WEBVTT 00:00:00.000 --> 00:00:01.590 align:middle line:90% 00:00:01.590 --> 00:00:10.140 align:middle line:84% Well, for I'm closer to home or to your home 00:00:10.140 --> 00:00:15.000 align:middle line:84% pulling my load visiting D.H. Lawrence's 00:00:15.000 --> 00:00:21.970 align:middle line:84% shrine above Taos several years ago. 00:00:21.970 --> 00:00:25.220 align:middle line:90% 00:00:25.220 --> 00:00:31.385 align:middle line:84% Still following the same theme, "The Man Who Rode Away." 00:00:31.385 --> 00:00:34.010 align:middle line:90% 00:00:34.010 --> 00:00:41.690 align:middle line:84% "Above Taos now I peered through the crack of your locked door, 00:00:41.690 --> 00:00:44.960 align:middle line:84% dead Lawrence and there indeed I see 00:00:44.960 --> 00:00:50.390 align:middle line:84% they've got you now at last safely stashed away locked away 00:00:50.390 --> 00:00:54.980 align:middle line:84% from the light of your dear son in the weird great dark 00:00:54.980 --> 00:00:59.840 align:middle line:84% of your little shattered shrine with the dark brown cover 00:00:59.840 --> 00:01:02.750 align:middle line:84% of your old portable, clenched like a jaw 00:01:02.750 --> 00:01:08.840 align:middle line:84% upon dumb keys, teeth sans, tongue as in a mute 00:01:08.840 --> 00:01:13.610 align:middle line:90% mask of a Greek megaphone. 00:01:13.610 --> 00:01:18.710 align:middle line:84% Here's real proof the soul has its rages 00:01:18.710 --> 00:01:24.230 align:middle line:84% dampened in darkness, shrine locked, booby trapped 00:01:24.230 --> 00:01:27.950 align:middle line:84% for burglars, plumed serpent stoned 00:01:27.950 --> 00:01:33.920 align:middle line:84% into a gargoyle Lawrence, Lawrence, bearded David, 00:01:33.920 --> 00:01:40.700 align:middle line:84% Phoenix flamed out of a mine head, ash to ash sown in vaults 00:01:40.700 --> 00:01:44.510 align:middle line:90% and resold in America Del Norte. 00:01:44.510 --> 00:01:50.690 align:middle line:84% We're now here now your portable seed has blown away. 00:01:50.690 --> 00:01:55.370 align:middle line:84% Other seeds are growing, not yours Lawrence in the White 00:01:55.370 --> 00:01:58.730 align:middle line:90% Sands proving grounds. 00:01:58.730 --> 00:02:01.130 align:middle line:84% Lawrence, now I see you come alone 00:02:01.130 --> 00:02:05.120 align:middle line:84% from your crib cabin all fenced in the backyard compound 00:02:05.120 --> 00:02:07.700 align:middle line:90% of that big caretaker's house. 00:02:07.700 --> 00:02:11.540 align:middle line:84% You stand still a moment in the still air, 00:02:11.540 --> 00:02:14.270 align:middle line:84% your eyes have a Mexican look turn 00:02:14.270 --> 00:02:19.970 align:middle line:84% South over the arroyos, ahora y siempre. 00:02:19.970 --> 00:02:22.010 align:middle line:90% Winter is coming. 00:02:22.010 --> 00:02:26.300 align:middle line:84% You have your tickets, you have your blue denim jacket, 00:02:26.300 --> 00:02:29.480 align:middle line:90% you have your crazy Stetson. 00:02:29.480 --> 00:02:33.440 align:middle line:84% Your tin Phoenix tacked to a tree drops 00:02:33.440 --> 00:02:36.080 align:middle line:90% in a gift shop window. 00:02:36.080 --> 00:02:44.345 align:middle line:84% A mistrial wind rattles the pine needles of your bones." 00:02:44.345 --> 00:02:47.255 align:middle line:90% [APPLAUSE] 00:02:47.255 --> 00:02:55.500 align:middle line:90% 00:02:55.500 --> 00:02:58.060 align:middle line:84% That reminds me I went up to see the D.H. Lawrence Shrine, 00:02:58.060 --> 00:02:59.460 align:middle line:84% it was locked the day I was there 00:02:59.460 --> 00:03:01.710 align:middle line:84% and I could only peer in through the door. 00:03:01.710 --> 00:03:09.090 align:middle line:84% And Robert Creeley said, "See there's his crazy Stetson." 00:03:09.090 --> 00:03:12.390 align:middle line:84% That's where that line came from. 00:03:12.390 --> 00:03:19.810 align:middle line:84% His wife I believe is buried across the doorway, 00:03:19.810 --> 00:03:22.690 align:middle line:90% I mean in the ground. 00:03:22.690 --> 00:03:27.010 align:middle line:84% So my memory may be wrong it's been four or five years. 00:03:27.010 --> 00:03:29.530 align:middle line:84% But it seemed to me you had to cross over her 00:03:29.530 --> 00:03:33.430 align:middle line:84% to get to the poet which is often the case with living 00:03:33.430 --> 00:03:38.560 align:middle line:84% poets I find, if you can get past the wife, 00:03:38.560 --> 00:03:40.420 align:middle line:84% you might be able to talk to the poet. 00:03:40.420 --> 00:03:43.420 align:middle line:90% 00:03:43.420 --> 00:03:46.480 align:middle line:84% I don't mean to be derogatory to wives 00:03:46.480 --> 00:03:55.390 align:middle line:84% like Kenneth Patchen's wife guards him very lovingly. 00:03:55.390 --> 00:03:58.180 align:middle line:90% And he needs it. 00:03:58.180 --> 00:04:04.740 align:middle line:84% He's a great American poet who's very sick in Palo Alto. 00:04:04.740 --> 00:04:06.000 align:middle line:90%