WEBVTT 00:00:00.000 --> 00:00:07.730 align:middle line:90% 00:00:07.730 --> 00:00:09.150 align:middle line:90% I've had a little bit of a cold. 00:00:09.150 --> 00:00:15.307 align:middle line:84% So if I have a sudden fit of coughing, please forgive me. 00:00:15.307 --> 00:00:18.110 align:middle line:90% [LAUGHTER] 00:00:18.110 --> 00:00:22.220 align:middle line:84% And maybe I'll leave the room and [INAUDIBLE].. 00:00:22.220 --> 00:00:24.410 align:middle line:84% Josh Marie Wilkinson is the author 00:00:24.410 --> 00:00:28.580 align:middle line:84% of five books of poetry most recently Selenography. 00:00:28.580 --> 00:00:32.240 align:middle line:84% He has edited two anthologies for University of Iowa Press 00:00:32.240 --> 00:00:34.430 align:middle line:90% including Poets On Teaching. 00:00:34.430 --> 00:00:37.190 align:middle line:84% And he has just completed his first feature length film 00:00:37.190 --> 00:00:40.310 align:middle line:84% a tour documentary about the band Califone. 00:00:40.310 --> 00:00:43.430 align:middle line:84% He lives in Chicago where he is an assistant professor 00:00:43.430 --> 00:00:45.110 align:middle line:90% at Loyola University. 00:00:45.110 --> 00:00:48.410 align:middle line:84% He graduated from University of Arizona Creative Writing MFA 00:00:48.410 --> 00:00:51.560 align:middle line:90% program in 2002. 00:00:51.560 --> 00:00:55.940 align:middle line:84% Wilkinson's poetry is lyric, imagistic, cryptic yet 00:00:55.940 --> 00:01:01.610 align:middle line:84% always sincere, a perhaps rare quality in contemporary poets. 00:01:01.610 --> 00:01:05.000 align:middle line:84% Compressed without excess of any kind, 00:01:05.000 --> 00:01:08.210 align:middle line:84% Wilkinson's work is obsessed with visual art. 00:01:08.210 --> 00:01:11.150 align:middle line:84% This layering of multiple artistic dimensions 00:01:11.150 --> 00:01:15.080 align:middle line:84% works to create a transformative lens for the reader. 00:01:15.080 --> 00:01:17.630 align:middle line:84% Wilkinson has created a kind of new language 00:01:17.630 --> 00:01:19.700 align:middle line:84% in which readers must wrap themselves 00:01:19.700 --> 00:01:22.610 align:middle line:90% in order to inhabit his world. 00:01:22.610 --> 00:01:26.870 align:middle line:84% In his latest book Selenography, the first book in the No Volta 00:01:26.870 --> 00:01:28.100 align:middle line:90% pentalogy. 00:01:28.100 --> 00:01:31.220 align:middle line:84% Wilkinson juxtaposes his poems with Polaroids 00:01:31.220 --> 00:01:34.550 align:middle line:84% taken by the artist Tim Rutili depicting moments 00:01:34.550 --> 00:01:38.630 align:middle line:84% like a small plane crash, a graffitied bathroom, legs, 00:01:38.630 --> 00:01:41.930 align:middle line:90% a hung skeleton, a lone crow. 00:01:41.930 --> 00:01:44.840 align:middle line:84% These images complement the silences hollowed out 00:01:44.840 --> 00:01:49.670 align:middle line:84% by the poems to create an atmosphere of utter stillness. 00:01:49.670 --> 00:01:53.930 align:middle line:84% Selenography literally meaning lunar geography 00:01:53.930 --> 00:01:56.450 align:middle line:84% feels as though it is as one of the poems 00:01:56.450 --> 00:02:00.530 align:middle line:84% suggests, a storybook collecting our ends. 00:02:00.530 --> 00:02:03.500 align:middle line:84% The landscapes are ours and not ours. 00:02:03.500 --> 00:02:06.020 align:middle line:90% They're human and not human. 00:02:06.020 --> 00:02:09.840 align:middle line:84% They are haunted by ghosts of the past and future. 00:02:09.840 --> 00:02:13.370 align:middle line:84% What little life exists here is merely the fleeting specter 00:02:13.370 --> 00:02:15.350 align:middle line:90% of the present. 00:02:15.350 --> 00:02:19.730 align:middle line:84% The last section of Selenography invokes Samuel Beckett. 00:02:19.730 --> 00:02:21.800 align:middle line:90% Let me hear nothing of the moon. 00:02:21.800 --> 00:02:23.900 align:middle line:90% In my night there is no moon. 00:02:23.900 --> 00:02:28.060 align:middle line:84% And if I speak of the stars it is by mistake. 00:02:28.060 --> 00:02:30.610 align:middle line:84% It is as though the world has come unglued. 00:02:30.610 --> 00:02:35.740 align:middle line:84% The force that holds the Earth together the moon, is gone. 00:02:35.740 --> 00:02:39.340 align:middle line:84% The book ends on a paradoxical quandary, a speaker 00:02:39.340 --> 00:02:41.890 align:middle line:90% without a way forward. 00:02:41.890 --> 00:02:44.230 align:middle line:84% There is no love without strangers 00:02:44.230 --> 00:02:47.740 align:middle line:84% in the street with their murmuring like wires. 00:02:47.740 --> 00:02:51.370 align:middle line:84% A knock at the wall, a chalk line to cross 00:02:51.370 --> 00:02:54.940 align:middle line:84% says the boy with the trapdoor in his eye. 00:02:54.940 --> 00:02:59.490 align:middle line:84% I have a fold I have no followable path. 00:02:59.490 --> 00:03:01.350 align:middle line:84% Please help me welcome Josh Marie Wilkinson. 00:03:01.350 --> 00:03:05.000 align:middle line:90% [APPLAUSE] 00:03:05.000 --> 00:03:07.000 align:middle line:90%