WEBVTT 00:00:00.000 --> 00:00:01.804 align:middle line:90% [APPLAUSE] 00:00:01.804 --> 00:00:03.670 align:middle line:90% Oh, TC. 00:00:03.670 --> 00:00:08.260 align:middle line:84% That was the nicest introduction ever. 00:00:08.260 --> 00:00:08.770 align:middle line:90% Yeah. 00:00:08.770 --> 00:00:11.624 align:middle line:84% You got my bra if you want it later. 00:00:11.624 --> 00:00:12.380 align:middle line:90% We'll talk. 00:00:12.380 --> 00:00:12.880 align:middle line:90% Yeah. 00:00:12.880 --> 00:00:13.810 align:middle line:90% I don't want it. 00:00:13.810 --> 00:00:14.920 align:middle line:90% I mean, I'm not using it. 00:00:14.920 --> 00:00:17.320 align:middle line:90% [LAUGHTER] 00:00:17.320 --> 00:00:19.240 align:middle line:90% 00:00:19.240 --> 00:00:24.820 align:middle line:84% I'm deeply honored to be among this [INAUDIBLE] company. 00:00:24.820 --> 00:00:27.750 align:middle line:84% I am deeply honored to have been invited here. 00:00:27.750 --> 00:00:32.950 align:middle line:84% Incredibly grateful to Laynie for making this astounding book 00:00:32.950 --> 00:00:34.510 align:middle line:90% happen. 00:00:34.510 --> 00:00:37.960 align:middle line:84% Very, very grateful to everyone involved in the Poetry Center 00:00:37.960 --> 00:00:42.520 align:middle line:84% for making this miraculous place continue. 00:00:42.520 --> 00:00:46.000 align:middle line:84% I'm going to read some poems from the anthology 00:00:46.000 --> 00:00:48.640 align:middle line:84% and then I'm going to go off road a bit. 00:00:48.640 --> 00:00:50.440 align:middle line:90% I'm going to read a poem-- 00:00:50.440 --> 00:00:53.290 align:middle line:84% at least one poem from Dark Archive and then some 00:00:53.290 --> 00:00:56.080 align:middle line:84% poems from the seventh book that's coming out 00:00:56.080 --> 00:01:01.120 align:middle line:90% from Otis Editions this June. 00:01:01.120 --> 00:01:02.980 align:middle line:90% A book about weddings. 00:01:02.980 --> 00:01:07.390 align:middle line:84% And I'm not going to say too much in between because I want 00:01:07.390 --> 00:01:12.190 align:middle line:84% to keep to my time and because there's an introduction 00:01:12.190 --> 00:01:14.170 align:middle line:90% stuff in the book and, yeah. 00:01:14.170 --> 00:01:16.780 align:middle line:90% 00:01:16.780 --> 00:01:21.130 align:middle line:84% "I wandered lonely as a cloud," oh, wait, no. 00:01:21.130 --> 00:01:21.880 align:middle line:90% That's not mine. 00:01:21.880 --> 00:01:24.820 align:middle line:90% 00:01:24.820 --> 00:01:27.100 align:middle line:84% I'll just say that after the man-made disaster that 00:01:27.100 --> 00:01:31.600 align:middle line:84% followed Katrina, there was a whole lot of looting going on 00:01:31.600 --> 00:01:35.500 align:middle line:90% and I did some. 00:01:35.500 --> 00:01:38.830 align:middle line:84% "I wandered networks like a cloud 00:01:38.830 --> 00:01:41.200 align:middle line:90% that floated over my couch. 00:01:41.200 --> 00:01:43.930 align:middle line:84% Remote in one hand drink in the other 00:01:43.930 --> 00:01:47.620 align:middle line:84% a crowd on the screen wounded in rage 00:01:47.620 --> 00:01:49.930 align:middle line:84% fleeing the tanks beneath the leaves 00:01:49.930 --> 00:01:53.530 align:middle line:84% fluttering and dancing in the trees. 00:01:53.530 --> 00:01:56.020 align:middle line:84% Continuous as the stars that shine, 00:01:56.020 --> 00:02:00.610 align:middle line:84% these wars, these displaced refugees filmed in never ending 00:02:00.610 --> 00:02:04.420 align:middle line:84% lines along the margins and at Bay 10,000 00:02:04.420 --> 00:02:10.180 align:middle line:84% saw I at a glance hurrying nowhere like frightened ants. 00:02:10.180 --> 00:02:12.700 align:middle line:84% The waves beside them danced but they 00:02:12.700 --> 00:02:15.400 align:middle line:90% bend weeping over loved bodies. 