WEBVTT 00:00:00.000 --> 00:00:01.860 align:middle line:84% OK, and the last poem I'm going to do. 00:00:01.860 --> 00:00:04.560 align:middle line:84% When I wrote my book, I had a whole lot of poems. 00:00:04.560 --> 00:00:07.320 align:middle line:84% And I work with my publisher to organize them. 00:00:07.320 --> 00:00:11.370 align:middle line:84% And I used the organization tool that Rainier Rilke 00:00:11.370 --> 00:00:13.530 align:middle line:84% used with his first book, because why not? 00:00:13.530 --> 00:00:17.070 align:middle line:84% Which was ten poems in six sections. 00:00:17.070 --> 00:00:19.420 align:middle line:84% And what I figured out is what I write about-- 00:00:19.420 --> 00:00:21.450 align:middle line:84% and I think what a lot of poetry must be about, 00:00:21.450 --> 00:00:26.670 align:middle line:84% is family, friends, God, country, love, and death. 00:00:26.670 --> 00:00:31.500 align:middle line:84% And this poem, which is dedicated to my grandmother, 00:00:31.500 --> 00:00:34.680 align:middle line:84% really kind of combines a lot of that. 00:00:34.680 --> 00:00:36.996 align:middle line:90% It's called "Grandma". 00:00:36.996 --> 00:00:40.820 align:middle line:84% "Watching last possessions leaving through the back door, 00:00:40.820 --> 00:00:44.420 align:middle line:84% she smiles at the 50-year static rising from the Oriental 00:00:44.420 --> 00:00:46.640 align:middle line:90% rug she prized. 00:00:46.640 --> 00:00:49.910 align:middle line:84% Investments against a market she could not control, nor give 00:00:49.910 --> 00:00:55.490 align:middle line:84% her concern, eyes steel bright, gleaming wit and rage at 99, 00:00:55.490 --> 00:00:57.740 align:middle line:84% she does not notice the mothball smell 00:00:57.740 --> 00:01:02.060 align:middle line:84% preserving the flowered silk purse, the square heeled shoes, 00:01:02.060 --> 00:01:04.700 align:middle line:90% almost fashionable. 00:01:04.700 --> 00:01:06.740 align:middle line:84% The rolling metal chair she calls home 00:01:06.740 --> 00:01:08.780 align:middle line:84% has replaced the painted English upholstery 00:01:08.780 --> 00:01:11.210 align:middle line:84% from which she shared holidays, celebrating 00:01:11.210 --> 00:01:14.390 align:middle line:84% the miracle of Oz turning green from the old black and white 00:01:14.390 --> 00:01:15.530 align:middle line:90% console. 00:01:15.530 --> 00:01:18.050 align:middle line:84% Football championships covered in snow brought 00:01:18.050 --> 00:01:20.570 align:middle line:84% by the wonder of electricity, and meals 00:01:20.570 --> 00:01:23.870 align:middle line:84% served with dull regularity to distant relatives glowing 00:01:23.870 --> 00:01:28.130 align:middle line:84% in the warmth of winters invited 60 degrees. 00:01:28.130 --> 00:01:30.530 align:middle line:84% Struggling to gift her life's collections, 00:01:30.530 --> 00:01:33.530 align:middle line:84% she uncovers memories of weekends at the drive in. 00:01:33.530 --> 00:01:36.200 align:middle line:84% Already a grandmother these 45 years 00:01:36.200 --> 00:01:39.860 align:middle line:84% past, concealing the drunk second husband in the garage 00:01:39.860 --> 00:01:41.120 align:middle line:90% of her faith. 00:01:41.120 --> 00:01:44.540 align:middle line:84% Happiness experienced long ago, now balances 00:01:44.540 --> 00:01:49.500 align:middle line:84% empty on sorrow's edge, exhausting the clarity of age. 00:01:49.500 --> 00:01:52.980 align:middle line:84% Watching generations of her men move cherry wood and ivory 00:01:52.980 --> 00:01:55.560 align:middle line:84% to a neighborhood forbidden to her youth, 00:01:55.560 --> 00:01:57.660 align:middle line:84% she strives to connect this ghost 00:01:57.660 --> 00:02:01.110 align:middle line:84% world, hapless and precarious, to the old ballroom 00:02:01.110 --> 00:02:05.670 align:middle line:84% of her confusion of a wedding, dresses, boulevard, and sisters 00:02:05.670 --> 00:02:08.500 align:middle line:90% devoured by time. 00:02:08.500 --> 00:02:10.600 align:middle line:84% Ignoring the silence beyond tomorrow, 00:02:10.600 --> 00:02:13.300 align:middle line:84% she grapples with the doctor's cold pronouncement. 00:02:13.300 --> 00:02:17.560 align:middle line:84% Neither cruel nor suspenseful, unforgiving in her return 00:02:17.560 --> 00:02:21.010 align:middle line:84% stare of truth that will withstand the last pain. 00:02:21.010 --> 00:02:23.680 align:middle line:84% Her long elderly face, hair thinning, 00:02:23.680 --> 00:02:26.830 align:middle line:84% will not be dazzled by his poor human vision slipped 00:02:26.830 --> 00:02:28.120 align:middle line:90% through the depths. 00:02:28.120 --> 00:02:30.475 align:middle line:84% She knows she cannot win the eternal bet. 00:02:30.475 --> 00:02:34.170 align:middle line:90% 00:02:34.170 --> 00:02:37.440 align:middle line:84% Struggling against the decrepitude of the empty room 00:02:37.440 --> 00:02:41.370 align:middle line:84% before her reign, left to solitary escapes, 00:02:41.370 --> 00:02:45.870 align:middle line:84% her timid thoughts verge on the task of living day to day. 00:02:45.870 --> 00:02:48.420 align:middle line:84% Knowing so long as an acerbic tongue 00:02:48.420 --> 00:02:51.060 align:middle line:84% can defend against nature's incursions, 00:02:51.060 --> 00:02:55.020 align:middle line:84% she remains in the exile of a life gathered and lost. 00:02:55.020 --> 00:02:58.320 align:middle line:84% She's had no more or less than others. 00:02:58.320 --> 00:03:01.920 align:middle line:84% She will determine when it is time to go." 00:03:01.920 --> 00:03:03.390 align:middle line:90% Thank you. 00:03:03.390 --> 00:03:06.740 align:middle line:90% [APPLAUSE] 00:03:06.740 --> 00:03:11.000 align:middle line:90%