WEBVTT 00:00:00.000 --> 00:00:08.000 align:middle line:90% 00:00:08.000 --> 00:00:09.455 align:middle line:90% "I love you into Pluto. 00:00:09.455 --> 00:00:12.660 align:middle line:90% 00:00:12.660 --> 00:00:15.540 align:middle line:84% I've been waiting all day for this moment, 00:00:15.540 --> 00:00:17.610 align:middle line:90% to be alone with you. 00:00:17.610 --> 00:00:21.360 align:middle line:84% Alone, meaning reflection, as you stop to look. 00:00:21.360 --> 00:00:24.540 align:middle line:84% My pulse unblemished by looking, the bones 00:00:24.540 --> 00:00:26.850 align:middle line:84% of this arc of understanding, when 00:00:26.850 --> 00:00:32.220 align:middle line:84% I stop to look at you in a way to make breathing possible. 00:00:32.220 --> 00:00:33.390 align:middle line:90% You are my breath. 00:00:33.390 --> 00:00:36.090 align:middle line:84% And when you walk, you meaning and understanding 00:00:36.090 --> 00:00:38.370 align:middle line:84% that the body is of your making, I 00:00:38.370 --> 00:00:40.980 align:middle line:84% see with other senses uncompromised 00:00:40.980 --> 00:00:44.150 align:middle line:90% by physical limitations-- 00:00:44.150 --> 00:00:46.670 align:middle line:84% a pause of physical nature of friends, 00:00:46.670 --> 00:00:51.710 align:middle line:84% a pause of the cycling of the mind and below the mind. 00:00:51.710 --> 00:00:55.490 align:middle line:84% As we descend, I see a figure stream into the room. 00:00:55.490 --> 00:00:58.760 align:middle line:84% Intentionality to walk into a dark room 00:00:58.760 --> 00:01:02.000 align:middle line:84% with only the lightness of your body, which you could not see 00:01:02.000 --> 00:01:04.519 align:middle line:84% but which everyone else could see. 00:01:04.519 --> 00:01:07.820 align:middle line:84% Dark pitch and snow falling thick and fast 00:01:07.820 --> 00:01:11.210 align:middle line:84% could not bear into the face of, not able 00:01:11.210 --> 00:01:13.160 align:middle line:90% to contain such a gaze. 00:01:13.160 --> 00:01:19.270 align:middle line:84% Come back to me ostensibly as returned liquid light. 00:01:19.270 --> 00:01:21.490 align:middle line:84% I want the letter to be more flowery, 00:01:21.490 --> 00:01:24.340 align:middle line:84% he said, the love letter to yourself. 00:01:24.340 --> 00:01:27.430 align:middle line:84% In a dark room, you mentioned you, 00:01:27.430 --> 00:01:30.670 align:middle line:84% under slayer of dark, remnants of dark, 00:01:30.670 --> 00:01:33.790 align:middle line:84% of the letters and numbers printed on bombs dropping 00:01:33.790 --> 00:01:35.830 align:middle line:90% on Iraq at this moment. 00:01:35.830 --> 00:01:39.790 align:middle line:84% The newspapers, which I stroll past in my stroller, 00:01:39.790 --> 00:01:43.450 align:middle line:84% strolled boys, oblivious to the children, 00:01:43.450 --> 00:01:45.370 align:middle line:90% faces buried in rubble. 00:01:45.370 --> 00:01:46.690 align:middle line:90% Would I shield them? 00:01:46.690 --> 00:01:47.680 align:middle line:90% Gladly. 00:01:47.680 --> 00:01:50.380 align:middle line:84% Inside, the mother father garden. 00:01:50.380 --> 00:01:52.990 align:middle line:84% When I walk past those images, frayed 00:01:52.990 --> 00:01:58.200 align:middle line:84% by the visual recognition of destruction-- gladly. 00:01:58.200 --> 00:02:00.240 align:middle line:84% I've been waiting to turn to you, 00:02:00.240 --> 00:02:03.030 align:middle line:84% meaning to look at the images gladly. 