WEBVTT 00:00:00.000 --> 00:00:02.580 align:middle line:90% 00:00:02.580 --> 00:00:08.385 align:middle line:84% I should warn you, I'm going to take a drink of water, 00:00:08.385 --> 00:00:09.510 align:middle line:90% then I'm going to warn you. 00:00:09.510 --> 00:00:12.930 align:middle line:90% 00:00:12.930 --> 00:00:18.420 align:middle line:84% I'll keep you in terror as we all are these days. 00:00:18.420 --> 00:00:23.700 align:middle line:84% I have often had organized poems around a conceit 00:00:23.700 --> 00:00:28.770 align:middle line:84% like all ekphrastic poems, all based on artworks and taking 00:00:28.770 --> 00:00:30.120 align:middle line:90% the title of artworks. 00:00:30.120 --> 00:00:33.510 align:middle line:84% And in The Bride of E, I used the alphabet, 00:00:33.510 --> 00:00:39.030 align:middle line:84% so a is for, b is for, and then extended the alphabet 00:00:39.030 --> 00:00:42.060 align:middle line:84% by celebrating a particular letter 00:00:42.060 --> 00:00:44.340 align:middle line:90% and using an alliterative title. 00:00:44.340 --> 00:00:47.760 align:middle line:84% And lately, because I've been working on the translation, 00:00:47.760 --> 00:00:51.270 align:middle line:84% I haven't had time to think about an organizing principle. 00:00:51.270 --> 00:00:54.570 align:middle line:84% So the poems that do get written-- 00:00:54.570 --> 00:00:58.290 align:middle line:84% I'm not sure how they cohere together. 00:00:58.290 --> 00:01:00.630 align:middle line:84% But what I've noticed lately is that they 00:01:00.630 --> 00:01:04.319 align:middle line:84% seem to be about the fact that the world is leaning hard 00:01:04.319 --> 00:01:07.965 align:middle line:84% against all of us, and maybe that's enough of a conceit. 00:01:07.965 --> 00:01:10.800 align:middle line:90% 00:01:10.800 --> 00:01:13.090 align:middle line:84% So that poem is an example of that. 00:01:13.090 --> 00:01:17.685 align:middle line:84% And what I'm apologizing for is their tone is sometimes sad. 00:01:17.685 --> 00:01:20.570 align:middle line:90% 00:01:20.570 --> 00:01:22.852 align:middle line:90% And nobody likes that. 00:01:22.852 --> 00:01:24.060 align:middle line:90% This is called "The Numbers." 00:01:24.060 --> 00:01:28.560 align:middle line:90% 00:01:28.560 --> 00:01:31.050 align:middle line:84% "I'm making a strudel of bluebirds. 00:01:31.050 --> 00:01:34.020 align:middle line:84% A Pied Piper is playing a strange song 00:01:34.020 --> 00:01:37.650 align:middle line:84% to the sound of a shredder that's going non-stop. 00:01:37.650 --> 00:01:39.960 align:middle line:90% Each ordinal number's isolated. 00:01:39.960 --> 00:01:41.820 align:middle line:90% Each receipt gets eaten. 00:01:41.820 --> 00:01:43.980 align:middle line:90% Each is made safe. 00:01:43.980 --> 00:01:45.810 align:middle line:90% The dish is hot from the oven. 00:01:45.810 --> 00:01:49.530 align:middle line:84% The mesmerizing sound lulls like a candle on a table 00:01:49.530 --> 00:01:51.840 align:middle line:90% makes a mirror of the eye. 00:01:51.840 --> 00:01:54.060 align:middle line:84% A knife draws a line down the center. 00:01:54.060 --> 00:01:55.140 align:middle line:90% This is mine. 00:01:55.140 --> 00:01:56.400 align:middle line:90% This is yours. 00:01:56.400 --> 00:01:58.290 align:middle line:90% There is no way out. 00:01:58.290 --> 00:02:01.110 align:middle line:84% Every language gets speckled with references 00:02:01.110 --> 00:02:03.330 align:middle line:90% to what it is to be after. 00:02:03.330 --> 00:02:08.490 align:middle line:84% Shredded, sleeping, eyes closed, home-schooled to ignore 00:02:08.490 --> 00:02:10.410 align:middle line:90% what you don't want to see. 00:02:10.410 --> 00:02:14.430 align:middle line:84% Now, down the disposal of the feathers, the unfed, the crust 00:02:14.430 --> 00:02:17.190 align:middle line:84% crumbs, the monogrammed small plates 00:02:17.190 --> 00:02:21.870 align:middle line:84% stamped 'I' for idiocy, mine and yours. 00:02:21.870 --> 00:02:25.800 align:middle line:84% After the fall of the wall, I felt anything was possible. 00:02:25.800 --> 00:02:27.840 align:middle line:90% History would no longer exist. 00:02:27.840 --> 00:02:30.760 align:middle line:90% 00:02:30.760 --> 00:02:31.890 align:middle line:90% The mic goes out. 00:02:31.890 --> 00:02:33.390 align:middle line:90% The sound softens. 00:02:33.390 --> 00:02:36.540 align:middle line:84% The books burned down to embers, then ash. 00:02:36.540 --> 00:02:39.960 align:middle line:84% The fever hospital closes for lack of a solution 00:02:39.960 --> 00:02:42.090 align:middle line:90% to the seven deadly sins. 00:02:42.090 --> 00:02:43.830 align:middle line:90% Betrayal for one. 00:02:43.830 --> 00:02:45.930 align:middle line:90% Intolerance for two. 00:02:45.930 --> 00:02:47.580 align:middle line:90% Greed for three. 00:02:47.580 --> 00:02:49.350 align:middle line:90% Cruelty for four. 00:02:49.350 --> 00:02:51.314 align:middle line:90% Large cars for five. 00:02:51.314 --> 00:02:52.980 align:middle line:90% War for six. 00:02:52.980 --> 00:02:56.951 align:middle line:84% Suicide for seven, when it kills more than one." 00:02:56.951 --> 00:02:57.451 align:middle line:90%