WEBVTT

00:00:00.000 --> 00:00:03.430 align:middle line:90%


00:00:03.430 --> 00:00:08.650 align:middle line:84%
"In studio, at Sam Cooke's
theory of yesterday

00:00:08.650 --> 00:00:12.370 align:middle line:84%
till we get out with
nothing in reserve.

00:00:12.370 --> 00:00:15.760 align:middle line:84%
Read on, sending
to you on your way.

00:00:15.760 --> 00:00:18.310 align:middle line:84%
And I'll rub you till you get
that little curve to speak

00:00:18.310 --> 00:00:20.110 align:middle line:90%
in tongues."

00:00:20.110 --> 00:00:22.960 align:middle line:84%
"This contact to a
single line going haywire

00:00:22.960 --> 00:00:25.810 align:middle line:84%
slid, like that
dance this boy kept

00:00:25.810 --> 00:00:28.990 align:middle line:84%
trying to teach Gale
Sayers in Wichita.

00:00:28.990 --> 00:00:32.020 align:middle line:84%
But he couldn't do it till
that time in Philadelphia,

00:00:32.020 --> 00:00:34.690 align:middle line:84%
when the stone got rolled
away from under Alan

00:00:34.690 --> 00:00:38.710 align:middle line:84%
Temple and a pan with
grease still warm.

00:00:38.710 --> 00:00:43.180 align:middle line:84%
"A mandolin and Brandon Labelle
and the bluebells and big

00:00:43.180 --> 00:00:44.290 align:middle line:90%
Maybelle.

00:00:44.290 --> 00:00:48.670 align:middle line:84%
And Maybelle Carter,
whispers running ever since.

00:00:48.670 --> 00:00:52.000 align:middle line:84%
As smooth off course
on Franklin Field,

00:00:52.000 --> 00:00:55.900 align:middle line:84%
off the edges miracle cutback,
the school of arrangement

00:00:55.900 --> 00:00:57.070 align:middle line:90%
from the territory."

00:00:57.070 --> 00:01:00.850 align:middle line:90%


00:01:00.850 --> 00:01:04.930 align:middle line:84%
"Where can we go with
your inherent promiscuity?

00:01:04.930 --> 00:01:08.980 align:middle line:84%
There's a global under net
of social indefinition,

00:01:08.980 --> 00:01:11.290 align:middle line:90%
the un-American why.

00:01:11.290 --> 00:01:16.840 align:middle line:84%
Braxton switches and railroad
ties, subterranean tours.

00:01:16.840 --> 00:01:20.110 align:middle line:84%
Renaming the order by
reversing the singsong 13

00:01:20.110 --> 00:01:25.600 align:middle line:84%
times in another obligation
to clean the atmosphere."

00:01:25.600 --> 00:01:30.100 align:middle line:84%
"And we prepare a table with
arrangement from the territory.

00:01:30.100 --> 00:01:33.400 align:middle line:84%
The magic words machine in
ghost, computable numbers

00:01:33.400 --> 00:01:37.720 align:middle line:84%
in my head like an earpiece
made out of depth charge.

00:01:37.720 --> 00:01:40.990 align:middle line:84%
A piece of brick from
the rocket in my head."

00:01:40.990 --> 00:01:45.520 align:middle line:84%
"The McNair scholars tallised
song up in my head of switches.

00:01:45.520 --> 00:01:48.100 align:middle line:84%
Did she wave in the
air of switches?

00:01:48.100 --> 00:01:53.920 align:middle line:84%
That song of rockets, which is a
ham bone's new mechanical air."

00:01:53.920 --> 00:01:57.190 align:middle line:84%
"She pierces every
pragmatic bone.

00:01:57.190 --> 00:01:59.770 align:middle line:90%
Her rock is a dark river.

00:01:59.770 --> 00:02:02.680 align:middle line:90%
Alabama is a photo shop."

00:02:02.680 --> 00:02:07.120 align:middle line:84%
"Where can we go with
your inherent promiscuity?

00:02:07.120 --> 00:02:10.449 align:middle line:84%
To Noe Valley, where
equivalence breaks down

00:02:10.449 --> 00:02:13.930 align:middle line:84%
in song switches, whose
obscenity is our drag,

00:02:13.930 --> 00:02:15.790 align:middle line:90%
our intersection.

00:02:15.790 --> 00:02:19.240 align:middle line:84%
To bring out the grainy motet
in us with an elgin movement,

00:02:19.240 --> 00:02:23.230 align:middle line:84%
till the citizen rose
up in funmi's remix."

00:02:23.230 --> 00:02:25.900 align:middle line:90%
"Nobody can see inside her view.

00:02:25.900 --> 00:02:31.690 align:middle line:84%
To get down for an instrumental
song, a stretch of 6.2 or six

00:02:31.690 --> 00:02:34.720 align:middle line:90%
or seven that won't amount.

00:02:34.720 --> 00:02:38.860 align:middle line:84%
Beauty come back to life for
a grammar of being suffered,

00:02:38.860 --> 00:02:42.930 align:middle line:84%
for the one who flies apart
in the Matthew Price."

00:02:42.930 --> 00:02:44.438 align:middle line:90%