00:02:15.400 --> 00:02:20.830 align:middle line:84% A poet could not but be gay far from such desperate company. 00:02:20.830 --> 00:02:25.390 align:middle line:84% I gazed and gazed and little thought what wealth to me 00:02:25.390 --> 00:02:27.430 align:middle line:90% the show had brought. 00:02:27.430 --> 00:02:32.890 align:middle line:84% For oft when on my couch I lie in vacant or in pensive mood. 00:02:32.890 --> 00:02:36.020 align:middle line:84% They flash upon that satellite dish, 00:02:36.020 --> 00:02:39.130 align:middle line:90% which is the bliss of solitude. 00:02:39.130 --> 00:02:43.060 align:middle line:84% And then my heart with pleasure fills 00:02:43.060 --> 00:02:46.030 align:middle line:84% to be so far from the world's ills. 00:02:46.030 --> 00:02:48.590 align:middle line:90% 00:02:48.590 --> 00:02:51.880 align:middle line:90% Cloud as lonely. 00:02:51.880 --> 00:02:55.420 align:middle line:84% And verb with the nouns and my sullen heart 00:02:55.420 --> 00:02:59.170 align:middle line:84% and the bliss of the eerily violent. 00:02:59.170 --> 00:03:02.560 align:middle line:84% Description of memory as a sort of IED 00:03:02.560 --> 00:03:05.410 align:middle line:84% in the home entertainment center. 00:03:05.410 --> 00:03:08.200 align:middle line:84% Are you in an adjective or pensive mood? 00:03:08.200 --> 00:03:13.510 align:middle line:84% When I lie following me, sick of the mention of flowers-- 00:03:13.510 --> 00:03:14.740 align:middle line:90% the stench of flowers-- 00:03:14.740 --> 00:03:17.110 align:middle line:90% when for the dead. 00:03:17.110 --> 00:03:20.200 align:middle line:84% What bail out the show had pronoun verb, 00:03:20.200 --> 00:03:22.270 align:middle line:84% conjunction verb, and little thought 00:03:22.270 --> 00:03:24.190 align:middle line:90% such a company could not be. 00:03:24.190 --> 00:03:28.030 align:middle line:84% But that the cost of this out- did the sparkling waves waves 00:03:28.030 --> 00:03:32.170 align:middle line:84% beside them but they displaced the local industry tossing 00:03:32.170 --> 00:03:33.880 align:middle line:90% their heads. 00:03:33.880 --> 00:03:35.378 align:middle line:90% Storyboard it. 00:03:35.378 --> 00:03:37.420 align:middle line:84% "Do you see them casting their heads into the air 00:03:37.420 --> 00:03:39.130 align:middle line:90% or to each other?" 00:03:39.130 --> 00:03:40.690 align:middle line:90% Just asking. 00:03:40.690 --> 00:03:42.550 align:middle line:90% "Do you follow?" 00:03:42.550 --> 00:03:46.300 align:middle line:84% Shadowed the man describing a live section of landscape. 00:03:46.300 --> 00:03:50.530 align:middle line:84% His pretence he'd been there alone the main thing. 00:03:50.530 --> 00:03:56.530 align:middle line:84% "Did you see me dreaming this on your inward eye?" 00:03:56.530 --> 00:03:59.530 align:middle line:90% If you're reading this. 00:03:59.530 --> 00:04:02.470 align:middle line:84% Oddly specific number and weird syntax 00:04:02.470 --> 00:04:05.050 align:middle line:84% torqued for the rhyme's sake along the margin 00:04:05.050 --> 00:04:06.460 align:middle line:90% of a never ending line. 00:04:06.460 --> 00:04:09.880 align:middle line:84% Anyway continuous as withered darkened number, 00:04:09.880 --> 00:04:13.510 align:middle line:84% line about motion and location as cause, gerund and gerund 00:04:13.510 --> 00:04:16.839 align:middle line:84% in the breeze, preposition the noun, preposition the noun, 00:04:16.839 --> 00:04:21.250 align:middle line:84% verb location and preposition and nouns when all at once 00:04:21.250 --> 00:04:24.360 align:middle line:90% I saw a host golden." 00:04:24.360 --> 00:04:26.000 align:middle line:90%