WEBVTT 00:00:00.000 --> 00:00:01.140 align:middle line:90% 00:00:01.140 --> 00:00:04.710 align:middle line:84% The next poem I'm going to read is called Windows 00:00:04.710 --> 00:00:06.990 align:middle line:84% and was written after a particularly difficult time 00:00:06.990 --> 00:00:08.430 align:middle line:90% for me. 00:00:08.430 --> 00:00:11.651 align:middle line:84% We'd moved from a beautiful house in the country- 00:00:11.651 --> 00:00:14.106 align:middle line:90% [MOTORCYCLE REVS IN DISTANCE] 00:00:14.106 --> 00:00:16.079 align:middle line:90% [LAUGHTER] 00:00:16.079 --> 00:00:17.700 align:middle line:84% Where you couldn't hear a motorcycle. 00:00:17.700 --> 00:00:19.161 align:middle line:90% [LAUGHTER] 00:00:19.161 --> 00:00:24.530 align:middle line:90% [MOTORCYCLE REVS] 00:00:24.530 --> 00:00:27.740 align:middle line:84% Tucson, home of the Hell's Angels. 00:00:27.740 --> 00:00:31.460 align:middle line:84% I always wondered about you guys out here. 00:00:31.460 --> 00:00:34.730 align:middle line:84% Well, we moved from, as I was saying, 00:00:34.730 --> 00:00:37.760 align:middle line:90% trying to be professorial. 00:00:37.760 --> 00:00:40.760 align:middle line:84% We moved from a house in the country 00:00:40.760 --> 00:00:45.710 align:middle line:84% to a small house in town, in Yellow Springs, Ohio. 00:00:45.710 --> 00:00:47.910 align:middle line:90% And it was a very small town. 00:00:47.910 --> 00:00:50.090 align:middle line:90% And it was a very small house. 00:00:50.090 --> 00:00:55.220 align:middle line:84% The study where I had to work in was about six feet long 00:00:55.220 --> 00:00:58.190 align:middle line:84% and about a foot and a half wide. 00:00:58.190 --> 00:01:03.740 align:middle line:84% And had a window, which was above your body. 00:01:03.740 --> 00:01:08.630 align:middle line:84% So you could only look up occasionally and see, perhaps, 00:01:08.630 --> 00:01:10.730 align:middle line:90% a waving tree. 00:01:10.730 --> 00:01:15.080 align:middle line:84% I blame this room entirely for not being able to write. 00:01:15.080 --> 00:01:18.290 align:middle line:84% And it was good to have a room like that, for that reason. 00:01:18.290 --> 00:01:21.620 align:middle line:84% When I finally broke out of a writing slump of about a year, 00:01:21.620 --> 00:01:24.470 align:middle line:84% I wrote this poem called Windows. 00:01:24.470 --> 00:01:28.640 align:middle line:84% And I can thank the window in this tiny little room 00:01:28.640 --> 00:01:29.300 align:middle line:90% for the poem. 00:01:29.300 --> 00:01:31.935 align:middle line:90% 00:01:31.935 --> 00:01:32.435 align:middle line:90% Windows. 00:01:32.435 --> 00:01:35.650 align:middle line:90% 00:01:35.650 --> 00:01:38.980 align:middle line:90% The window's site is small. 00:01:38.980 --> 00:01:44.200 align:middle line:84% A branch with leaves, some trees swaying in the background. 00:01:44.200 --> 00:01:49.510 align:middle line:84% A dimensionless guy behind it, wavering with clouds. 00:01:49.510 --> 00:01:52.660 align:middle line:90% Inside, there is less. 00:01:52.660 --> 00:01:58.840 align:middle line:84% The home, its desk, shapes of furniture, so much idle 00:01:58.840 --> 00:02:00.940 align:middle line:90% thought. 00:02:00.940 --> 00:02:04.930 align:middle line:90% The window is a bridge of glass. 00:02:04.930 --> 00:02:07.840 align:middle line:90% A surface to see through. 00:02:07.840 --> 00:02:10.419 align:middle line:90% A stranger's face. 00:02:10.419 --> 00:02:14.620 align:middle line:84% In its frame, there is an artless picture, 00:02:14.620 --> 00:02:22.390 align:middle line:84% a dull form in slow motion, the psychology of discontent. 00:02:22.390 --> 00:02:28.120 align:middle line:84% There is a window in the hand's palm, in the drinking glass. 00:02:28.120 --> 00:02:32.590 align:middle line:90% Soon enough, it all adds up. 00:02:32.590 --> 00:02:38.380 align:middle line:84% There is a place where the inner and outer worlds must touch, 00:02:38.380 --> 00:02:40.420 align:middle line:90% but don't. 00:02:40.420 --> 00:02:45.040 align:middle line:90% Where yes and no make no sense. 00:02:45.040 --> 00:02:50.560 align:middle line:84% Perhaps the vandal who breaks a window, the burglar who 00:02:50.560 --> 00:02:55.090 align:middle line:84% travels through it, do battle with boredom. 00:02:55.090 --> 00:03:00.070 align:middle line:84% Break the surface of the world as it appears to us. 00:03:00.070 --> 00:03:05.290 align:middle line:84% Or at night, when no world appears beyond the window, 00:03:05.290 --> 00:03:08.020 align:middle line:90% and we settle for less. 00:03:08.020 --> 00:03:11.560 align:middle line:84% What we see in its reflection is what 00:03:11.560 --> 00:03:15.190 align:middle line:90% we want, but don't believe in. 00:03:15.190 --> 00:03:17.830 align:middle line:90% Things we couldn't bear to love. 00:03:17.830 --> 00:03:22.270 align:middle line:90% 00:03:22.270 --> 00:03:25.140 align:middle line:84% The first time I read that poem was in New York City 00:03:25.140 --> 00:03:28.390 align:middle line:84% and I got home from the reading to find that there was a phone 00:03:28.390 --> 00:03:31.150 align:middle line:90% call from my wife in Ohio. 00:03:31.150 --> 00:03:33.622 align:middle line:84% To find out that our house had been burglarized. 00:03:33.622 --> 00:03:36.220 align:middle line:90% [LAUGHTER] 00:03:36.220 --> 00:03:39.850 align:middle line:84% I didn't know that burglars read poetry, 00:03:39.850 --> 00:03:43.330 align:middle line:84% but if you're out there, I want the TV back. 00:03:43.330 --> 00:03:46.380 align:middle line:90% [LAUGHTER] 00:03:46.380 --> 00:03:48.000 align:middle line:90%