WEBVTT NOTE Created by CaptionSync from Automatic Sync Technologies www.automaticsync.com 00:00:00.376 --> 00:00:05.986 align:middle >> This next poem is a poem about insomnia and about dogs. 00:00:06.156 --> 00:00:09.496 align:middle For some reason insomnia is always filled with barking dogs. 00:00:09.896 --> 00:00:12.706 align:middle I never and I never understood. 00:00:12.776 --> 00:00:20.156 align:middle Well, now of course I understand, but it's strange how dogs write their own composition, 00:00:20.396 --> 00:00:22.676 align:middle compose their own music and barking at night. 00:00:23.376 --> 00:00:26.726 align:middle And one dog starts to bark and then a second dog starts to bark. 00:00:26.766 --> 00:00:28.456 align:middle And then, a lot of dogs are barking. 00:00:28.456 --> 00:00:31.336 align:middle And you never know if they're in your head or really in the night. 00:00:31.336 --> 00:00:37.976 align:middle So this is about insomnia and also about cynicism, 00:00:38.266 --> 00:00:42.566 align:middle since that dog and can cynicism comes from. 00:00:42.566 --> 00:00:43.506 align:middle Noche cínica. 00:00:44.586 --> 00:00:49.356 align:middle Ya noche ladran cuántos perros, ladran amarrados a su palo de astillas, 00:00:50.066 --> 00:00:55.636 align:middle ladran con los brincos de gato, sobre la mata seca, el crujido de ramas bajo la uña. 00:00:56.296 --> 00:01:00.396 align:middle Ladran con el silbido, ladran a jalones rasgando la madera. 00:01:01.056 --> 00:01:03.676 align:middle Ladran por la noche bajo el árbol enjuto. 00:01:04.176 --> 00:01:06.966 align:middle Ladran, pienso mientras oigo despierta. 00:01:07.396 --> 00:01:11.276 align:middle Ladran porque no se calló el segundo, por voluntad de orden, 00:01:11.726 --> 00:01:14.726 align:middle por no segar el círculo de hocicos en coro. 00:01:15.196 --> 00:01:20.036 align:middle Porque si uno se detiene, ya nunca culminaría quizás el rito erizado. 00:01:20.616 --> 00:01:21.706 align:middle Pelo contra reja. 00:01:22.276 --> 00:01:28.316 align:middle De ese tiempo en que no duermo cuando hay perros de más en mi cabeza y uno afuera en el hambre. 00:01:29.236 --> 00:01:33.876 align:middle Aunque tal vez nazca de otra visión su cautela, el gruñido de fondo, 00:01:34.386 --> 00:01:40.026 align:middle la gutural colmillo adentro, tripa vacua, ¿a qué viene con la calle sucia? 00:01:40.556 --> 00:01:47.166 align:middle ¿a retribuirme con su historia de cuerpo inerte cuatro patas a mi puerta, su racimo de moscas, 00:01:47.636 --> 00:01:53.716 align:middle la noche incluida como un episodio de tanto perro múltiple que seguirá semana tras semana, 00:01:53.716 --> 00:01:59.306 align:middle y así hasta el final, parte de un método, etcétera, perro en perro, 00:01:59.336 --> 00:02:01.846 align:middle ladrando, mordiendo que incluso duele? 00:02:15.356 --> 00:02:19.526 align:middle >> These poems we've been reading after Nieve which is of course 00:02:19.586 --> 00:02:23.316 align:middle in the Kore Press book How Light Is Built, these poems are from a manuscript, 00:02:23.736 --> 00:02:27.686 align:middle selected poems that we've been working on together for quite some time 00:02:28.116 --> 00:02:29.946 align:middle and that we hope to bring out soon. 00:02:30.256 --> 00:02:36.746 align:middle And this poem Night Cynical, we had the pleasure of having it published in Terrain.org, 00:02:36.746 --> 00:02:41.456 align:middle a wonderful journal, the journal of built and natural environments and Simmons, 00:02:41.456 --> 00:02:43.466 align:middle who is the editor of that journal is here today. 00:02:43.466 --> 00:02:45.186 align:middle So I just want to say thank you, Simmons. 00:02:45.186 --> 00:02:47.186 align:middle We appreciate it. 00:02:47.956 --> 00:02:49.536 align:middle Wonderful journal, Terrain.org. 00:02:49.726 --> 00:02:52.686 align:middle You know where to find it. 00:02:52.686 --> 00:02:53.636 align:middle Night, Cynical. 00:02:55.026 --> 00:02:56.056 align:middle At night, they bark. 00:02:56.576 --> 00:03:00.366 align:middle So many dogs, they bark tied to the splintered post. 00:03:01.106 --> 00:03:06.886 align:middle They bark at the cat's leap, on the dry shrub, branches crackling under claws. 00:03:07.766 --> 00:03:08.666 align:middle They bark at whistles. 00:03:09.626 --> 00:03:11.906 align:middle They bark at their stakes, ripping wood. 00:03:12.276 --> 00:03:14.886 align:middle They bark all night under the withered tree. 00:03:15.606 --> 00:03:21.126 align:middle They bark, I think, as I listen wide awake because the second dog could not keep quiet, 00:03:21.766 --> 00:03:27.556 align:middle because of rage for order, because they will not break the circle, the choir of muzzles. 00:03:28.406 --> 00:03:34.566 align:middle Because if one of them stops, it may never culminate the bristling rite, fur against fence. 00:03:35.246 --> 00:03:41.736 align:middle In those hours, when I do not sleep, when there are too many dogs in my head and one outside 00:03:41.876 --> 00:03:49.816 align:middle in hunger, although maybe this caution springs from another vision, deepest growl, fanged, 00:03:49.966 --> 00:03:54.856 align:middle guttural, empty gut, why is it here on this dirty street? 00:03:55.536 --> 00:04:00.536 align:middle To pay me back with its story of a motionless body, four paws at my door, 00:04:00.846 --> 00:04:04.976 align:middle its cluster of flies, the night included as one more episode. 00:04:05.096 --> 00:04:10.206 align:middle So many dogs week after week and so on until the very end, part of a method, etcetera. 00:04:10.436 --> 00:04:14.446 align:middle Dog after dog, barking, biting, hurting, even?