WEBVTT

00:00:00.000 --> 00:00:01.170 align:middle line:90%


00:00:01.170 --> 00:00:05.970 align:middle line:90%
And then, to--

00:00:05.970 --> 00:00:06.940 align:middle line:90%
I think I have it.

00:00:06.940 --> 00:00:12.150 align:middle line:90%
Yes, I do.

00:00:12.150 --> 00:00:18.060 align:middle line:84%
This is based on a piece by
Iñigo Manglano-Ovalle's "Always

00:00:18.060 --> 00:00:23.130 align:middle line:84%
After the Glass House," which
is an incredible installation,

00:00:23.130 --> 00:00:26.370 align:middle line:90%
and it's along the same theme.

00:00:26.370 --> 00:00:32.159 align:middle line:84%
And it's a glass house
with broken glass

00:00:32.159 --> 00:00:36.840 align:middle line:84%
with a repeated always
sweeping, and it's like a loop.

00:00:36.840 --> 00:00:39.130 align:middle line:84%
And I was asked to
write a poem about this.

00:00:39.130 --> 00:00:41.940 align:middle line:90%
Well, what do I say?

00:00:41.940 --> 00:00:44.850 align:middle line:84%
And then, it would
be projected with it.

00:00:44.850 --> 00:00:49.840 align:middle line:84%
So it opens with a primary
document from Nazi Germany.

00:00:49.840 --> 00:00:54.060 align:middle line:84%
And this is-- it may
conclude the reading.

00:00:54.060 --> 00:00:57.310 align:middle line:84%
I'm done with my reading because
I don't know if I have time.

00:00:57.310 --> 00:00:58.500 align:middle line:90%
Time is important.

00:00:58.500 --> 00:01:01.620 align:middle line:90%


00:01:01.620 --> 00:01:06.990 align:middle line:84%
"The van's normal load is
usually nine per square yard.

00:01:06.990 --> 00:01:10.200 align:middle line:84%
In Sawyer vehicles
which are very spacious,

00:01:10.200 --> 00:01:12.870 align:middle line:84%
maximum use of
space is impossible

00:01:12.870 --> 00:01:15.000 align:middle line:84%
not because of any
possible overload,

00:01:15.000 --> 00:01:16.980 align:middle line:84%
but because loading
to full capacity

00:01:16.980 --> 00:01:19.650 align:middle line:84%
would affect the
vehicle's stability.

00:01:19.650 --> 00:01:23.190 align:middle line:84%
So reduction of the load
space seems necessary.

00:01:23.190 --> 00:01:25.860 align:middle line:84%
It must absolutely
be reduced by a yard,

00:01:25.860 --> 00:01:28.860 align:middle line:84%
instead of trying to solve
the problem as hitherto

00:01:28.860 --> 00:01:32.370 align:middle line:84%
by reducing the number
of pieces loaded.

00:01:32.370 --> 00:01:34.740 align:middle line:84%
Besides, this
extends the operating

00:01:34.740 --> 00:01:39.390 align:middle line:84%
time as the empty void must also
be filled with carbon monoxide.

00:01:39.390 --> 00:01:42.000 align:middle line:84%
On the other hand, if
the load space is reduced

00:01:42.000 --> 00:01:44.970 align:middle line:84%
and the vehicle is packed
solid, the operating time

00:01:44.970 --> 00:01:47.190 align:middle line:90%
can be considerably shortened.

00:01:47.190 --> 00:01:49.980 align:middle line:84%
The manufacturers told
us during a discussion

00:01:49.980 --> 00:01:52.350 align:middle line:84%
that reducing the
size of the van's rear

00:01:52.350 --> 00:01:54.780 align:middle line:84%
would throw it
badly off balance.

00:01:54.780 --> 00:01:58.050 align:middle line:84%
The front axle, they
claim, would be overloaded.

00:01:58.050 --> 00:02:01.620 align:middle line:84%
In fact, the balance is
automatically restored

00:02:01.620 --> 00:02:04.680 align:middle line:84%
because the merchandise
aboard displays

00:02:04.680 --> 00:02:07.260 align:middle line:84%
during the operation,
a natural tendency

00:02:07.260 --> 00:02:09.840 align:middle line:84%
to rush to the rear
doors, and is mainly

00:02:09.840 --> 00:02:12.960 align:middle line:84%
found lying there at the
end of the operation.

00:02:12.960 --> 00:02:16.020 align:middle line:84%
So the front axle
is not overloaded.

00:02:16.020 --> 00:02:18.510 align:middle line:84%
The lighting must be
better protected than now.

00:02:18.510 --> 00:02:21.150 align:middle line:84%
The lamps must be
enclosed in a steel grid

00:02:21.150 --> 00:02:23.160 align:middle line:90%
to prevent their being damaged.

00:02:23.160 --> 00:02:26.770 align:middle line:84%
Lights could be eliminated since
they apparently are never used.

00:02:26.770 --> 00:02:30.690 align:middle line:84%
However, it has been observed
that when the doors are shut,

00:02:30.690 --> 00:02:34.800 align:middle line:84%
the load always presses hard
against them, against the doors

00:02:34.800 --> 00:02:37.240 align:middle line:90%
as soon as darkness sets in.

00:02:37.240 --> 00:02:38.970 align:middle line:84%
This is because
the load naturally

00:02:38.970 --> 00:02:41.790 align:middle line:84%
rushes towards the light
when the darkness sets

00:02:41.790 --> 00:02:44.580 align:middle line:84%
in which makes closing
the doors difficult.

