WEBVTT 00:00:00.000 --> 00:00:01.770 align:middle line:90% 00:00:01.770 --> 00:00:05.260 align:middle line:84% Probably read all together 5 poems from that book, 00:00:05.260 --> 00:00:08.970 align:middle line:84% which is called The Moving Target. 00:00:08.970 --> 00:00:12.240 align:middle line:84% And one of the reasons I don't want to read anything earlier 00:00:12.240 --> 00:00:17.520 align:middle line:84% is because The Moving Target was a break with everything 00:00:17.520 --> 00:00:19.530 align:middle line:84% that I'd written before that, and it would 00:00:19.530 --> 00:00:23.110 align:middle line:90% be hard to make any balance. 00:00:23.110 --> 00:00:28.860 align:middle line:84% So there seems to be some thematic structure 00:00:28.860 --> 00:00:31.110 align:middle line:84% that runs through that book that I was unaware of when 00:00:31.110 --> 00:00:34.560 align:middle line:84% I was writing those poems, may have been simply 00:00:34.560 --> 00:00:37.860 align:middle line:84% the preoccupation of the years in which they 00:00:37.860 --> 00:00:40.320 align:middle line:90% were being written. 00:00:40.320 --> 00:00:43.110 align:middle line:84% But there's the thing of attachment and departure 00:00:43.110 --> 00:00:48.090 align:middle line:84% and the readiness for it and the recognitions that go with it. 00:00:48.090 --> 00:00:50.640 align:middle line:90% 00:00:50.640 --> 00:00:55.140 align:middle line:84% And the next poem, which is more specifically 00:00:55.140 --> 00:00:57.180 align:middle line:84% about that than those other two poems, 00:00:57.180 --> 00:01:00.480 align:middle line:84% though they were about it to the poem called "Finally." 00:01:00.480 --> 00:01:05.470 align:middle line:90% 00:01:05.470 --> 00:01:12.400 align:middle line:84% My dread, my ignorance, my self it is time. 00:01:12.400 --> 00:01:17.980 align:middle line:84% Your eminence prowls the palms of my hands like sweat. 00:01:17.980 --> 00:01:21.790 align:middle line:84% Do not now if I rise to welcome you, make off 00:01:21.790 --> 00:01:25.300 align:middle line:90% like roads into the deep night. 00:01:25.300 --> 00:01:28.000 align:middle line:84% The dogs are dead at last, the locks 00:01:28.000 --> 00:01:32.380 align:middle line:84% toothless, the habits out of reach. 00:01:32.380 --> 00:01:36.430 align:middle line:84% I will not be false to you tonight. 00:01:36.430 --> 00:01:39.820 align:middle line:90% Come, no longer unthinkable. 00:01:39.820 --> 00:01:43.930 align:middle line:84% Let us share understanding like a family name. 00:01:43.930 --> 00:01:46.660 align:middle line:84% Bring integrity as a gift something 00:01:46.660 --> 00:01:51.520 align:middle line:84% which I have lost, which you found on the way. 00:01:51.520 --> 00:01:55.720 align:middle line:84% I will lay it beside us, the old knife, 00:01:55.720 --> 00:01:58.840 align:middle line:90% while we reach our conclusion. 00:01:58.840 --> 00:02:03.760 align:middle line:84% Come, as a man who hears a sound the gate opens the window 00:02:03.760 --> 00:02:05.980 align:middle line:84% and puts out the light the better 00:02:05.980 --> 00:02:08.229 align:middle line:90% to see out into the dark. 00:02:08.229 --> 00:02:10.860 align:middle line:90% Look, I put it out. 00:02:10.860 --> 00:02:12.000 align:middle line:90%