00:02:03.030 --> 00:02:07.470 align:middle line:84% Last, unblemished by looking directly at you as I am of you. 00:02:07.470 --> 00:02:10.530 align:middle line:84% Of the rubble in the photograph of the child lost 00:02:10.530 --> 00:02:12.960 align:middle line:84% in contentment, I hold, locked eyes 00:02:12.960 --> 00:02:15.420 align:middle line:90% with the image of destitution. 00:02:15.420 --> 00:02:19.500 align:middle line:84% I am of you, and I choose you, the child buried in rubble. 00:02:19.500 --> 00:02:23.970 align:middle line:84% I choose to walk into the dark room with luminosity, a parent, 00:02:23.970 --> 00:02:26.670 align:middle line:90% where we may walk together. 00:02:26.670 --> 00:02:30.660 align:middle line:84% You, phosphorescent, along the edges of your sky. 00:02:30.660 --> 00:02:36.240 align:middle line:84% Chest expands along the edges of my small understanding. 00:02:36.240 --> 00:02:40.860 align:middle line:84% Grand apprehension, apprehend apprenticeship, 00:02:40.860 --> 00:02:44.400 align:middle line:84% pretend ship aboard not vessel but voyage, 00:02:44.400 --> 00:02:47.460 align:middle line:84% preternatural of nerves and muscles, 00:02:47.460 --> 00:02:51.840 align:middle line:84% clavicle turn of needing one's hands for small tasks. 00:02:51.840 --> 00:02:54.600 align:middle line:84% An intimate animal, elusive, wholly 00:02:54.600 --> 00:02:56.790 align:middle line:84% imaginary to accompany us through 00:02:56.790 --> 00:03:00.100 align:middle line:90% this dwindling corridor. 00:03:00.100 --> 00:03:03.430 align:middle line:84% I love you into Pluto, beyond the spot. 00:03:03.430 --> 00:03:06.730 align:middle line:84% Sit on my lap and eat a sandwich, drinking sideways 00:03:06.730 --> 00:03:10.930 align:middle line:84% from the corner of your mouth, having a cup of juice with you. 00:03:10.930 --> 00:03:14.440 align:middle line:84% Or you are luminous, and I am sleeping as you arrive, 00:03:14.440 --> 00:03:17.320 align:middle line:84% tiredly pulling over the bed to your side, 00:03:17.320 --> 00:03:21.430 align:middle line:90% beckoning bodily beyond Pluto. 00:03:21.430 --> 00:03:23.770 align:middle line:90% I love you into the Milky Way. 00:03:23.770 --> 00:03:26.320 align:middle line:84% This could be a children's book, he 00:03:26.320 --> 00:03:30.250 align:middle line:84% said, which begins, I love you into the clouds, 00:03:30.250 --> 00:03:33.250 align:middle line:84% then the moon, then the other planets, 00:03:33.250 --> 00:03:36.760 align:middle line:84% and onwards, outwards, to infinity. 00:03:36.760 --> 00:03:40.360 align:middle line:84% Just always to be with you, even on the potty, mommy. 00:03:40.360 --> 00:03:43.540 align:middle line:84% From where did it come, this luminous body? 00:03:43.540 --> 00:03:48.450 align:middle line:84% Jakey, lay down, it's sleepy time. 00:03:48.450 --> 00:03:52.230 align:middle line:84% How is it that meditation changes reality so that 00:03:52.230 --> 00:03:54.780 align:middle line:84% returning to a task, to a thought, 00:03:54.780 --> 00:03:57.240 align:middle line:84% you touch everything differently? 00:03:57.240 --> 00:04:00.870 align:middle line:84% We were made of trees, and we shook madly. 00:04:00.870 --> 00:04:03.390 align:middle line:84% The neighbor moves out of the neighborhood. 00:04:03.390 --> 00:04:06.960 align:middle line:84% I have a history of inexplicable love for you. 00:04:06.960 --> 00:04:10.260 align:middle line:90% How to entertain the illogical? 