WEBVTT 00:00:00.000 --> 00:00:01.350 align:middle line:90% 00:00:01.350 --> 00:00:05.115 align:middle line:90% This is a poem about my dog. 00:00:05.115 --> 00:00:14.150 align:middle line:90% 00:00:14.150 --> 00:00:19.260 align:middle line:84% This poem was read on NET poetry series 00:00:19.260 --> 00:00:25.160 align:middle line:84% and they got lots of letters about the program 00:00:25.160 --> 00:00:28.460 align:middle line:84% all about my dog, not a word about poetry. 00:00:28.460 --> 00:00:35.080 align:middle line:90% 00:00:35.080 --> 00:00:41.590 align:middle line:84% This dog trots freely in the street and sees reality 00:00:41.590 --> 00:00:45.370 align:middle line:84% and the things he sees are bigger than himself. 00:00:45.370 --> 00:00:49.000 align:middle line:84% And the things he sees are his reality. 00:00:49.000 --> 00:00:51.520 align:middle line:84% Drunks in doorways, moons on trees. 00:00:51.520 --> 00:00:54.550 align:middle line:84% The dog trots freely through the streets and the things he sees 00:00:54.550 --> 00:00:56.590 align:middle line:90% are smaller than himself. 00:00:56.590 --> 00:01:00.790 align:middle line:84% Fish on newsprint, ants in holes, chickens in Chinatown 00:01:00.790 --> 00:01:04.239 align:middle line:84% windows their heads a block away. 00:01:04.239 --> 00:01:06.520 align:middle line:84% The dog trots freely in the street and the things 00:01:06.520 --> 00:01:09.250 align:middle line:84% he smell smells something like himself. 00:01:09.250 --> 00:01:12.460 align:middle line:84% The dog trots freely in the street past puddles and babies, 00:01:12.460 --> 00:01:15.880 align:middle line:84% cats and cigars, pool rooms and policemen. 00:01:15.880 --> 00:01:21.430 align:middle line:84% He doesn't hate cops he merely has no use for them 00:01:21.430 --> 00:01:25.270 align:middle line:84% and he goes past them and pass the dead cows 00:01:25.270 --> 00:01:28.840 align:middle line:84% hung a pole in front of the San Francisco meat market. 00:01:28.840 --> 00:01:33.190 align:middle line:84% He would rather eat a tender cow than a tough policeman. 00:01:33.190 --> 00:01:35.140 align:middle line:90% Though either might do. 00:01:35.140 --> 00:01:39.460 align:middle line:84% And he goes past the Romeo Ravioli Factory and past Coit 00:01:39.460 --> 00:01:44.680 align:middle line:84% Tower and past Congressman Doyle of the Un-American Committee. 00:01:44.680 --> 00:01:46.780 align:middle line:84% He's afraid of Coit tower but he's not 00:01:46.780 --> 00:01:49.480 align:middle line:90% afraid of Congressman Doyle. 00:01:49.480 --> 00:01:53.800 align:middle line:84% Although what he hears is very discouraging, very depressing, 00:01:53.800 --> 00:01:57.670 align:middle line:84% very absurd to the sad young dog like himself, 00:01:57.670 --> 00:02:02.810 align:middle line:84% to a serious dog like himself but he has his own free world 00:02:02.810 --> 00:02:03.820 align:middle line:90% to live in. 00:02:03.820 --> 00:02:06.010 align:middle line:90% His own fleas to eat. 00:02:06.010 --> 00:02:07.810 align:middle line:90% He will not be muzzled. 00:02:07.810 --> 00:02:11.770 align:middle line:84% Congressman Doyle is just another fire hydrant to him. 00:02:11.770 --> 00:02:14.662 align:middle line:90% 00:02:14.662 --> 00:02:20.940 align:middle line:90% [APPLAUSE] 00:02:20.940 --> 00:02:22.590 align:middle line:84% The dog trots freely in the street 00:02:22.590 --> 00:02:25.050 align:middle line:84% and has his own dog's life to live and to think about 00:02:25.050 --> 00:02:28.170 align:middle line:84% and to reflect upon, touching and tasting and testing 00:02:28.170 --> 00:02:30.150 align:middle line:84% everything investigating everything 00:02:30.150 --> 00:02:32.240 align:middle line:90% without benefit of perjury. 00:02:32.240 --> 00:02:36.660 align:middle line:84% A real realist with a real tale to tell 00:02:36.660 --> 00:02:41.070 align:middle line:90% and a real tale to tell it with. 00:02:41.070 --> 00:02:44.820 align:middle line:84% A real live barking Democratic dog 00:02:44.820 --> 00:02:48.060 align:middle line:84% engaged in real free enterprise with something 00:02:48.060 --> 00:02:50.070 align:middle line:90% to say about ontology. 00:02:50.070 --> 00:02:53.820 align:middle line:84% Something to say about reality and how to see it 00:02:53.820 --> 00:02:57.090 align:middle line:84% and how to hear it with his head cocked sideways 00:02:57.090 --> 00:02:59.820 align:middle line:84% at street corners as if he is always just 00:02:59.820 --> 00:03:04.080 align:middle line:84% about to have his picture taken for Victor Records. 00:03:04.080 --> 00:03:08.880 align:middle line:84% Listening for his master's voice and looking like a living 00:03:08.880 --> 00:03:12.330 align:middle line:84% question mark into the grade gramophone 00:03:12.330 --> 00:03:17.130 align:middle line:84% a puzzling existence with its wondrous hollow horn, 00:03:17.130 --> 00:03:21.780 align:middle line:84% which always seems just about to spout forth 00:03:21.780 --> 00:03:26.730 align:middle line:84% some victorious answer to everything. 00:03:26.730 --> 00:03:28.580 align:middle line:90% [APPLAUSE] 00:03:28.580 --> 00:03:40.082 align:middle line:90%