WEBVTT

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So I'm going to end with another
deer poem, a little erasure,

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and the wonderful Greg
Lewis is here to help me.

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It's something we worked on.

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Greg is usually seen
with a classical guitar,

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unless he's down at
Southside Presbyterian Church

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playing gospel music.

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Let's see, this took me
to the sika deer in Japan,

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and there's a reference
to a Japanese video game

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that Ander Monson told me
about last summer, which

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you'll probably get as we read.

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And I've set them up as problems
which all solve for deer,

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I guess, or maybe not.

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[GUITAR PLAYING]

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[DRAMATIC GUITAR PLAYING]

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"What is disaster chain,
solves for sacred deer, a star

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for sure?

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Sacred deer are really
just deer wading

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through some invisible
light, X-ray light,

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burning hose, eyes
full of tall trees,

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a little bit of narra etched
into the reflective pigment

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speckling the back
of each retina,

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much like the photographic
process for standing room only.

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Put on earth for dousing the
sea, they ask those eyes,

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but no one answers.

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Inside them are many shades
of red, safflower, matter,

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vermillion, scarlet,
crimson, also

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graffiti characters
for god, advancing

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new, true, stretch, heart.

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Repeated emblem,
antler chandeliers

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hung from metal girders.

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In a movie I have never
seen, deer at swim,

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plimsolls up, a
synchronicity of antlers

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in the offing of the Strait
of Russia, one blinking.

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There may never be a snake.

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This was three string added
to my star bubble, a star

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for sure.

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Just this morning, news from
the Super Kai Collider Sequence

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Center, deer smacking heads,
deer zombies, deer skeletons,

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dear vapors, deer particles,
deer winds, deer frequencies."

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Greg Lewis, everybody.

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[APPLAUSE]

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Thank you.

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[APPLAUSE CONTINUES]

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