WEBVTT 00:00:00.000 --> 00:00:02.280 align:middle line:90% 00:00:02.280 --> 00:00:05.100 align:middle line:84% It was approximately five years ago 00:00:05.100 --> 00:00:09.270 align:middle line:84% when a friend and colleague of mine 00:00:09.270 --> 00:00:13.440 align:middle line:84% and an alumna of this institution I might 00:00:13.440 --> 00:00:17.100 align:middle line:84% add Diana Rebolledo who's now a professor of Spanish 00:00:17.100 --> 00:00:21.450 align:middle line:84% at New Mexico in Albuquerque sent me 00:00:21.450 --> 00:00:28.230 align:middle line:84% some photocopies of poems that were still 00:00:28.230 --> 00:00:32.400 align:middle line:84% in manuscript stage that were not published yet. 00:00:32.400 --> 00:00:36.730 align:middle line:84% And she said with a note read this stuff. 00:00:36.730 --> 00:00:38.400 align:middle line:90% So I read the stuff. 00:00:38.400 --> 00:00:44.960 align:middle line:84% And the stuff that I read was bewitching, 00:00:44.960 --> 00:00:50.120 align:middle line:84% was very much speaking in the language of a woman 00:00:50.120 --> 00:00:54.320 align:middle line:84% and very much speaking in the language of a desert dweller. 00:00:54.320 --> 00:00:56.390 align:middle line:84% And those poems that I read in manuscript 00:00:56.390 --> 00:00:58.520 align:middle line:90% were written by Pat Mora. 00:00:58.520 --> 00:01:03.200 align:middle line:84% And they came out later in her book Chance. 00:01:03.200 --> 00:01:07.490 align:middle line:84% And I would like to read to you a little bit of what 00:01:07.490 --> 00:01:10.610 align:middle line:84% the editor of the collection in which her first book 00:01:10.610 --> 00:01:14.450 align:middle line:84% Chance appeared said on the back cover of her first book. 00:01:14.450 --> 00:01:17.432 align:middle line:90% 00:01:17.432 --> 00:01:21.770 align:middle line:84% El Paso, the pass to the North lies between vast stretches 00:01:21.770 --> 00:01:23.390 align:middle line:90% of desert. 00:01:23.390 --> 00:01:27.260 align:middle line:84% This is a geographic accident, yet like everywhere people 00:01:27.260 --> 00:01:30.500 align:middle line:84% live, love, marry, grow old and die. 00:01:30.500 --> 00:01:33.560 align:middle line:90% They also rejoice and despair. 00:01:33.560 --> 00:01:37.550 align:middle line:84% These poems relate to all these experiences 00:01:37.550 --> 00:01:43.040 align:middle line:84% but in the magical presence, the tulyric force of the desert. 00:01:43.040 --> 00:01:46.310 align:middle line:84% Two women poets sings here one in the guise 00:01:46.310 --> 00:01:49.550 align:middle line:84% of the desert and the other in the figure of Pat Mora. 00:01:49.550 --> 00:01:53.780 align:middle line:90% Together they intone chants. 00:01:53.780 --> 00:01:59.540 align:middle line:84% Then a very significant book came in 1986 00:01:59.540 --> 00:02:01.670 align:middle line:90% and it was also by Pat Mora. 00:02:01.670 --> 00:02:07.190 align:middle line:84% And if you look closely, you have the sign for woman 00:02:07.190 --> 00:02:10.490 align:middle line:84% and the sign for man on the cover. 00:02:10.490 --> 00:02:15.150 align:middle line:84% But the title its borders, which again is very significant 00:02:15.150 --> 00:02:19.190 align:middle line:84% and I think very evocative of that border line 00:02:19.190 --> 00:02:22.100 align:middle line:84% in between the two sexes and the two genders 00:02:22.100 --> 00:02:25.760 align:middle line:84% were of course to us as dwellers of Arizona 00:02:25.760 --> 00:02:29.420 align:middle line:84% and as dwellers of this desert of the great Arizona Sonora 00:02:29.420 --> 00:02:34.490 align:middle line:84% region speak to the line sometimes 00:02:34.490 --> 00:02:39.560 align:middle line:84% imaginary, sometimes the realm of dreams that are the borders. 00:02:39.560 --> 00:02:48.140 align:middle line:84% Pat Mora in this later book explores many issues that 00:02:48.140 --> 00:02:49.580 align:middle line:90% have to do with the desert. 00:02:49.580 --> 00:02:54.680 align:middle line:84% She has social, political, cultural, emotional issues 00:02:54.680 --> 00:02:56.270 align:middle line:90% in this poetry. 00:02:56.270 --> 00:03:01.040 align:middle line:84% And I may add that now she is working on a third book 00:03:01.040 --> 00:03:04.670 align:middle line:84% and she will read to us tonight from that third book, 00:03:04.670 --> 00:03:12.290 align:middle line:84% and also that her first book, Chance received The Southwest 00:03:12.290 --> 00:03:18.530 align:middle line:84% Book Award for what they called the desert incantations. 00:03:18.530 --> 00:03:24.530 align:middle line:84% Also last year, Yale University Press 00:03:24.530 --> 00:03:26.270 align:middle line:84% with the addition of Vera Norwood 00:03:26.270 --> 00:03:28.850 align:middle line:84% and Jan Monk who's sitting here in the audience 00:03:28.850 --> 00:03:35.870 align:middle line:84% put out a book of essays on how women have viewed landscapes, 00:03:35.870 --> 00:03:42.020 align:middle line:84% the geography, the inner and the outer spaces of the desert. 00:03:42.020 --> 00:03:45.890 align:middle line:84% And they chose for the title, the title of one of Pat Mora's 00:03:45.890 --> 00:03:48.410 align:middle line:90% poems The Desert Is No Lady. 00:03:48.410 --> 00:03:52.640 align:middle line:84% So I give you this bewitching, enchanted lady 00:03:52.640 --> 00:03:54.380 align:middle line:90% who is no desert. 00:03:54.380 --> 00:03:57.550 align:middle line:84% My pleasure to introduce Pat Mora. 00:03:57.550 --> 00:04:03.000 align:middle line:90%