WEBVTT 00:00:00.000 --> 00:00:03.090 align:middle line:90% 00:00:03.090 --> 00:00:06.300 align:middle line:84% This poem is called "Mother of the Buddhas, Queen of Heaven, 00:00:06.300 --> 00:00:10.110 align:middle line:84% Mother of the Son, Marici, Goddess of the Dawn." 00:00:10.110 --> 00:00:11.850 align:middle line:90% The title is the-- 00:00:11.850 --> 00:00:19.140 align:middle line:84% the title is the attributes of the 12th century Mahayana 00:00:19.140 --> 00:00:24.250 align:middle line:84% Buddhist goddess that got lost somehow in history. 00:00:24.250 --> 00:00:27.120 align:middle line:84% However, this poem is dedicated to a Cambodian Buddhist 00:00:27.120 --> 00:00:28.710 align:middle line:90% monk named Ghosananda. 00:00:28.710 --> 00:00:33.450 align:middle line:84% I was walking with Ghosananda in a field in Bihar. 00:00:33.450 --> 00:00:37.500 align:middle line:84% And we came across a statue sticking out of the ground 00:00:37.500 --> 00:00:40.870 align:middle line:90% and he said, "Aha, it's Marici." 00:00:40.870 --> 00:00:44.040 align:middle line:84% It was a statue of a naked lady standing on top of a ball, 00:00:44.040 --> 00:00:46.680 align:middle line:84% holding a sword in one hand and a bundle of thunderbolts 00:00:46.680 --> 00:00:48.100 align:middle line:90% in the other. 00:00:48.100 --> 00:00:49.490 align:middle line:84% And he said, oh yes, it's Marici. 00:00:49.490 --> 00:00:54.150 align:middle line:84% She has been out of circulation since the 12th century. 00:00:54.150 --> 00:00:56.790 align:middle line:90% 00:00:56.790 --> 00:01:02.700 align:middle line:84% Her vehicle was a pig, and pigs are 00:01:02.700 --> 00:01:04.590 align:middle line:90% the food of outcasts in India. 00:01:04.590 --> 00:01:09.480 align:middle line:84% In fact, only the outcast people raised pigs, hence 00:01:09.480 --> 00:01:11.880 align:middle line:90% the connections. 00:01:11.880 --> 00:01:15.480 align:middle line:84% "Old sow in the mud, bristles caked black 00:01:15.480 --> 00:01:17.760 align:middle line:90% down her powerful neck. 00:01:17.760 --> 00:01:22.530 align:middle line:84% Tiny hooves churn, squat bodies slithering deep 00:01:22.530 --> 00:01:28.990 align:middle line:84% in food dirt, her warm dirt, deep plowing snout, dragging 00:01:28.990 --> 00:01:30.330 align:middle line:90% teats. 00:01:30.330 --> 00:01:36.270 align:middle line:84% Those who keep her or eat her are cast out. 00:01:36.270 --> 00:01:41.510 align:middle line:84% She turns her small eye from earth to look up at me." 00:01:41.510 --> 00:01:46.810 align:middle line:90% 00:01:46.810 --> 00:01:54.370 align:middle line:84% This is called "Nanao Knows," Dedicated to Sakaki 00:01:54.370 --> 00:01:58.810 align:middle line:84% Nanao, a Japanese poet friend of mine. 00:01:58.810 --> 00:02:02.770 align:middle line:84% Don't ask me why, I [INAUDIBLE] this way. 00:02:02.770 --> 00:02:07.690 align:middle line:84% "Mountains, cities, all so light, so loose, 00:02:07.690 --> 00:02:11.770 align:middle line:90% blankets, buckets, throw away. 00:02:11.770 --> 00:02:13.120 align:middle line:90% Work left to do. 00:02:13.120 --> 00:02:15.280 align:middle line:90% It doesn't last. 00:02:15.280 --> 00:02:17.980 align:middle line:84% Each girl is real, her nipples harden. 00:02:17.980 --> 00:02:20.890 align:middle line:84% Each curl is damp, her smell, her hair. 00:02:20.890 --> 00:02:23.500 align:middle line:84% What am I to be saying, there they all 00:02:23.500 --> 00:02:28.090 align:middle line:90% go over the edge dissolving? 00:02:28.090 --> 00:02:33.400 align:middle line:84% Riveters bind up steel rod bundles for wet concrete. 00:02:33.400 --> 00:02:38.640 align:middle line:84% In and out of forest cities, families like a fish." 00:02:38.640 --> 00:02:40.000 align:middle line:90%