WEBVTT 00:00:00.000 --> 00:00:03.570 align:middle line:84% As Laura said, I read here last seven years ago. 00:00:03.570 --> 00:00:05.340 align:middle line:84% I'm going to read almost entirely poems 00:00:05.340 --> 00:00:07.170 align:middle line:90% written in the last six years. 00:00:07.170 --> 00:00:09.690 align:middle line:84% I know this doesn't matter to anybody out here, 00:00:09.690 --> 00:00:13.410 align:middle line:84% but it pleases me to be able to read newer things. 00:00:13.410 --> 00:00:16.110 align:middle line:84% I want to start by reading one that I almost certainly read 00:00:16.110 --> 00:00:20.610 align:middle line:84% seven years ago, for anybody who might possibly remember. 00:00:20.610 --> 00:00:21.300 align:middle line:90% This is a poem. 00:00:21.300 --> 00:00:23.310 align:middle line:84% I say I probably read it not because I remember 00:00:23.310 --> 00:00:25.710 align:middle line:90% but because I almost always do. 00:00:25.710 --> 00:00:29.700 align:middle line:84% It's a poem called The Man in the Dead Machine. 00:00:29.700 --> 00:00:31.770 align:middle line:84% In the second line, there's a name 00:00:31.770 --> 00:00:34.410 align:middle line:84% of a fighter plane from the Second World 00:00:34.410 --> 00:00:37.650 align:middle line:84% War from the American side, the Grumman Hellcat. 00:00:37.650 --> 00:00:39.592 align:middle line:84% It was a plane that flew off carriers, 00:00:39.592 --> 00:00:40.800 align:middle line:90% in particular in the Pacific. 00:00:40.800 --> 00:00:43.320 align:middle line:90% 00:00:43.320 --> 00:00:48.210 align:middle line:84% High on a slope in New Guinea, the Grumman Hellcat 00:00:48.210 --> 00:00:54.300 align:middle line:84% lodges among bright vines as thick as arms. 00:00:54.300 --> 00:00:58.830 align:middle line:84% In 1942, the clenched hand of a pilot 00:00:58.830 --> 00:01:04.950 align:middle line:84% glided it here where no one has ever been. 00:01:04.950 --> 00:01:07.560 align:middle line:84% In the cockpit, the helmeted skeleton 00:01:07.560 --> 00:01:13.650 align:middle line:84% sits upright, held by dry sinews at neck and shoulder 00:01:13.650 --> 00:01:17.970 align:middle line:84% and by webbing that straps the pelvic cross to the cracked 00:01:17.970 --> 00:01:22.650 align:middle line:84% leather of the seat and the breastbone to the canvas 00:01:22.650 --> 00:01:31.700 align:middle line:84% cover of the parachute, or say that the shrapnel missed him. 00:01:31.700 --> 00:01:37.010 align:middle line:84% He flew back to the carrier and every morning takes his chair. 00:01:37.010 --> 00:01:40.930 align:middle line:84% His pale hands on the black arms, 00:01:40.930 --> 00:01:48.250 align:middle line:84% and sits upright, held by the firm webbing. 00:01:48.250 --> 00:01:52.320 align:middle line:90% 00:01:52.320 --> 00:01:54.800 align:middle line:84% I want the end of that poem to have the kind of effect 00:01:54.800 --> 00:01:58.010 align:middle line:84% that you see sometimes in political badges 00:01:58.010 --> 00:02:01.670 align:middle line:84% with little ridges on them, so that on one angle 00:02:01.670 --> 00:02:04.010 align:middle line:84% you see one picture and one another, 00:02:04.010 --> 00:02:07.280 align:middle line:84% as if there's flesh from the skeleton, flesh and skeleton 00:02:07.280 --> 00:02:09.460 align:middle line:90% going back and forth. 00:02:09.460 --> 00:02:10.000 align:middle line:90%