WEBVTT

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"The Icon Am I Burning."

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"I'm doing this
twice, the couple.

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And in the couple, there are two
couples, the neg and the pos.

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There are two pretty babies,
the ménage a trois young blonde,

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and the baby who is better,
who gets better every day.

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There are two couples.

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One's tyrannical,
and one is healthy.

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Why always two minds?

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Design minds factory, or is
it of a factorial cosmos?

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Cosmos daisy.

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The virgin reason hasn't
appeared here for a while,

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and I haven't found
the quartz whale.

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I haven't found
myself since myself,

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since-- oh, city of all the
dead and living, of the uncon,

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of the living.

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O crys cit site, in which I
have believed to lose belief in.

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To lose belief in was the
disaster of her crosshatch,

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when the April rains had
come in the doing this twice

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and in the couple, the
positive couple of I and you,

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and the negative couple
who use a third to maintain

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power between them.

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There are two children, a
baby and a sexual minion,

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who sleeps in the corridor
near need the house plants

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and hopes to be called
in for praise pris.

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There are so many
ways to be used,

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is used in the first
world of this city,

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in order to be praised,
to be power, to be song;

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that the other be praise,
be power, be song.

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You or is it I?

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I am used.

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Some are never.

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And one becomes
painted in order to be

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food with a lot of painted paint
on the frayed or blurred face.

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I am used.

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I used to be user.

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I will pose against a
rectangle nude, perhaps

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too old to be taken to some
clubs, up the staircase

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of the uptown landscape
of West End Avenue.

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See and then see again
the iconic face of a woman

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and then another icon of
belief, but what was I?

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What was the belief?

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Was it simple belief,
the belief itself?

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Or was it of it?

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Was of that there is it
was of a Second World.

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I have known a long time
ago, days or months.

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Taken up into a chariot
of fire, into a flame

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shaped like an inverted
teardrop, scarlet father.

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There are also two, and
one member of the couple

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will watches while
the other's taken up

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into the fiery
tear of his death,

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into the uncon of all the
living and all the dead.

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O, orange and red city of fire.

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Assyr's crystal can
fill with all of color,

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the red catches there on
the frayed or blurred face

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of the icon.

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Am I burning, or am I
making sure the covered

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paintings burn?

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I have thrown them
into the arena,

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and they catch fire from
the nearness of my hands.

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At night, a man asks
how I can do this,

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but they are the
wrong translations.

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They aren't from
the Second World,

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and this too happens twice.

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They are from the world
of the negative couple

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sleeping together and holding
the blonde young to them

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by strong invis bonds, a sort
of rope made out of telepathy.

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There are so many of
these in our city bonds,

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but in the Crystal
City are none.

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I can do this.

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There are the wrong
iconic faces of a woman,

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but are wrong face
because she wishes what

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I, against a rectangle two of--

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only one enters the fire,
the chariot of lam flame,

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but many await or the one that
is all of the many dozen, all

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the dead.

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O, crystal to be taken
to some clup clubs,

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up the staircase pai pail
with lavender glints.

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And a silver thread catches
from the nearness of hands

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that is what senses touches.

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But are there wrong?

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Are there wron-- are the ones
I have burned in the arena?

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They are the icons--

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that is, translations--
I can't keep.

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They are faulty
with wrong power.

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A man second sleeping are
none made out of fire.

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It's the wrong fire.

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They are a depiction of the
pornography, for example,

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of those who take disciple,
whether in the sexual figure

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of the ménage or in the
school of school of.

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I have taken the path of suffer,
the made out of telepathy.

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For many years, assailed
cruelty by all thought

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of past and present
crowding in my head,

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in contradiction,
contradistinction.

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And uproar cries against
me, what part of heav--

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could this be?

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The night is pain paint,
and I'm not in school.

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I'm not in poem being
used by all the voice.

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And where is heav
crystal heaven?

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Where is Earth hell?

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Where is what in all?

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A voice said to me, o,
nothing is containable,

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and there is no way to
keep all this separable,

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either dead or alive.

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There is no high sheriff.

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I am always waiting
and being again

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t' being the again
of any translation

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was translated into heaven
through a hole of music.

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Remember, I remember
that girl who

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would cease to exist through
a veritable black round

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note in the page,
the round inverted

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red teardrop into which Elias
translated the fiery chariot,

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his hand out.

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The ornate gold
fire in the couple.

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Would it ex cease to exist
through a black round hole?

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Though the music
were playing, there

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is no way to keep all
this sep either/or,

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to keep all this
separable in quarters,

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ghettos on own pages in
stanzas under headings.

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I think paradise absorbs it
into, but in a more comfort

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than I am.

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Knowing can't go away.

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I am burning the false
translations, the false icons.

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I am burn.

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They are mine, and I can.

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I can burn what I wish and
will burn all my wishes, which

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have been false icons.

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Nothing little I
have ever has been.

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Nothing I have wished for
has been right or just

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or reasonable.

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And when I lived without
wishes, was most happy.

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The only icons are face that
is and the fire blond hair

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of the ménage a trois girl.

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The woman in thrall
must get up and leave

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the couple who use her for the
game of their balance of power.

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I am burn.

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They are use of use her for
the game of their balance.

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There is no balancing
act in the second world.

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Though the remnant
remain, the shred

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of the thought to the song
they sang that only they knew

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would make them hate, hate each
other in case they wanted to,

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that the other coule couple
lived without wishes most hap.

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And the real baby knew
nothing, knew nothing yet.

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There is a place to live from
from under the skin which

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rends the live properly
mythic that is in which I

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know we are in the other city.

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The crystal for this is
a crystal river on fire

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that flows below the surface
of the me which you see.

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And there is click
belief and I l belief

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in believing in the city I
entered in a second yester,

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saying yes and not being used."

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Yeah.

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Woo-woo!

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[APPLAUSE]

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