WEBVTT 00:00:00.000 --> 00:00:04.620 align:middle line:90% 00:00:04.620 --> 00:00:08.400 align:middle line:84% And since this is a new book, I feel like I'm here 00:00:08.400 --> 00:00:11.140 align:middle line:90% to read it to you. 00:00:11.140 --> 00:00:15.300 align:middle line:84% I'll start with a little paragraph of thanks. 00:00:15.300 --> 00:00:19.920 align:middle line:84% Many thanks to the University of Arizona for the provost author 00:00:19.920 --> 00:00:23.580 align:middle line:84% support grant that assisted the publication of this book, 00:00:23.580 --> 00:00:26.850 align:middle line:84% and many thanks to Lisa Bowden of Kore Press for her 00:00:26.850 --> 00:00:30.180 align:middle line:84% inspired design and creation of it. 00:00:30.180 --> 00:00:36.360 align:middle line:84% Endless gratitude to my devoted readers, which are many, 00:00:36.360 --> 00:00:42.420 align:middle line:84% especially Beth Alvarado, especially Jane Miller, 00:00:42.420 --> 00:00:45.690 align:middle line:84% Boyer Rackel and Jacqueline Culley, 00:00:45.690 --> 00:00:47.700 align:middle line:90% who cheered these poems on. 00:00:47.700 --> 00:00:50.220 align:middle line:90% 00:00:50.220 --> 00:00:54.510 align:middle line:84% This book is dedicated to my cousin, Dirk Charles 00:00:54.510 --> 00:01:04.620 align:middle line:84% Clodfelter, 1946 to 1971, and to his mother, my aunt Marguerite 00:01:04.620 --> 00:01:15.310 align:middle line:90% Cully Clodfelter, 1922 to 2011. 00:01:15.310 --> 00:01:23.490 align:middle line:84% This first poem draws from one of the I think origin 00:01:23.490 --> 00:01:27.060 align:middle line:90% myths in the German culture. 00:01:27.060 --> 00:01:35.160 align:middle line:84% Siegfried and Brunhilda, and the title 00:01:35.160 --> 00:01:40.560 align:middle line:84% is from you'll recognize Emily Dickinson. 00:01:40.560 --> 00:01:45.450 align:middle line:90% A wooden way, regardless grown. 00:01:45.450 --> 00:01:50.020 align:middle line:84% Siegfried's ash difficult way, love, is not want not. 00:01:50.020 --> 00:01:54.600 align:middle line:84% Not shepherd's tale, not that strong-made voice wrested from 00:01:54.600 --> 00:02:01.980 align:middle line:84% the king of scraped-clean forest forms and looming from which he 00:02:01.980 --> 00:02:07.170 align:middle line:84% or we look away, cannot or must not. 00:02:07.170 --> 00:02:12.000 align:middle line:84% Significantly larger still, sinewy curved West wall 00:02:12.000 --> 00:02:16.350 align:middle line:84% gouged as apparent human figure, defined in distant circles 00:02:16.350 --> 00:02:18.360 align:middle line:90% cut to scale. 00:02:18.360 --> 00:02:24.750 align:middle line:84% That place where feudal hall, vanishing pointillist, semen 00:02:24.750 --> 00:02:28.470 align:middle line:90% and blood, lover waif back-- 00:02:28.470 --> 00:02:31.230 align:middle line:90% back to Brunhilde. 00:02:31.230 --> 00:02:36.540 align:middle line:84% Quill of quiet rasp of songs made brittle now 00:02:36.540 --> 00:02:43.460 align:middle line:84% behind the eye, gate across lacerated field. 00:02:43.460 --> 00:02:47.000 align:middle line:90%