WEBVTT 00:00:00.000 --> 00:00:02.740 align:middle line:90% 00:00:02.740 --> 00:00:05.474 align:middle line:90% Sometimes-- "My Sad Self"-- 00:00:05.474 --> 00:00:08.350 align:middle line:90% a poem called "My Sad Self." 00:00:08.350 --> 00:00:14.100 align:middle line:90% 1958. 00:00:14.100 --> 00:00:16.860 align:middle line:84% Sometimes when my eyes are red, I 00:00:16.860 --> 00:00:20.220 align:middle line:84% go up on top of the RCA building and gaze 00:00:20.220 --> 00:00:23.490 align:middle line:90% at my world, Manhattan. 00:00:23.490 --> 00:00:24.930 align:middle line:90% My building. 00:00:24.930 --> 00:00:26.940 align:middle line:90% Streets I've done feats in. 00:00:26.940 --> 00:00:32.280 align:middle line:84% Lofts, beds, cold water flats on Fifth Avenue below, 00:00:32.280 --> 00:00:35.580 align:middle line:90% which I also bear in mind. 00:00:35.580 --> 00:00:38.460 align:middle line:84% Its ant cars, little yellow taxis, 00:00:38.460 --> 00:00:41.820 align:middle line:84% men walking the size of specks of wool, 00:00:41.820 --> 00:00:46.320 align:middle line:84% panorama of the bridges, sunrise over Brooklyn machine, 00:00:46.320 --> 00:00:48.060 align:middle line:84% sun go down over New Jersey, where 00:00:48.060 --> 00:00:51.540 align:middle line:84% I was born, in Paterson, where I played with ants, 00:00:51.540 --> 00:00:54.240 align:middle line:90% my later love on 15th Street. 00:00:54.240 --> 00:00:56.730 align:middle line:84% My greater loves of Lower East Side. 00:00:56.730 --> 00:01:01.560 align:middle line:84% My once fabulous amours in the Bronx far away. 00:01:01.560 --> 00:01:04.620 align:middle line:84% Paths crossing in all these hidden streets. 00:01:04.620 --> 00:01:06.300 align:middle line:90% My history is summed up. 00:01:06.300 --> 00:01:09.720 align:middle line:84% My absences and ecstasies in Harlem. 00:01:09.720 --> 00:01:13.380 align:middle line:84% Sun shining down on all I own in one eye blink 00:01:13.380 --> 00:01:17.580 align:middle line:84% to the horizon in my last eternity. 00:01:17.580 --> 00:01:20.280 align:middle line:90% Matter is water. 00:01:20.280 --> 00:01:21.720 align:middle line:90% Sad. 00:01:21.720 --> 00:01:25.380 align:middle line:84% I take the elevator and go down, pondering, 00:01:25.380 --> 00:01:29.610 align:middle line:84% and walk on the pavement, staring into all man's plate 00:01:29.610 --> 00:01:30.840 align:middle line:90% glass. 00:01:30.840 --> 00:01:34.410 align:middle line:84% Faces questioning after who loves. 00:01:34.410 --> 00:01:39.270 align:middle line:84% And stop bemused in front of an automobile shop window, 00:01:39.270 --> 00:01:41.700 align:middle line:90% standing lost in calm thought. 00:01:41.700 --> 00:01:44.850 align:middle line:84% Traffic moving up and down Fifth Avenue blocks 00:01:44.850 --> 00:01:49.750 align:middle line:84% behind me waiting for a moment when-- 00:01:49.750 --> 00:01:52.740 align:middle line:84% Time to go home and cook supper and listen to the romantic war 00:01:52.740 --> 00:01:55.590 align:middle line:90% news on the radio. 00:01:55.590 --> 00:02:01.200 align:middle line:84% All movement stops and I walk in the timeless sadness 00:02:01.200 --> 00:02:05.400 align:middle line:84% of existing, tenderness blowing through the buildings. 00:02:05.400 --> 00:02:08.669 align:middle line:84% My fingertips touching reality's face. 00:02:08.669 --> 00:02:11.850 align:middle line:84% My own face streaked with tears in the mirror 00:02:11.850 --> 00:02:14.880 align:middle line:84% of some window at dusk where I have 00:02:14.880 --> 00:02:19.320 align:middle line:84% no desire for bonbons or to own the dresses 00:02:19.320 --> 00:02:22.680 align:middle line:84% or Japanese lampshades of intellectuals. 00:02:22.680 --> 00:02:25.320 align:middle line:84% Confused by the spectacle around me. 00:02:25.320 --> 00:02:28.980 align:middle line:84% Man struggling up the street with packages, newspapers, 00:02:28.980 --> 00:02:32.070 align:middle line:84% ties, beautiful suits, towards his desire. 00:02:32.070 --> 00:02:34.800 align:middle line:84% Man, woman streaming over the pavement. 00:02:34.800 --> 00:02:37.380 align:middle line:84% Red lights clocking hurried watches and movements 00:02:37.380 --> 00:02:38.490 align:middle line:90% at the curb. 00:02:38.490 --> 00:02:41.070 align:middle line:84% And all these streets leading me so cross wise. 00:02:41.070 --> 00:02:42.750 align:middle line:90% Honking, lengthily. 00:02:42.750 --> 00:02:45.750 align:middle line:84% By avenues stalked by high buildings 00:02:45.750 --> 00:02:49.140 align:middle line:84% or crusted into slums through such halting traffic. 00:02:49.140 --> 00:02:51.940 align:middle line:84% Screaming cars and engine so painfully 00:02:51.940 --> 00:02:55.740 align:middle line:84% to this countryside, this graveyard, this stillness. 00:02:55.740 --> 00:02:58.740 align:middle line:84% On death bed or mountain, once seemed 00:02:58.740 --> 00:03:03.150 align:middle line:84% never regained or desired in the mind to come, 00:03:03.150 --> 00:03:05.670 align:middle line:84% where all Manhattan that I've seen must disappear. 00:03:05.670 --> 00:03:08.970 align:middle line:90% 00:03:08.970 --> 00:03:11.720 align:middle line:90% [APPLAUSE] 00:03:11.720 --> 00:03:16.000 align:middle line:90%