01:20.290 align:middle line:84% Two lines from the sayings of the fathers and the Talmud 00:01:20.290 --> 00:01:21.280 align:middle line:90% rewrote them slightly. 00:01:21.280 --> 00:01:22.760 align:middle line:90% So, they come out this way. 00:01:22.760 --> 00:01:26.320 align:middle line:84% "It is not incumbent upon you to complete this task neither are 00:01:26.320 --> 00:01:27.670 align:middle line:90% you free to desist from it." 00:01:27.670 --> 00:01:30.400 align:middle line:90% 00:01:30.400 --> 00:01:32.080 align:middle line:84% The poems are short with one exception. 00:01:32.080 --> 00:01:33.663 align:middle line:84% They have their own titles and they're 00:01:33.663 --> 00:01:36.280 align:middle line:84% meant to stand alone as well as finally in some order. 00:01:36.280 --> 00:01:38.380 align:middle line:84% And I'm not going to find too much 00:01:38.380 --> 00:01:41.700 align:middle line:84% to say about most of them, for which I apologize in advance. 00:01:41.700 --> 00:01:43.450 align:middle line:84% Also, I think most of you have figured out 00:01:43.450 --> 00:01:46.517 align:middle line:84% that I read by line and not by phrase wherever possible. 00:01:46.517 --> 00:01:48.850 align:middle line:84% And I'm going to continue that because the music of them 00:01:48.850 --> 00:01:52.000 align:middle line:84% is important to me, with again apologies beforehand 00:01:52.000 --> 00:01:54.085 align:middle line:84% for any difficulties that presents. 00:01:54.085 --> 00:01:59.040 align:middle line:90% 00:01:59.040 --> 00:02:00.403 align:middle line:90% OK. 00:02:00.403 --> 00:02:02.070 align:middle line:84% The first one I can say something about. 00:02:02.070 --> 00:02:03.480 align:middle line:84% There are three poems in the first section, 00:02:03.480 --> 00:02:04.590 align:middle line:90% a kind of introduction. 00:02:04.590 --> 00:02:06.510 align:middle line:84% One is called "Homage to the Runner." 00:02:06.510 --> 00:02:14.280 align:middle line:84% And it's based on something you know if you have run perhaps 00:02:14.280 --> 00:02:18.900 align:middle line:84% and perhaps don't know otherwise and that is that it hurts. 00:02:18.900 --> 00:02:21.750 align:middle line:84% The person who can win races the person who 00:02:21.750 --> 00:02:23.460 align:middle line:84% wins in long distance competition 00:02:23.460 --> 00:02:26.850 align:middle line:84% is a person who can stand pain the most. 00:02:26.850 --> 00:02:28.410 align:middle line:84% It was a wonderful aesthetic credo 00:02:28.410 --> 00:02:31.530 align:middle line:84% uttered by a former National Basketball Association 00:02:31.530 --> 00:02:32.640 align:middle line:90% Player named Johnny Kerr. 00:02:32.640 --> 00:02:35.190 align:middle line:84% Who set a record for most consecutive games and he 00:02:35.190 --> 00:02:36.780 align:middle line:90% had bad legs. 00:02:36.780 --> 00:02:39.123 align:middle line:84% Basketball is a sport that's grueling in general, 00:02:39.123 --> 00:02:41.790 align:middle line:84% but particularly grueling on the legs and this man had bad legs. 00:02:41.790 --> 00:02:44.227 align:middle line:90% He played taped up all the time. 00:02:44.227 --> 00:02:45.810 align:middle line:84% After he set the record, the reporters 00:02:45.810 --> 00:02:49.260 align:middle line:84% got a hold of him they said, how did you do it. 00:02:49.260 --> 00:02:51.870 align:middle line:84% How do you play night after night on these bad legs. 00:02:51.870 --> 00:02:54.360 align:middle line:84% And he said, I tell my legs lies. 00:02:54.360 --> 00:02:57.480 align:middle line:90% 00:02:57.480 --> 00:03:00.480 align:middle line:84% Come on legs, this is your last game. 00:03:00.480 --> 00:03:01.230 align:middle line:90% Come on legs. 00:03:01.230 --> 00:03:05.958 align:middle line:90% 00:03:05.958 --> 00:03:07.500 align:middle line:84% And that's the way it works, I think. 00:03:07.500 --> 00:03:11.930 align:middle line:90% 00:03:11.930 --> 00:03:15.515 align:middle line:84% If now you're exposed as a foolish romantic. 00:03:15.515 --> 00:03:18.440 align:middle line:90% 00:03:18.440 --> 00:03:20.032 align:middle line:90% OK. 00:03:20.032 --> 00:03:20.990 align:middle line:90% "Homage to the Runner." 00:03:20.990 --> 00:03:24.530 align:middle line:84% The word sport in the first line is in quotation marks. 00:03:24.530 --> 00:03:28.160 align:middle line:90% The form of this sport is pain. 00:03:28.160 --> 00:03:31.280 align:middle line:84% Riding up into it, he hurts to win. 00:03:31.280 --> 00:03:34.070 align:middle line:84% These are the moments when death is really possible. 00:03:34.070 --> 00:03:36.620 align:middle line:84% When a man can fit into his enlarged heart, 00:03:36.620 --> 00:03:41.360 align:middle line:84% all that is known or was or shall be pumping fulfills. 00:03:41.360 --> 00:03:44.780 align:middle line:84% The love of form is a black occasion 00:03:44.780 --> 00:03:46.580 align:middle line:84% through which some light must show 00:03:46.580 --> 00:03:49.700 align:middle line:90% in 100 years of commitment. 00:03:49.700 --> 00:03:53.300 align:middle line:84% By the time the body aches to end it, the poem begins. 00:03:53.300 --> 00:03:58.850 align:middle line:84% At first in darkness, surrounded by counterfeits of leisure. 00:03:58.850 --> 00:04:02.150 align:middle line:90% Run away, leave them to ease. 00:04:02.150 --> 00:04:05.060 align:middle line:84% What does it matter, you wind up alone. 00:04:05.060 --> 00:04:07.580 align:middle line:84% There is no finish, you can stop for no one. 00:04:07.580 --> 00:04:09.920 align:middle line:84% When your wife cries, you pass a kiss. 00:04:09.920 --> 00:04:13.130 align:middle line:84% When your sons worry, you flash a smile. 00:04:13.130 --> 00:04:15.620 align:middle line:84% When your women wave, you ignore them. 00:04:15.620 --> 00:04:18.990 align:middle line:90% 00:04:18.990 --> 00:04:22.290 align:middle line:84% Things which didn't once need to be explained sometimes do now. 00:04:22.290 --> 00:04:23.970 align:middle line:90% It's not a male chauvinist poem. 00:04:23.970 --> 00:04:27.200 align:middle line:84% The commitment it's talking about is something else. 00:04:27.200 --> 00:04:28.000 align:middle line:90%