WEBVTT 00:00:00.000 --> 00:00:02.340 align:middle line:90% 00:00:02.340 --> 00:00:06.000 align:middle line:84% Yeah, so this is another one of these neighborhood poems. 00:00:06.000 --> 00:00:10.380 align:middle line:84% And one of my favorite pieces of music 00:00:10.380 --> 00:00:17.970 align:middle line:84% is the Bach "Cello Suite" as it's played by Pablo Casals. 00:00:17.970 --> 00:00:24.570 align:middle line:84% And probably most of you know that the story of Casals being, 00:00:24.570 --> 00:00:27.810 align:middle line:84% I think, about 12 or 13 years old when he found the sheet 00:00:27.810 --> 00:00:31.140 align:middle line:90% music for these cello suites. 00:00:31.140 --> 00:00:37.170 align:middle line:84% And up until the time that he made the recording-- 00:00:37.170 --> 00:00:38.520 align:middle line:90% he made the recording 30 years. 00:00:38.520 --> 00:00:40.500 align:middle line:90% It took him 30 years. 00:00:40.500 --> 00:00:43.350 align:middle line:84% He decided he wasn't ready for 30 years 00:00:43.350 --> 00:00:45.190 align:middle line:90% to make a recording of them. 00:00:45.190 --> 00:00:48.840 align:middle line:84% And up until that time, the cello suites 00:00:48.840 --> 00:00:53.400 align:middle line:84% were considered just kind of practice music for cellists. 00:00:53.400 --> 00:00:59.220 align:middle line:84% They weren't something that you actually played in concert. 00:00:59.220 --> 00:01:00.570 align:middle line:90% They are just sublime. 00:01:00.570 --> 00:01:04.092 align:middle line:90% 00:01:04.092 --> 00:01:05.300 align:middle line:90% They have everything in them. 00:01:05.300 --> 00:01:08.700 align:middle line:90% 00:01:08.700 --> 00:01:11.520 align:middle line:84% Anyway, the poem is not really about that. 00:01:11.520 --> 00:01:12.630 align:middle line:90% Don't worry. 00:01:12.630 --> 00:01:17.170 align:middle line:84% There's something at the end of the poem that invokes it. 00:01:17.170 --> 00:01:22.540 align:middle line:84% Lives, like a bit of shoelace snapped off and tied back 00:01:22.540 --> 00:01:27.760 align:middle line:84% on by tight knot frayed, each of us lives attached 00:01:27.760 --> 00:01:30.910 align:middle line:84% to the ridiculousness of suffering-- 00:01:30.910 --> 00:01:34.810 align:middle line:84% according to the Buddhist, needfully 00:01:34.810 --> 00:01:38.680 align:middle line:84% with plenty of precedent and proteges, and of course, 00:01:38.680 --> 00:01:42.310 align:middle line:90% just trying to deal. 00:01:42.310 --> 00:01:45.860 align:middle line:90% Am I stronger than I once was? 00:01:45.860 --> 00:01:47.760 align:middle line:90% Yes. 00:01:47.760 --> 00:01:49.920 align:middle line:90% But is it enough? 00:01:49.920 --> 00:01:52.830 align:middle line:84% On the street, parents with fidgeting babies, 00:01:52.830 --> 00:01:57.750 align:middle line:84% students with bulging backpacks, the millennium or two of ideas 00:01:57.750 --> 00:02:01.320 align:middle line:90% both boneheaded and marvelous. 00:02:01.320 --> 00:02:06.390 align:middle line:84% Could I take up their burdens even if I wanted to? 00:02:06.390 --> 00:02:09.930 align:middle line:84% What about the smokers, the malted smell of pipe tobacco 00:02:09.930 --> 00:02:14.430 align:middle line:84% and vast stagecraft recalling Chesapeake Bay and the Eastern 00:02:14.430 --> 00:02:17.580 align:middle line:90% shore as it goes up in smoke. 00:02:17.580 --> 00:02:21.150 align:middle line:84% Or the cemetery staff the funeral director, 00:02:21.150 --> 00:02:23.670 align:middle line:84% hearse drivers, and grave diggers 00:02:23.670 --> 00:02:27.000 align:middle line:84% aware as they are that a headstone is heavy enough 00:02:27.000 --> 00:02:29.640 align:middle line:90% to pin the head in one spot. 00:02:29.640 --> 00:02:33.690 align:middle line:84% They subdue the mourning atmosphere. 00:02:33.690 --> 00:02:36.330 align:middle line:84% Though even for them, perhaps childhood 00:02:36.330 --> 00:02:41.220 align:middle line:84% comes back into view changed once in a while. 00:02:41.220 --> 00:02:45.030 align:middle line:84% As the summer reading lists that once seemed to me a bore, 00:02:45.030 --> 00:02:50.070 align:middle line:84% now look to be filled with insight and care. 00:02:50.070 --> 00:02:56.710 align:middle line:84% With mutiny and courage to spare, never again will 00:02:56.710 --> 00:03:02.080 align:middle line:84% you find me hating on those particular books. 00:03:02.080 --> 00:03:07.810 align:middle line:84% Probably, you too wanted to be a dress designer, a rifleman, 00:03:07.810 --> 00:03:11.980 align:middle line:90% or geneticist, or photographer-- 00:03:11.980 --> 00:03:18.080 align:middle line:84% a life of so-called action, of consequence. 00:03:18.080 --> 00:03:21.110 align:middle line:84% Perhaps, you ought to have lived your story 00:03:21.110 --> 00:03:25.310 align:middle line:84% as a French economist hell bent on improving 00:03:25.310 --> 00:03:27.800 align:middle line:90% the lives of grim coal miners. 00:03:27.800 --> 00:03:30.320 align:middle line:90% 00:03:30.320 --> 00:03:33.800 align:middle line:84% The street is wide enough to hold 00:03:33.800 --> 00:03:41.400 align:middle line:84% my oldest, most dazzling wishes but not to let me touch them. 00:03:41.400 --> 00:03:44.760 align:middle line:84% Put them alongside the sound of Pablo Casals 00:03:44.760 --> 00:03:48.720 align:middle line:84% near flawless in playing "Bach's Cello Suite," though 00:03:48.720 --> 00:03:52.430 align:middle line:90% and all experience stretches. 00:03:52.430 --> 00:04:05.000 align:middle line:90%