00:04:10.260 --> 00:04:14.220 align:middle line:84% Is it logical to look at a forest and see a parking lot? 00:04:14.220 --> 00:04:17.130 align:middle line:84% Is it logical in the midst of hurried tasks 00:04:17.130 --> 00:04:22.380 align:middle line:84% to stop, to sit, to pray, to offer help, to light candles? 00:04:22.380 --> 00:04:25.530 align:middle line:84% An act is merely an act if only acted. 00:04:25.530 --> 00:04:27.390 align:middle line:84% I have a history of love for you that 00:04:27.390 --> 00:04:30.030 align:middle line:90% is not my history exclusively. 00:04:30.030 --> 00:04:32.730 align:middle line:84% You are loved beyond anything known. 00:04:32.730 --> 00:04:36.570 align:middle line:84% There is no you in the sentence that approaches aptly. 00:04:36.570 --> 00:04:40.260 align:middle line:84% There is only the sentence where it attempts to carry thought, 00:04:40.260 --> 00:04:44.310 align:middle line:84% missing along the way at every catch of breath. 00:04:44.310 --> 00:04:47.520 align:middle line:84% But the you in the sentence is the multi-present you, 00:04:47.520 --> 00:04:50.510 align:middle line:84% the you drinking or sitting, the you sleeping, 00:04:50.510 --> 00:04:53.940 align:middle line:84% the you in the newspapers, the you idiotic, 00:04:53.940 --> 00:04:56.820 align:middle line:84% yelling, the you stomping away, the you 00:04:56.820 --> 00:05:00.240 align:middle line:84% lifting boxes in the garage, searching for something 00:05:00.240 --> 00:05:03.390 align:middle line:84% at my request, the you planting seeds, 00:05:03.390 --> 00:05:07.560 align:middle line:84% scrubbing floors, the you distant, invisible, ever 00:05:07.560 --> 00:05:11.850 align:middle line:84% present, the you ringing the telephone far too often, 00:05:11.850 --> 00:05:14.670 align:middle line:84% the you crying, walking into walls, 00:05:14.670 --> 00:05:17.400 align:middle line:84% the you irritated at that time of night, 00:05:17.400 --> 00:05:19.860 align:middle line:84% the you searching for remedies, the you 00:05:19.860 --> 00:05:22.680 align:middle line:84% allergic to wheat and the you allergic to cats 00:05:22.680 --> 00:05:26.280 align:middle line:84% and the you preferring an aisle seat, the you not helping, 00:05:26.280 --> 00:05:30.180 align:middle line:84% but running, the you leaving drawers open and dishes dirty, 00:05:30.180 --> 00:05:33.300 align:middle line:84% the you walking across the kitchen counter, 00:05:33.300 --> 00:05:38.010 align:middle line:84% the you missing or deliberately absent, the you of no image, 00:05:38.010 --> 00:05:41.910 align:middle line:84% the you of divine image, the you you disagree with, 00:05:41.910 --> 00:05:46.170 align:middle line:84% the you in any one continuous sentence, the you in debt, 00:05:46.170 --> 00:05:49.380 align:middle line:84% the you in versed, reading something trivial, 00:05:49.380 --> 00:05:54.180 align:middle line:84% repeating untrue words, the you listening, the you into all 00:05:54.180 --> 00:05:57.000 align:middle line:90% of the planets. 00:05:57.000 --> 00:06:02.460 align:middle line:84% We are animals, standing very still until someone presses 00:06:02.460 --> 00:06:03.810 align:middle line:90% our buttons. 00:06:03.810 --> 00:06:06.690 align:middle line:90% Then we walk or run. 00:06:06.690 --> 00:06:10.530 align:middle line:90% Then we are still again. 00:06:10.530 --> 00:06:11.490 align:middle line:90% Thank you. 00:06:11.490 --> 00:06:14.840 align:middle line:90% [APPLAUSE] 00:06:14.840 --> 00:06:26.000 align:middle line:90%