00:02:44.580 --> 00:02:48.360 align:middle line:84%
Also, because of the
alarming nature of darkness,

00:02:48.360 --> 00:02:53.970 align:middle line:84%
screaming always occurs
when the doors are closed.

00:02:53.970 --> 00:02:55.590 align:middle line:84%
It would therefore
be useful to light

00:02:55.590 --> 00:02:58.770 align:middle line:84%
the lamp before and during the
first moments of the operation.

00:02:58.770 --> 00:03:02.830 align:middle line:90%


00:03:02.830 --> 00:03:05.530 align:middle line:90%
We are only debating aftermath.

00:03:05.530 --> 00:03:10.840 align:middle line:84%
Aftermath, after what
once was sewed up

00:03:10.840 --> 00:03:15.820 align:middle line:84%
and kept as if
transparent if and only.

00:03:15.820 --> 00:03:22.240 align:middle line:84%
What a blanking repetition
that in its unblinking,

00:03:22.240 --> 00:03:26.440 align:middle line:84%
I'm the city of God against
the pagans reinforced

00:03:26.440 --> 00:03:31.840 align:middle line:84%
smashed skulls with
what once always after.

00:03:31.840 --> 00:03:37.390 align:middle line:84%
Over and over, it's at the
river or the Macbethy hands.

00:03:37.390 --> 00:03:40.810 align:middle line:90%
One is not one, one is.

00:03:40.810 --> 00:03:44.230 align:middle line:84%
We arrived after Celan
got there, always.

00:03:44.230 --> 00:03:47.230 align:middle line:90%
Even before there was was.

00:03:47.230 --> 00:03:52.180 align:middle line:84%
Ever machinic transparent,
we hold up strung-up hands,

00:03:52.180 --> 00:03:57.100 align:middle line:84%
juiced and ravaged, 'This
little van of mine.'

00:03:57.100 --> 00:04:01.150 align:middle line:84%
Incalculable love,
irreplaceability, and fundament

00:04:01.150 --> 00:04:03.970 align:middle line:84%
of reciprocity after
which both of us

00:04:03.970 --> 00:04:06.910 align:middle line:84%
come to the show
a little bloody.

00:04:06.910 --> 00:04:10.330 align:middle line:84%
Magic region of phase space
where self-organizing effects

00:04:10.330 --> 00:04:14.500 align:middle line:84%
are maximized, that is where
spontaneous self-organization

00:04:14.500 --> 00:04:16.750 align:middle line:90%
reaches a peak in complexity.

00:04:16.750 --> 00:04:19.329 align:middle line:84%
I tried to convince my
family to go to Auschwitz

00:04:19.329 --> 00:04:22.150 align:middle line:90%
for educational purposes.

00:04:22.150 --> 00:04:26.600 align:middle line:84%
The idea of transparency, the
'I can tell you truthfully'

00:04:26.600 --> 00:04:30.530 align:middle line:84%
is glassed, bashed,
head full of foam.

00:04:30.530 --> 00:04:34.660 align:middle line:84%
We put on our headphones and
walk, arm in fucking arm.

00:04:34.660 --> 00:04:38.500 align:middle line:84%
After this, comes that
and the carelessness.

00:04:38.500 --> 00:04:42.490 align:middle line:84%
How I'm so sorry for a
little cut up, emoticon,

00:04:42.490 --> 00:04:49.390 align:middle line:84%
and gun face cleaned up, back
out, rinse, repeat, do-overs.

00:04:49.390 --> 00:04:54.170 align:middle line:90%
Never, Neveah, Noviodunum.

00:04:54.170 --> 00:04:59.090 align:middle line:84%
Well, I was born in Nevaeh,
I grew up in Nevaeh,

00:04:59.090 --> 00:05:01.130 align:middle line:90%
I learned to read in Nevaeh.

00:05:01.130 --> 00:05:04.130 align:middle line:90%
That's where I turned 20.

00:05:04.130 --> 00:05:07.480 align:middle line:84%
When you're in the
cellar, am I dead?

00:05:07.480 --> 00:05:09.250 align:middle line:90%
You're dead.

00:05:09.250 --> 00:05:12.850 align:middle line:84%
Useless swearing, sewed-up
hand, swept, and weeping,

00:05:12.850 --> 00:05:16.540 align:middle line:84%
this jabby of
legitimated Eisenstein.

00:05:16.540 --> 00:05:20.500 align:middle line:84%
This is the glass sky
that I invented in Berlin.

00:05:20.500 --> 00:05:24.550 align:middle line:84%
Strung-up gut factories
already functioning equally,

00:05:24.550 --> 00:05:27.100 align:middle line:84%
tailors disassembly
lines of meat.

00:05:27.100 --> 00:05:30.610 align:middle line:84%
Hey, Holocaust
Chicago, prep meat talk

00:05:30.610 --> 00:05:33.770 align:middle line:84%
to Upton Sinclair
about that one.

00:05:33.770 --> 00:05:37.080 align:middle line:84%
Afterwards, I don't
remember anymore.

00:05:37.080 --> 00:05:38.750 align:middle line:90%
How long?

00:05:38.750 --> 00:05:40.190 align:middle line:90%
How long?

00:05:40.190 --> 00:05:42.090 align:middle line:90%
Eternity.

00:05:42.090 --> 00:05:44.700 align:middle line:84%
I'm glad you grew
your hair back."

00:05:44.700 --> 00:05:46.200 align:middle line:90%
Thank you.

00:05:46.200 --> 00:05:49.550 align:middle line:90%
[APPLAUSE]

00:05:49.550 --> 00:05:58.080 align:middle line:90%