WEBVTT 00:00:00.000 --> 00:00:00.870 align:middle line:90% 00:00:00.870 --> 00:00:04.890 align:middle line:84% The pardoner is more textural than I am empirical. 00:00:04.890 --> 00:00:08.760 align:middle line:84% My bag is from St Louis, on tour, Gets down 00:00:08.760 --> 00:00:13.560 align:middle line:84% in folded doors, the thing, the one, surround me in the clear, 00:00:13.560 --> 00:00:15.780 align:middle line:90% on funky side. 00:00:15.780 --> 00:00:18.360 align:middle line:84% to let it make me mean something this year, 00:00:18.360 --> 00:00:22.300 align:middle line:84% I mean to make something else all the time. 00:00:22.300 --> 00:00:24.660 align:middle line:84% The harder you look from inside, the easier 00:00:24.660 --> 00:00:27.390 align:middle line:90% it is to forget about Gary. 00:00:27.390 --> 00:00:30.390 align:middle line:84% Black youth has always been a project of sonic youth 00:00:30.390 --> 00:00:32.580 align:middle line:90% in the everyday distortion. 00:00:32.580 --> 00:00:33.930 align:middle line:90% We clear? 00:00:33.930 --> 00:00:35.910 align:middle line:90% Sharper? 00:00:35.910 --> 00:00:39.330 align:middle line:84% My plan is based on human nature from tutu 00:00:39.330 --> 00:00:44.100 align:middle line:84% to Biko, With a continental burst in my gig bag, which 00:00:44.100 --> 00:00:48.030 align:middle line:84% is keen-toed, sharp as a tack on jump, 00:00:48.030 --> 00:00:52.080 align:middle line:84% bent, that you reveal in brokenness, that it was 00:00:52.080 --> 00:00:56.550 align:middle line:84% something there to pass on tour, and come to pass it 00:00:56.550 --> 00:00:57.750 align:middle line:90% on there every night. 00:00:57.750 --> 00:01:02.170 align:middle line:90% 00:01:02.170 --> 00:01:06.040 align:middle line:84% We live beneath ourselves as julianic monsters 00:01:06.040 --> 00:01:09.250 align:middle line:90% fighting monsters with smiling. 00:01:09.250 --> 00:01:11.890 align:middle line:84% Social life is science fiction and it 00:01:11.890 --> 00:01:15.430 align:middle line:84% keeps on being new like seeing sails 00:01:15.430 --> 00:01:19.540 align:middle line:84% You throw shade on doorways, but we love doorways. 00:01:19.540 --> 00:01:21.550 align:middle line:90% We have to live this way. 00:01:21.550 --> 00:01:24.040 align:middle line:90% We like to live this way. 00:01:24.040 --> 00:01:28.120 align:middle line:84% Science fiction is bottoms retrovroom and thickening. 00:01:28.120 --> 00:01:31.570 align:middle line:84% Loaded inside and out with violence and sugar 00:01:31.570 --> 00:01:33.640 align:middle line:84% and contemplative food and hunger 00:01:33.640 --> 00:01:37.180 align:middle line:90% for overabundant black cake. 00:01:37.180 --> 00:01:40.270 align:middle line:84% Extra in the prehistory of the music, 00:01:40.270 --> 00:01:43.570 align:middle line:84% and in the Emily of wealth and taste, 00:01:43.570 --> 00:01:46.990 align:middle line:84% Domingo is the ancient capital of spice. 00:01:46.990 --> 00:01:52.960 align:middle line:84% Women's spike and peak meringue, my stops and frets and struts 00:01:52.960 --> 00:01:56.050 align:middle line:84% and fretwell's Haitian fight song. 00:01:56.050 --> 00:02:00.430 align:middle line:84% euphonicaption probably won't survive the shot. 00:02:00.430 --> 00:02:05.710 align:middle line:84% The bridge machine perimeter, Perry, Perry, my perrymeter, 00:02:05.710 --> 00:02:09.970 align:middle line:84% machine of my inside, Makiko in the gap, 00:02:09.970 --> 00:02:13.030 align:middle line:84% we want to know what makes the students move, 00:02:13.030 --> 00:02:17.710 align:middle line:84% from Kyoto to Amherst to Fayetteville to Gdansk. 00:02:17.710 --> 00:02:21.190 align:middle line:84% Maybe cake is the only way for this telegraphic message, 00:02:21.190 --> 00:02:24.340 align:middle line:84% from you to groove, the collective quartet. 00:02:24.340 --> 00:02:28.810 align:middle line:90% 00:02:28.810 --> 00:02:32.390 align:middle line:84% I'm in a bad mood about everybody's bad mood, 00:02:32.390 --> 00:02:35.740 align:middle line:84% their political depression, whatever. 00:02:35.740 --> 00:02:38.470 align:middle line:84% And they're so goddamn squeamish about it, 00:02:38.470 --> 00:02:40.060 align:middle line:84% they can't even come close to saying 00:02:40.060 --> 00:02:44.050 align:middle line:84% how fucked up it is, with their anempathic numbers, 00:02:44.050 --> 00:02:46.570 align:middle line:90% but they can say that. 00:02:46.570 --> 00:02:49.810 align:middle line:84% They're so attached to it but they can say that. 00:02:49.810 --> 00:02:52.780 align:middle line:90% O, say what they cannot can. 00:02:52.780 --> 00:02:56.290 align:middle line:84% To say there's no exit from compromised ordinariness 00:02:56.290 --> 00:02:59.620 align:middle line:84% is an ordinary compromise, as if there's 00:02:59.620 --> 00:03:01.780 align:middle line:84% more danger in the idea of flight 00:03:01.780 --> 00:03:04.930 align:middle line:84% than in staying home, as if laying back 00:03:04.930 --> 00:03:09.700 align:middle line:84% where you stay precludes flying, as if the symposium were theirs 00:03:09.700 --> 00:03:10.900 align:middle line:90% alone. 00:03:10.900 --> 00:03:12.100 align:middle line:90% Thank you. 00:03:12.100 --> 00:03:14.550 align:middle line:90% [APPLAUSE] 00:03:14.550 --> 00:03:26.000 align:middle line:90%