WEBVTT 00:00:00.000 --> 00:00:00.840 align:middle line:90% 00:00:00.840 --> 00:00:02.190 align:middle line:90% I think I'll do like this-- 00:00:02.190 --> 00:00:04.830 align:middle line:84% I'll read for 40 minutes or so, and then we 00:00:04.830 --> 00:00:08.700 align:middle line:84% start a sort of conversation here. 00:00:08.700 --> 00:00:09.660 align:middle line:90% We can do that. 00:00:09.660 --> 00:00:13.950 align:middle line:84% You can ask any [? hurting ?] questions you like, 00:00:13.950 --> 00:00:17.040 align:middle line:90% and I will try to answer it. 00:00:17.040 --> 00:00:25.040 align:middle line:84% And I will read one poem in the May Swenson's translation. 00:00:25.040 --> 00:00:33.650 align:middle line:90% 00:00:33.650 --> 00:00:40.310 align:middle line:84% It's about a portrait of a composer, Edvard Grieg. 00:00:40.310 --> 00:00:42.380 align:middle line:84% And it's called "An Artist in the North." 00:00:42.380 --> 00:00:47.500 align:middle line:90% 00:00:47.500 --> 00:00:52.360 align:middle line:84% "I, Edvard Grieg, moved free among men. 00:00:52.360 --> 00:00:57.910 align:middle line:84% I joked a lot, read the papers, often on tour. 00:00:57.910 --> 00:01:01.300 align:middle line:90% I conducted the orchestra. 00:01:01.300 --> 00:01:03.910 align:middle line:84% The auditorium and its lights shuddered 00:01:03.910 --> 00:01:07.750 align:middle line:84% with each triumph like a train ferry pushing in to dock. 00:01:07.750 --> 00:01:12.270 align:middle line:90% 00:01:12.270 --> 00:01:17.130 align:middle line:84% I have holed myself up here to butt heads with silence. 00:01:17.130 --> 00:01:19.560 align:middle line:90% My work hut is small. 00:01:19.560 --> 00:01:23.430 align:middle line:84% The grand piano fits as rubbing-tight in there 00:01:23.430 --> 00:01:25.455 align:middle line:84% as a swallow under a roof shingle. 00:01:25.455 --> 00:01:29.320 align:middle line:90% 00:01:29.320 --> 00:01:31.510 align:middle line:84% The steep and lovely mountain slopes 00:01:31.510 --> 00:01:34.750 align:middle line:90% are silent most of the time. 00:01:34.750 --> 00:01:38.140 align:middle line:84% There is no path, but there is a wicket 00:01:38.140 --> 00:01:42.730 align:middle line:84% that sometimes opens, and a peculiar light leaks 00:01:42.730 --> 00:01:46.550 align:middle line:90% in directly from the trolls. 00:01:46.550 --> 00:01:47.050 align:middle line:90% Simplify! 00:01:47.050 --> 00:01:49.570 align:middle line:90% 00:01:49.570 --> 00:01:53.160 align:middle line:84% And hammer blows in the mountain came, came, came, came, 00:01:53.160 --> 00:01:58.880 align:middle line:84% came one spring night into our room disguised as heartbeats. 00:01:58.880 --> 00:02:02.560 align:middle line:90% 00:02:02.560 --> 00:02:06.100 align:middle line:84% The year before I die, I shall send out four hymns 00:02:06.100 --> 00:02:09.250 align:middle line:90% to track down God. 00:02:09.250 --> 00:02:15.400 align:middle line:84% But it begins here, a song about that which is near. 00:02:15.400 --> 00:02:18.540 align:middle line:90% 00:02:18.540 --> 00:02:20.910 align:middle line:90% That which is near. 00:02:20.910 --> 00:02:24.750 align:middle line:84% Battlegrounds within us where we bones 00:02:24.750 --> 00:02:28.850 align:middle line:90% of the dead fight to come alive. 00:02:28.850 --> 00:02:33.000 align:middle line:90%